Tessellations again!

In a moment of madness, I agreed to do a program on tessellations for my MQG in Greensboro.  I’ll be posting the same information here so we can all share it and so that these blogs can serve as “handouts” for my presentation.  To start, here’s a blog written by my friend Jean Larson, who has designed and made several award-winning tessellation quilts.  To view some of Jean’s quilts, click HERE.  –MJP

Tessellating designs make me happy.  Tweaking those designs is even more fun.   I want to share the joy of starting with a very, very simple design and watching it blossom.  

Start with a simple gridded block and create a light/dark design.  Here, I’ve started with a 3 x 3 grid.  Then re-color the same block with the lights and darks reversed

.The grid lines are only for design purposes, and each block can be constructed with a single square block with 2 corner triangles attached using any method you prefer.

Here are some design possibilities…Quilt_1A simple “cat head” quilt using only 2 colors.

Different looks can be achieved with variations in the color placement.

Blocks can be inverted and turned for even more quilt designs.

Just imagine all the possibilities with color in these!!!!!

It’s even more complex when you design with a 6×6 grid.  Here are the positive and negative versions of another block.

These blocks can be constructed using half-square triangles integrated with larger fabric pieces.  If these blocks were to finish at 6 inches by 6 inches.  The center column on each block would be a single 3.5 inch wide by 6.5 in long piece of fabric.  The side strips would include some half-square triangles.

A couple of the quilts that can be made:

Looks like spools, some gray, some white, all standing up.  Same quilt with alternate blocks turned a quarter turn yields a different  clearly recognizable tessellation.  Reminds me of tessellating doggie rawhide chews 😉

Now back to the spool quilt from above.  The “thread” areas have been colored in.  No blocks have been turned.

Jean spool 5This shows the power of color and value (lightness and darkness).   The colored part, being next to the gray and being closer in value to the gray, unites those parts of the block, and gives the illusion that we have all gray spools on a white background, some standing up, some lying down.

I hope these examples can be the seeds to sprout some design experimentation with tessellating shapes.

  1. Start with 2 square grids
  2. Create a positive design, and its negative design
  3. Alternate them in a quilt layout
  4. PLAY!
  5. And play more with color!

Happy Quilting (and Designing)!!   –Jean Larson

 

 

 

 

 

 

 

 

 

 

Candy Cubes

Remember this? I started on the quilt on page 34 soon after I got the book

I didn’t like the first background fabric I chose:

So I took the quilt all apart and put it together again, this time with the background fabric matching the centers so that the blocks look like square lifesavers.  I’m calling it “Candy Cubes”.

To be honest, I’m not sure I like the new background fabric any better–the value is too close to the value of the cubes, even though the color is different. But a done quilt is a good quilt, so I’m on to the next project. 

I still like the pattern and enjoyed making the quilt.  And I still think it would be a great “make your second quilt” class.

Quilt Stats:

Name: Candy Cubes

Pattern SourceNew Patchwork & Quilting Basics by Jo Avery

Finished size: 53″ x 77″

Fabric:  Cubes are Moda Grunge.  I don’t know what the background fabric is.

Quilted by: Julia Madison

What I might do different next time: Change the cube fabric rather than the background fabric.

I love the fabric on the quilt back, too!

A Tale of Many Dots

A couple of years ago I bought this fabric because I really liked it:

Since it was pre-printed fat quarters (FQs), I planned to use it in a pattern designed for FQs.  I added a couple of fabrics that I thought went well with it.  Until I saw it sewn together:

I didn’t like the quilt top once I got it made, so I took out every single seam and set the pieces aside to think about.

I took out the fabrics I had added, thinking perhaps they were the problem.  That helped a little.  However, I decided the dots needed some solid mixed with them.  I took them on a shopping trip with friends and we selected a nice red-orange to mix with them.  Then I re-made the quilt including some of the red-orange.

I still didn’t like it.  And call me lazy if you like, but I was not going to take those pieces apart again!  So, with a what-the-heck attitude, I cut the new top up into circles (big dots!) using my dinner and salad plates as templates.

I pinned various potential backgrounds on the design wall and tried them out.

I think some variation of this is going to be the final design.  Maybe not the greatest ever, but nobody died, so I’m moving on!

Teaching Quilt As You Go

I recently had the privilege of teaching Quilt-As-You-Go (QAYG) techniques to a nice bunch of quilters at Studio Stitch in Greensboro.  Here’s the summary:

Georgia Bonesteel’s QAYG method is the first one I learned, many years ago.  I brought along a queen-sized quilt I made using the method to show.  I demonstrated QAYG this way, and we all agreed to go on to something easier!

I made this Jewel Box quilt many years ago using Georgia Bonesteel’s QAYG method

Marti Michell’s method for quilting 1/3 of a large quilt at a time seems much easier and I demonstrated it.  You can find out more about it from her book Machine Quilting in Sections or from her demos on YouTube.

The class sample used another common QAYG method, constructing the blocks and quilting them at the same time.

The class was structured so that students could make the class sample if they wanted, or could bring any pattern they chose.  Three people brought other patterns and we worked out how to use those with the QAYG method.  Everyone made a lot of progress on a quilt during class!

Two quilters brought fairly complex patterns and got a good start on their blocks:

One quilter wanted to learn QAYG so she could do something with a group of blocks she inherited:

A couple of quilters brought scraps from dresses they had made for their children back when they were little:

And one quilter brought a jelly roll and coordinating fabric, enabling her to make rapid progress toward her own version of the class sample quilt:

If you want more information about the class sample shown above, the post about it is here.

Linda Hahn: New York Beauty Expert (from Florida)

Linda Hahn is best know for her simplified method of making the New York Beauty block, one of quilting’s more elaborate and spectacular-looking designs.  She describes her New York Beauty method as, “one pin, no puckers, no cussing, and they come out perfect.”  Gotta love that!

Linda’s First New York Beauty Book

Linda also has a number of lovely individual patterns, including some that have nothing to do with New York Beauty. (Her patterns are available through QuiltWoman.com)  I have enjoyed making and teaching her Bermuda Sunrise pattern, so I looked her up while at the North Carolina Quilt Symposium, and she graciously agreed to an interview.

Bermuda Sunrise, one of Linda’s earlier designs that I enjoyed making and teaching

Linda’s workshops now focus mostly on her New York Beauty techniques, since this is a challenging block that many quilters would like to make.  Currently her most popular workshop is called “Feeling Crabby”.

Linda has written multiple books published by AQS. Her latest, New York Beauty Electrified, is due out this month.

When I interviewed her, Linda took the unusual step of leaving the room for a few minutes so I could ask students in her workshop to give their honest opinions!  They were enthusiastic about her teaching and seemed to be enjoying “Feeling Crabby”.  They described Linda as an even-tempered instructor who “lets you do it your way but comes right away if you need help.”

Image from Linda’s iquilt class

Linda teaches all over the country as well as on cruises, but if you want her workshop and can’t find a convenient location, I noticed her New York Beauty instruction is also available through iquilt, the AQS online class site.

Now that I’ve seen more of her beautiful work and met her, I want to take a New York Beauty class with Linda.  I went to her site, and she really, really, does have classes in a variety of locations!  You can find her schedule on her website.  I have enjoyed her patterns (yes, I’ve made more than just the Bermuda Sunrise!) and look forward to trying those elaborate spiky blocks.

Have you made New York Beauty blocks yet?

Travel Inspires

As my friend Melanie recently pointed out, travel can inspire creativity. We just got back from a loooong drive across the country to New Mexico and back, and I took a few pictures of things that inspired me.First, we saw literally thousands of these wind generators across the flat, windy, high plains of West Texas and Oklahoma. The complex shape of the blades is quite an engineering feat by itself, even before the rest of the contraption is considered. It was great to see renewable energy in action, and these are attractive additions to the landscape in my opinion. (No, we never saw any dead birds near them, despite looking.  Research in Europe suggests this is mostly an urban myth.)

In New Mexico, I looked for the details that said “Southwest”.  These design elements are a kind of shorthand for “you are here” and I thought that idea would be useful in designing quilts (or anything else).  Here are a couple.

Stucco walls, turquoise trim, tile roof

Courtyard enclosed by a stucco wall with a wooden gate; tile accent along roof edge; flat roof

Now, I’m off to learn to organize my photos in Photoshop so I can find the rest of the pictures from the Southwest 😀

Two More Quilts Find Homes

One of the best things about quilting is being able to give quilts to people who will appreciate them. Our friends Jim and Michele recently moved and, when we went to see them and the new house, I took two big piles of quilts so that each of them could choose a quilt to use in their new home.

We loved the modern house they chose in a wooded setting.  I think Abby the dog loves it, too

Michele chose a quilt to cuddle under while watching TV or reading, and to my surprise it was a traditional sampler quilt made from a block swap with friends.  The choice certainly reinforced my idea of letting friends choose their own quilts rather than choosing for them.

Who knew that a photo in bright sun would show up the quilting so well?

Jim chose one to hang in his music studio.  Michele recently sent a picture of the quilt hanging there.  As you can see, it goes well with his other bright decor. This is a variation on a design I did for Modern Quilts Unlimited several years ago.

What have you been up to?

Great Aunt Bess’s “Fizzle Drawer” and A Busy Week

I have a number of pieces of antique furniture, as much out of obligation as desire. These belonged to my grandparents, great-grandparents, and in one case to my great-great-grandmother. One of them contains Great Aunt Bess’s “Fizzle Drawer”.

Granny once commented on it, saying that whenever her sister, Bess, had a sewing project that “fizzled”, the project went into that drawer. I’m not sure what happened after that. This would have been in the early part of the 20th Century, but I don’t even know whether the “fizzle” items were clothing or something else.  By the time I inherited the furniture they were long gone!

I think some of my UFOs probably should go in the “fizzle drawer”, but I don’t know when to quit, so I keep working on them.  This next one was a class I did not especially enjoy, but I’ve converted it to 4 large blocks to be combined into a donation quilt.

This next one is not a fizzle, it’s a set of place mats I made for a quick holiday class to teach this fall.  I developed this pattern YEARS ago for McCall’s Quick Quilts and have made many versions of it since.  Place mats are a nice hostess gift to have on hand.

We went to the “apple barn” this weekend and got some apples–must be fall!  Here is the view from the apple barn, looking across some trees heavy with red apples to the mountains beyond.  It doesn’t get any better than that!

How was your week?

A Few Pictures…

…from a recent very productive quilt retreat!

This string quilt by Rena was a very successful design, I thought:string quilt

Here’s the back of the string quilt, and she also made this cute Halloween quilt top:

Mary made a string quilt, too, this one all in purple:string quilt

And Jerri finished a large Bonnie Hunter quilt with a zillion pieces:Bonnie Hunter quilt

I worked on half rectangle triangles, which turned out to be a lot more work than half square triangles:Half rectangle triangles

And a good time was had by all!

What have you been up to?

Blue Ridge

My modern guild is having a challenge to produce quilts for display when the traditional guild has its next show in the fall.  The guidelines are: no more than 36″ on any side, and using some Riley Blake solids whose colors were extracted from a landscape photo chosen by the guild.  The quilts aren’t due for several months yet, but I had a brainstorm and produced mine already.  Here we go:

art quilt

The quilt is faced rather than bound

And here is a detail.  In case you haven’t caught on, this is the one that was stained by basting spray.  However, that came out just fine with dry cleaning.art quilt

Name: Blue Ridge

March 2018

Finished size: 30″ x 17″

Fabrics: Riley Blake solids

Quilted by: me