One Mistake Makes Two Quilts!

A while ago one of my blogging friends posted a picture of her “red rails” quilt.  She makes these quilts to use up 1.5″ x 3.5″ scraps, so it seemed perfect for me.  I cut my scraps into strips varying from 1.5″ to 4.5″ in width and store them in drawers, sorted by size in 0.5″ increments.  Here are some of those (stuffed) drawers:

Since I had a lot of 1.5″ strips and wanted to make another donation quilt, I got started.  Her quilt is “red rails” because the center strip of every block is red.  I have a lot of blues, so mine became “blue rails”.  I drew it with EQ8 to start with, to be sure I knew what I was doing:

Blue Rails, drawn in EQ8 based on a quilt by Nann at withstringsattached.blogspot.com

I got busy sewing 1.5″ strips together in sets of 3 and cutting the sets into 3.5″ squares.  Then I started making the blocks.  Before I knew it, the 1.5″ bin was almost empty and I had a lot of little 3.5″ blocks.

I joined them in groups of 4, and that’s where I went wrong.  It turns out there is a right way and a left way for the blocks to twirl in sets of 4, but I didn’t realize that at first!

Trust me, no matter how you rotate these two blocks (drawn with EQ8), they do not match up!

So, I will have TWO blue rails quilts, one rotating in each direction.  Here’s the first one, which I am donating this month.  Another doggone learning experience 😀

Blue Rails donation quilt, about 40″ square

What have you learned lately?

 

I Dislike Quilt-As-You-Go

Quilt-as-you-go (QAYG) has been around at least since the 1970s, and I have tried it in several forms.  Back when I wanted to use high loft batting, I made this quilt in sections and joined them using Georgia Bonesteel’s method.  The backing seams were sewn by hand.  It worked out fine, but that was a lot of hand stitching.

Queen size quilt made by qultl-as-you-go method

Jewel Box, queen size, made in 2003

More recently I read about using thin batting so pieces can be joined with batting in the seam.  Unfortunately, this method suggests quilting the front pieces WITHOUT backing, then tacking on a back after assembling the front.  That means most of the quilting is hidden from the back; the only thing that shows is the stitching used to attach the back over the actual quilting!

I’ve also seen QAYG done by using batting rather than batiste as a base for string piecing.  This means no quilting shows on the front!

The more I read about QAYG methods, the more I didn’t care for any of the options.  I decided to re-visit it anyway because students had asked for a QAYG class.  I chose the string piecing on batting option, but made the blocks with the backing included so the quilting would show on the back.

Back of quilt, showing quilting lines

The quilting is meant to show on the back, though white thread on white fabric doesn’t show much!

I kind of liked the triangles arranged like this on the design wall, but decided to save this option for when I can make the whole thing look 3-D by careful placement of color.

Here is the front of the finished quilt:

After joining the triangles with seams that included front, batting, and back, I covered the seams in back with fabric strips.

The result was awfully bulky.  Next time I may just settle for the “new” method that doesn’t show much quilting on the back.

Well, another lesson 😀  The next attempt will be closer to perfection!

Twinkles All Around

Twinkle is an attractive and easy quilt by Swirly Girls Design, and I taught it recently at Studio Stitch in Greensboro. We used the Tucker Trimmer for the half square triangles (HSTs) and everyone seemed to have a good time.

First, here’s my shop sample in a glamour shot:

Twinkle, a pattern by Swirly Girls Design, was made because I had some fabulous leftover fabric

Then, here are some of the wonderful blocks made by the people in class.  I’m sure I took more pictures, but apparently my camera quit part way through!

This one was two-color instead of scrappy and it worked quite well

BJ got several blocks made. Look closely and you can see the astronaut near the upper right corner

Arranging the stars on a design wall before sewing them together was very helpful–I don’t think anybody made a mistake!

And a few more for good measure!

Isn’t it fun to see everyone’s individual choices!

My next class at Studio Stitch is basic binding on March 14.

Another Scrap Class

Here are some pictures from the recent scrap quilt class.  The block is directional, so it is considerably more difficult to get right than it looks!  Nevertheless, everybody got it right by the end of the day.  Here are a few of the blocks with their makers:

Gail chose the more challenging smaller size and still was the first to finish a block!

Here are a few of the larger blocks:

Sorry I got the glare on the glasses, but the block is beautiful!

This woman made a small block, too!

Love those bright colors!

My next class at Studio Stitch in Greensboro is Twinkle on Thursday, February 21:

I looove this quilt!  Join us if you can!

My Year in Scraps

When we lived in Pennsylvania, I learned this quilt block from Barbara C. Lenox. As she made her quilts, she cut her scraps from each project into the sizes needed for this block.  She saved the scraps and assembled them into blocks, and then a quilt, at the end of the year.  She called this her “Sourdough” quilt.

Sourdough block, taught to me by Barbara C Lenox

I can’t find her online now except, of course, for those creepy websites that want to sell you information on any name you put in (e.g., “get Santa Claus address, phone, arrest record…”).

I’ve made numerous quilts using this design.  As with all diagonally split blocks, this one allows for many interesting arrangements of the blocks.

The block is a great way to learn about color and value, since the design shows itself through contrast in value, regardless of color.  And sometimes things that worked fine as a dark or light in one context totally fail in another.  

Patch 1 and Patch 2 in the picture above worked fine as a dark and a light when I put them together in a single block.  But when I put them together with the other blocks, the turquoise was too bright to play well with the other dark values.  It’s common for yellow, red, and orange to have trouble being dark values, but the turquoise was kind of a surprise!  I’ll be re-making that block.  Another learning experience 😀

I’m teaching my version of this at Studio Stitch on Saturday, January 26.

 

My Quilt is in Quilty Magazine!

This quilt was designed with friends at a retreat and remained unfinished for a year while I contemplated what should go in the big.white.center.  

Eventually I decided on petals, finished the quilt, and submitted it to F&W, where it was accepted for the January 2019 issue of Quilty.  I love Quilty, so I was thrilled.  And now the January issue, including my quilt, is available at Barnes & Noble.

This is Quilty’s “glamour shot” of my quilt

Once I got going on what to put in the center, I made another version with a ring in the center and the addition of a floral border:

If you pick up the magazine but want to make the quilt with the center ring instead of the petals, e-mail me and I’ll tell you the measurements.  Alternatively, just trace a dessert plate from your collection, which is what I did 😀