Little Jewels

I found a quilt like this somewhere online, and you know I love improvised scrap quilts, so I just had to make it!  (Sadly, I have lost the link, so if you know where this came from originally, please let me know.)

It’s always a great idea to offset the intersecting seams!

My quilter was able to use Minky Dot for the backing and quilt it with no batting. That makes the quilt nice and cuddly without being too heavy.

I have been informed that the grandchildren prefer the quilts backed with polyester fleece for cuddling. The lighter weight of the quilt without batting also makes it ideal for dragging around the house or building forts and tents.

Polyester fleece can be a challenge to quilt because it stretches in at least one direction. The quilter told me that a midarm or long arm quilting machine does not have feed dogs, so stretching was not a problem, though the tension was a problem at times.  I suppose I could do free motion quilting with the feed dogs down on my domestic machine, but walking foot quilting might stretch the back.

Minky backing with no batting allows the quilt to drape nicely

Quilt stats:

Name: Quilted Jewels

Pattern source: anonymous picture on internet

Finished size: 46″ x 62″

Quilted by: Julia Madison

It Happened This Way…

A friend and I made Pat Sloan’s weekly blocks for her Going on a Picnic quilt. It gave us something to look forward to when the blocks came out each Wednesday and we enjoyed exchanging pictures of our blocks. Here’s my finished quilt top, though some of the blocks are NOT what Pat designed. If I didn’t like hers, I just made my own.

Meanwhile, my husband and I decided to lease a house for part-time use near where our grandchildren live. It’s a long story and not about quilting, so I’m not elaborating here. However, it came to mind that the house might not have window coverings. So all my quilt backs got packed to move in case we need temporary “curtains”.

And then I finished the quilt top, now known as “The Elvis Quilt”.

Elvis on The Elvis Quilt

There was no quilt back available, and I wanted to get it to the quilter before the moving van arrived. Therefore, I took all the leftover fabric from the quilt top and combined it with leftover pieces from a gray quilt back, and here it is.

It took all day to do this, with time out for packing, laundry, etc. Now I know why I buy the wide quilt backs. Anyway, a good quilt back is a done quilt back!

Hope you have a good week!

The Latest Baby Quilt

Here’s a quilt made from some blocks for a class I taught,  plus a few 5″ squares that were in the stash.

Look at the very fancy design quilted by Julia Madison!

And here’s a picture of the back.

I liked this quilt so well that I sent it to the newest member of our extended family, since we attended his parents’ wedding and even saw his Mother fairly recently.

Quilt stats:

Name: None; recipient is welcome to name it

Size: 40″ x 40″

Pattern: This is a variation of a block I learned from Barbara Lenox years ago

Fabric: Scraps from many years, as you probably can see!

Quilted by: Julia Madison

Fiddlesticks!

I finished this quilt last month, but I’ve been doing a lot of quilting due to quarantine, so I’m behind on showing my work.  This is a scrap quilt, of course.  I’ve been seeing lots of quilts with little strips inserted on Pinterest, and finally got around to developing my own.

First, I got out all my solids, including the Grunge, and cut a 12″ square from each for background.  I planned to trim the blocks to 10.5″ after I finished inserting strips, since I have a 10.5″ square ruler 😀  No point making things difficult; let’s plan for easy!

Then I got out all my scraps and cut them into strips ranging from about 1″ to 2.5″ in width.  I made strip sets and cut them crosswise into strips for the quilt.   The inserted strips were cut in widths varying from 1″ to 2″, which of course means they finished 0.5″ to 1.5″ wide in the blocks.  I made more skinny ones than wide ones.

I just slashed the blocks at random angles.  I did slash and insert only one strip at a time. 

After I’d inserted enough strips to suit me, I trimmed each block to 10.5″ square.

Just look at the fun flower design my quilter used!

And yes, I left 3 blocks unpieced to add interest.

Quilt stats:  Fiddlesticks

Finished size: 49″ x 69″

Designed by me, based on multiple inspirations from Pinterest

Technique: Improvisation

Quilted by Julia Madison

Swirly Leaves: Support Your Local Quilt Shop

My friend Lynn Kline developed this pattern to make fall leaves easy and modern by using scraps, low volume fabrics, and points arranged so they come out well.  I took her class last fall to make the quilt, mostly because my friends were taking the class, too.

Photo courtesy of Lynn Klein

Everyone who came to the class brought scraps to share, so we had a lot of variety.  I’m always amazed at how many people can bring scraps and still not have any two fabrics the same.

My version of Lynn’s quilt

This quilt was fun.  I always have more scraps than yardage, so it was good for my scrap collection.  I enjoyed making leaves of several different sizes rather than just one block repeatedly.  And of course it was fun to do it with friends!

As you can see I didn’t do it exactly by the pattern.  I changed the background.  Lynn used a variety of low volume fabrics but I used a blue that made me think of October sky.  Oh, and I changed the layout.  Whatever!  It’s still Lynn’s pattern 🙂

Lynn’s pattern  includes a handy chart for cutting leaves of various sizes and leaves that make it easier not to cut off your points.

The pattern is available from Lynn’s shop, here.  She and her staff are working to make goods and services available during the quarantine, so you can order and do a drive-by pickup or have things mailed to you.

Here’s a detail showing the swirly quilting by Julia Madison:

Quilt Stats:

Name: Swirly

Pattern: Scrappy Modern Maple Leaves, by Lynn Klein

Finished size (for my variation):  51″ x 62″

Quilted by: Julia Madison

As always, the links in this post are for your convenience; they are not affiliate links.

Plaidish–Color Gets the Credit, Value Does the Work

I found this quilt on Pinterest and followed the link to the directions because I thought it was such a great example of “color gets the credit, value does the work”.  Also, it used a lot of scraps!  In particular, I had TWO bins full of 5″ charms from a swap group I used to belong to, and I used an entire bin to make this quilt 🙂

You can find the free pattern here: Kitchen Table Quilting

Yes! There were a lot of little intersections to match–good practice!

If you ask Ms. Google or search on Pinterest, you can see many variations made by other quilters.

QUILT DETAILS

Name: Plaidish

Finished size: 63.5” x 63.5”

Designed by Erica at Kitchen Table Quilting

Made by me

Quilted by Julia Madison

Color Gets the Credit, Value Does the Work

I don’t recall where I first heard the statement that titles this post but, when I ask Ms. Google, I find it a common saying on art teaching sites. It is certainly true in quilting.

The class I taught most recently was about learning to use color in quilts. We used Linda Hahn’s pattern Junk to Jems. I gave each student a handout with numerous ways to vary the blocks. Everyone brought scraps and we all worked on different ways to combine them. It was fun and we got some very interesting color combinations.

Here are some of the blocks made in the class:

And here are a couple of variations I made as class samples:

As with all Linda’s patterns, Junk to Jems was clearly written.  I’ll probably use it again because so many variations can be made with this block.

And yes, I am using both cream and white backgrounds in the same quilt 🙂

A Swap Block for Donation Quilts

One of my quilt groups makes donation quilts about 40″ square for various organizations. The size is easy to construct and quilt at home, and is appropriate for the children who receive the quilts.  Here are the recent group donations:

We often use swap blocks for our quilts and recently decided on a new swap and I want to tell you about it. One of your quilt groups may enjoy it, too!  Here’s how:

First make a big wonky log cabin block. Our blocks started with a 5″ square, which was modified to make a wonky center.  It was then surrounded by strips from my scrap bins, and occasional strips were trimmed so they were wonky, too.

These big blocks are 21″ square (unfinished).

We cut each block in quarters, so each quarter is 10.5″ unfinished, and started arranging them to make a quilt top that would finish at 40″ square.

This was how we eventually decided to arrange them in the finished top:

And then, of course, we made 4 more:

If you decide to do this, there are only 2 things to watch out for:

  1. As you add strips, keep measuring to be sure the center block remains centered enough so that there will be a piece of it in each quarter when you cut the block up.
  2. It’s easiest if the final round of strips is considerably wider than needed so the block can be trimmed to (unfinished) size easily without running into seams.

This is a really fun way to use scraps!  If you make one, or use this for a group swap, send me a picture!

Scraps Happen, Part III

There is no shortage of patterns for scrap quilts, and often I start with a pattern I’ve found somewhere and modify it to suit me.  I have notebooks full of pictures from magazines and photos I’ve taken of vintage or show quilts, so I use those for inspiration.  Here is a quilt I made by modifying a pattern from a magazine I’d been saving for a long time:

You can find the original pattern for this quilt by going to AllPeopleQuilt.com and searching for the “trail mix” pattern

The above quilt was made from my husband’s old shirts–whether that counts as scraps or yardage is a matter of opinion 🙂

I have some favorite scrap patterns I’ve used repeatedly over the years.  This one, which I learned from Barbara Lenox many years ago, is intended to be made at the end of the year using scraps from all the projects you made that year.  I love that idea and have made several of these.  You can see my post explaining the basic block here.

Another favorite quilt pattern is Junk to Jems, by Linda J. Hahn.  Here is my version which has been modified a fair amount from the pattern.

One thing I love about this pattern is that it is possible to make the elements of each block then re-arrange them so that there are several different variations on the same block.  So yes, my version is not quite like hers.

Augusta Cole is another teacher whose scrap quilts I admire, and I have made several from her Snappy Scrappy Stars pattern.  This makes a great leaders-and-enders project for me and I often use the blocks in donation quilts.

This is a leaders-and-enders project from Augusta Cole’s Scrappy Snappy Stars pattern

Of course, often a quilt starts as a pattern and then veers off course (surprise!).  The quilt below started as a way to use both a linen background and a group of fabrics I had in small amounts.  The original pattern is one of Karla Alexander’s stack and shuffle designs, and you probably can see that if you know the pattern.  This is my variation.Alison Glass fabrics quilt

And finally, even when I buy fabric for a quilt, I often buy fat quarters, which pretty much guarantees a scrappy look.  And I don’t really like making the same block twice, so often I make a variety of blocks for a single quilt.  Here is one last example of a quilt made from a fat quarter bundle, though it appears scrappy.

The pattern is Bermuda Sunset, another one by Linda Hahn.

A friend who is a writer mentioned the other day that her stories sometimes take on a life of their own and lead where she didn’t expect to go.  She asked if my quilts do that, too.  Absolutely!  Start out headed for A, end up at Q!

It’s all good. 🙂

Scraps Happen, Part II

Many of my scrap quilts are inspired by other quilters.  I still find it useful to start with a collection of fabrics I think “go together”.  In that regard, I do NOT worry about color per se, though I recognize that color is a big “bugaboo” for many quilters.  I do find it useful to decide at the outset whether the quilt is to be bright or muted colors, but beyond that I don’t worry much.  And of course I break that rule sometimes, too.

One of my first inspired-by-others adventures was a series of quilts I made after reading Gwen Marston’s books.  I just love her aesthetic, and wish I had been able to take a class with her while she was alive.  Here is a quilt I made for the Quilt Alliance annual contest a few years ago, based on Gwen’s published quilts:

improvisational quilt

“Gwen Visits the Farm” is a quilt I made for the Quilt Alliance contest; the black fabric has words representing animal sounds such as “quack”

I also used a collection of Cherrywood scraps to make this quilt based on Gwen’s “liberated log cabin” idea:

improvisational quilt

Cherrywood Toss, 59″ x 61″, 2016.  My favorite part of this was making the background out of a mixture of dark colors.

Also, taking a cue from my friend who makes a small art quilt each week, I made these 3 quilts based on lessons in one of Gwen’s books:

I continue to learn from the quilters I consider “the best” by making quilts inspired by their ideas.  A recent one was inspired by Maria Shell’s tutorial on improvised flying geese:

The colors of the quilt blended with the colors of my chimney, where I stuck it up to be photographed

Of course, not all such experiments are particularly successful.  I love Freddy Moran’s aesthetic, but this table runner based on her ideas didn’t turn out very well, in my opinion.  I expect to make more things using her ideas, and they’ll improve 🙂

I designed and made this runner for a guild challenge

Since, at this point in my quilting career, most of my fabric collection is scraps, there will be many more scrap quilts to come!  Next week I’ll discuss how I use scraps in quilts made from patterns.