Current Series: Blue Ridge

My first Blue Ridge quilt just returned from the Vermont Quilt Festival and will next go to the Asheville Quilt show.

art quilt

Meanwhile, Maria Shell published a tutorial on how she makes flying geese blocks for her quilts, so of course I had to try it.The result is Blue Ridge II.

The colors of the quilt blended with the colors of my chimney, where I stuck it up to be photographed

In case a viewer doesn’t get why there is a red triangle among the earth-sky-water tones, I backed the quilt with cardinal fabric 🙂 The fabric is from Cotton + Steel in 2018, before they left RJR.

The quilt is faced using the technique from Terry Aske’s tutorial, which worked very well.  Here are the quilt stats:

Blue Ridge II

  • 28.5 inches wide, 26.5 inches tall
  • The fabrics are batik scraps left from other projects
  • The backing is from RJR, a Cotton and Steel fabric from 2018
  • The piecing was inspired by Maria Shell’s tutorial on flying geese (link above)
  • The facing was done using Terry Aske’s tutorial (link above)
  • Quilt was pieced and quilted by me.  The batting is Quilter’s Dream Cotton, Request loft.

 

 

Little Green Man Quilt

This block has been floating around on Pinterest for some time, and I really like it so It’s been on my to-do list.

This is a copy from Pinterest, where the block has been widely shared without attribution

I don’t like to borrow things without attribution, so I went in search of just who designed this.  Luckily, my friend Elizabeth was in a bee that used this block, so I learned from her blog that the block was designed by Kylie Kelsheimer.  A friend of Elizabeth’s located the original post for her through the wayback machine.  You can find Elizabeth’s post about all this here (you’ll have to scroll down quite a bit) and the original pattern here.  I see from Elizabeth’s latest post that the pattern is now available through PayHip, but that was not the case when I first investigated it a year ago and started this project.

Which brings me to why I changed it all up.  The original block is small and paper pieced–not my style!  I wanted to make it big and make the stars wonky.  Therefore, the instructions here are NOT for Kylie’s block, though the idea is based on her original block as noted above.  In fact, the block as shown on Pinterest is really 4 blocks, each rotated so that they fit together as shown in the pin.

I drew the block with Electric Quilt so that it finishes 18″ square.  Here it is showing fabrics.

My wonky star block, drawn with Electric Quilt 8

And here is the base block in case you want to make it yourself:

Star base block, drawn with Electric Quilt 8

Here is my tutorial on making sew-and-flip stars, in case you’ve never done it before.

As you can see, I substituted my Little Green Man for 4 of the blocks–those would be the 4 in the lower right-hand corner looking at my layout above.  You will see that I rotated the blocks various ways, which is how Little Green Man ended up in the lower left corner after I substituted him in the lower right.

You can find my instructions for making the LIttle Green Man here.

And here is one of the finished wonky star blocks.

The finished quilt:

QUILT DETAILS

Little Green Man

Finished size: 54” x 72”

A variety of fabrics from different manufacturers

The pattern is outlined in the blog above, but is not available commercially

Quilted by Julia Madison, except for the Little Green Man block, which she left for me because I wanted to avoid any extra holes in the Kraft-Tex I used for applique.

Now, does anyone else recall the “Little Green Man” song from the 1950s?

Tutorial: DIY Gift Card Wrap With Kraft-Tex

We’ve been doing recyclable wraps for many of our gifts for years now, so I decided it was time for the gift cards to have their own recyclable presentation case as well. Here’s the first one.  I am a Kraft-Tex Ambassador, so I cut this from one of the free rolls of Kraft-Tex the folks at C&T sent to me for use in projects for my blog.

I took out a gift card and checked the size, then made a paper pattern 5″ x 7.5″.  I used a spool to round the corners and tested where I wanted the pocket to fold up and the flap to fold down.

I then cut a 5″ x 7.5″ rectangle from some yummy pre-washed Kraft-Tex. (The color is Madeira.) This is the first time I’ve used the Kraft-Tex that comes pre-washed, and it has a very pleasing visual and tactile texture.  I cut the Kraft-Tex with my rotary cutter as I would fabric, and it worked well.

I used the same spool and a pencil to mark rounded corners on the Kraft-Tex, then cut the corners with my good paper scissors.  Even though it sews like cloth, Kraft-Tex is a paper product, so it’s better to use good quality paper scissors to avoid dulling your fabric scissors.

To be sure the Kraft-Tex would fold evenly, I first scored it with my Hera marker then folded it along the score mark and pressed the fold by running the marker over the outside as well.  Note that the sharp point of the marker did make a mark in the material, so be careful.  The mark went into the fold, so it was no problem here.

I then sewed this gold metallic rick-rack (from a yard sale!) around the outside edge.  To do this, I lengthened the stitch on my machine to 3 (on Bernina) and sewed with a straight stitch along both edges, catching the points of the rick-rack.  It’s not a good idea to back-stitch on Kraft-Tex, so I just sewed a couple of stitches over at the finish so the start and finish overlapped.  I did treat the ends of the rick-rack, as well as the ends of the ribbon for the tie, with Fray Check, which dries clear and doesn’t show.  Here are pictures of both sides.

After the rick-rack was attached, I again folded along the lines I had scored previously and marked a spot on the middle of the lower flap that would form the pocket.  So, I made a tiny mark 2.5″ from each side of the piece and 1.5″ below the upper fold as a placement mark for the ribbon.

I cut an 18″ piece of 3/8″ wide ribbon and sewed it to the place where I’d put the dot.  To avoid making too many holes in the Kraft-Tex, I sewed it on with a little Z.  I then pulled the threads to the back where I tied them together to avoid having to back stitch.

Note that the ribbon has to be attached before the pocket is sewn to the back along the sides!  At that point, I checked to be sure the pouch would be the right size for the card when I eventually sewed the pocket up.  Yep, so far, so good.

After attaching the ribbon, I folded the carrier shut along both fold lines and pulled the ribbon out straight to the sides so I could see where to put the holes for the ribbon to come through.  (It may help to clip the flaps down with paper clips to hold it shut for this step.)  I made a little dot 2″ in from each outer edge so that I could punch holes 1″ apart for the ribbon to come through.  I made the holes with an ordinary hole punch.

Then it was time to sew up the sides of the pocket so it would hold the card.  I folded up the pocket and zig-zagged over the rick-rack to stitch the pocket down to the back of the carrier.

Done!  I threaded the ribbon through the holes and tied it in a bow!

And don’t forget to sign your work!

 

Three Bag Patterns That Were Worth Paying For

Just as there are lots of great free bag patterns, there are many excellent patterns for sale on the internet. Here are 3 of my favorites.

1. Divided Basket.  This is another pattern from Noodlehead, who also designed one of my favorite free patterns.  The instructions are excellent and the divided basket is cute.  It was just right for a diaper basket for the changing table for my grandson.  It is available here.

fabric basket

Divided basket made from pattern by Noodlehead

2. Clothesline bag/basket.  This pattern is from Indygo Junction and was much easier to do than I had anticipated.  You can read my review of it here, or buy it here.

3. Sweetpea Pods, by Lazy Girl Designs..  This little bag was so.much.fun that I made more than a few!  Once you learn the zipper trick it is easy, quick, and so satisfying.  I’ve given away many of them and I keep a couple on hand for when I need a little gift for someone.  (Of course it should contain chocolate!).  I even gave one to a male friend, and rather than ask “what the heck” he said he’d use it to carry his guitar picks!  The pattern is available here.

And so you know I’m not just blowing sunshine, here’s one I thought was more trouble than it was worth, even though it is very, very cute (and was all over the internet for a while):

Which bag patterns do you recommend?

Linda Hahn: New York Beauty Expert (from Florida)

Linda Hahn is best know for her simplified method of making the New York Beauty block, one of quilting’s more elaborate and spectacular-looking designs.  She describes her New York Beauty method as, “one pin, no puckers, no cussing, and they come out perfect.”  Gotta love that!

Linda’s First New York Beauty Book

Linda also has a number of lovely individual patterns, including some that have nothing to do with New York Beauty. (Her patterns are available through QuiltWoman.com)  I have enjoyed making and teaching her Bermuda Sunrise pattern, so I looked her up while at the North Carolina Quilt Symposium, and she graciously agreed to an interview.

Bermuda Sunrise, one of Linda’s earlier designs that I enjoyed making and teaching

Linda’s workshops now focus mostly on her New York Beauty techniques, since this is a challenging block that many quilters would like to make.  Currently her most popular workshop is called “Feeling Crabby”.

Linda has written multiple books published by AQS. Her latest, New York Beauty Electrified, is due out this month.

When I interviewed her, Linda took the unusual step of leaving the room for a few minutes so I could ask students in her workshop to give their honest opinions!  They were enthusiastic about her teaching and seemed to be enjoying “Feeling Crabby”.  They described Linda as an even-tempered instructor who “lets you do it your way but comes right away if you need help.”

Image from Linda’s iquilt class

Linda teaches all over the country as well as on cruises, but if you want her workshop and can’t find a convenient location, I noticed her New York Beauty instruction is also available through iquilt, the AQS online class site.

Now that I’ve seen more of her beautiful work and met her, I want to take a New York Beauty class with Linda.  I went to her site, and she really, really, does have classes in a variety of locations!  You can find her schedule on her website.  I have enjoyed her patterns (yes, I’ve made more than just the Bermuda Sunrise!) and look forward to trying those elaborate spiky blocks.

Have you made New York Beauty blocks yet?

Three Great Free Bag Patterns

There are so many free patterns on the internet that it can be overwhelming. Therefore, I’m here to tell you about 3 of my favorite free bag patterns.

1. Pyramid bag, I adore this pattern, and it is so easy that I’ve made a few many.  Available with an excellent tutorial at Loganberry Handmade.  After you’ve made one per her instructions, experiment with different sizes.  So cute and so fun!

2. Tote bag.   The instructions for this “market tote bag” at Bijou Lovely are very clear, with great photos.  I’ve made several of these because they are an excellent, practical size. Of course, I’ve modified this pattern, but it is great just the way it is on her site.

3. Noodlehead’s Open Wide Zippered Pouch.  Anna Graham is the queen of bags of all kinds, and there are some great free tutorials on her site, Noodlehead.  Of course, she has excellent patterns for sale, and I’ve bought some of those, too.  Anyway, go try her free zippered pouch tutorial if you’ve had doubts about zippers.  Her instructions and illustrations are clear and easy, and you CAN do that zipper!

I’ve made a bunch of these in different sizes, as well.

Please tell me if there are free online patterns or tutorials that you love!

Augusta Cole: Variety is the Spice of Life

Augusta Cole’s motto is “Variety is the spice of life” and she travels with a lovely quilted wall hanging bearing that motto.  You can see the wall hanging and a good picture of her on the front page of her website.

Augusta designs and teaches beautiful scrap quilts that I’ve admired for years, and certainly scrap quilts have plenty of variety!.  She was one of the instructors at the North Carolina Quilt Symposium, so I took the opportunity to interview her.  I’ve been following her online ever since I found her Snappy, Scrappy Stars quilt pattern many years ago.  Here is one of the multiple versions I’ve made of that quilt (her version has a much fancier border):

I was unable to lift pictures from her site–which usually is how people want me to get pictures to go with my interviews–due to the format. These pictures of some of her quilts are those I took at the quilt symposium. 

Augusta says she has a lifelong history of crafting and keeping her hands busy.  She took up quilting after her second child was born, and “it came very naturally.”  A class with Karen Pervier was especially influential, and Karen remains a good friend.

After living in New York state and North Carolina, Augusta now lives in the Richmond (Virginia) area.  Since retiring from her career as a physical education teacher, she travels to teach quilting.  Her husband is supportive and even keeps the books for her!

I was unable to fit in a class with Augusta, but a friend who took her class really enjoyed it.  She reports Augusta is a lively and engaging teacher.  Augusta’s patterns are  available on her website.  (Go look at her pretty quilts even if you don’t need a pattern!).  I continue to be inspired by her many variations on scrap quilts.

Addendum: Here is a picture from Augusta’s Cutting Bee class, kindly provided by Chris Crouch:

 

Kraft-Tex Appliqué ! Woo!

Appliqué and I have a love-hate relationship.  I love the look of appliqué sometimes, and I’ve tried several methods, from needle turn to fusible and most things in between.  No method is perfect.

And just to show that I really have tried, here are some samples:

Machine appliqué of these circles was done after the quilting, so the backing and batting acted as stabilizer

The petals were fused on with Heat’n’Bond, and then I buttonhole stitched around them after doing the rest of the quilting, again eliminating the need for stabilizer

The snowmen and noses were a combination of fusible appliqué and Eleanor Burns’s appliqué with fusible interfacing.  I have washed this and it held up fine.

Sunbonnet Sue

Sunbonnet Sue Visits Quilt in a Day was done with Eleanor Burns’s method using fusible interfacing to produce turned edges

So, when I wanted a space alien to go on a quilt recently, I gave the appliqué process some serious thought.  This fabric is part of the background for a wonky star quilt I’m making, and I wanted one block to be a space alien to go with the theme.

Unfortunately, I have not saved the selvage from this fabric, so I don’t know who made it

Then I had an idea (drum roll, please).  The folks at C&T recently asked me to be an ambassador for Kraft-Tex, and since I was already a Kraft-Tex user and had blogged about it 3 times, I agreed.  They sent me some free Kraft-Tex!

I chose Marsala, Denim (hand dyed and prewashed), and natural prewashed for my free Kraft-Tex

Actually, I had already bought this black Kraft-Tex for another project, but I just want you to know that, for the first time ever, I have accepted a donated product for use in my blog.

I’ll have a tutorial on this whole quilt when it’s finished, but here’s an overview of how I used Kraft-Tex to avoid traditional appliqué .  I cut out the alien’s head using one of my circle cutters and attached it to the block with washable glue stick. Then I cut the outline from black Kraft-Tex and put it over the raw edge, with the raw edge kind of centered underneath.

Here is the alien on my design wall

The eye stalks and eyes were cut from Kraft-Tex and all the Kraft-Tex was glued down with the same washable glue.  That all worked well.  I then machine-stitched near the edges of the Kraft-Tex using a size 70 needle and matching thread.  Voila!  I didn’t have to fool with fusibles, bias strips, or much of anything at all.

Kraft-Tex is washable, and I’ll be interested to see how it does in this quilt.  It is stiffer than fabric, but I think that will be OK given the small amount I used on this twin-size quilt.

I can especially see using Kraft-Tex this way in art quilts very soon!

I’ll let you know how this all turns out!

Meet Cheryl Brickey of Meadow Mist Designs

You already know that I took an excellent class with Cheryl Brickey at the North Carolina Quilt Symposium recently.  She kindly agreed to an interview, as well.

Cheryl and me with the partially completed quilt I designed and made in class

Cheryl has written a book and numerous patterns; all are available on her website.    She is an engineer and works 3 days a week writing patent applications for high-tech textiles used in things like tires and military applications.  On top of all that, she has two children and a very busy life, so I asked for her top time management tip.  Her answer: “Don’t have any [time].”  She explained that, because her time is so limited, she knows exactly what she needs to do when she enters her studio and gets right to it.

Cheryl’s book, which she wrote with her friend Paige Alexander

Cheryl started quilting when her children were small.  She had always been involved in crafts, but started making quilts because it was something that “stayed done”, unlike the dishes, the laundry, etc.  I think we can all understand that!  She says she read somewhere that a woman should do something every day that can’t be undone.  Both she and I have searched extensively for that quotation without finding it, so I think we’ll just attribute it to Cheryl!  Anyway, quilting meets that need for her.

Cheryl identifies “modern traditional” as her style of quilting, and you can see what she means from the pictures below of some of her designs.

Samples for Cheryl’s class on minimalism in design

She blogs at Meadow Mist Designs, where she has just announced her next free mystery quilt.

Click here to be taken to Cheryl’s blog, where you can read about her mystery quilt

This mystery quilt will start in July of this year and run through April of 2020.  She will post a new set of directions the first Thursday of each month.

Cheryl says there is a non-mystery option, and about 25% of those who sign up for the mystery quilt elect to get a picture of the finished product from the outset!  (This meets her “engineer need”, she says.)  The only caveat is that those who elect to see the design from the beginning have to keep the secret so as not to ruin it for others.

Cheryl was a delight to meet and interview.  Her workshop and lecture were very well organized and presented.

Here are two of my favorite patterns from Cheryl, because who can resist pretty pictures?

You can check her out here.

North Carolina Quilt Symposium

I recently spent 2 weeks mostly doing quilty things rather than cooking, doing laundry, hanging on the internet, etc. The time ended with the North Carolina Quilt Symposium at Lake Junaluska, NC.

View from the hotel at Lake Junaluska

This was one of the best events I have ever attended in terms of the quality of instruction. The friends who went with me agree, so it wasn’t just me in my little bubble 🙂

I took a class with Cheryl Brickey (see her website here), who was a wonderful instructor and showed us her personal method of designing modern-traditional quilts using EQ8 (Electric Quilt).  I have used EQ for ages (OK, since EQ5, and they are now up to EQ8) but she showed me some cool new tools I had never discovered.

Cheryl and me with the partially completed quilt I designed and made in class

My second class was with Lyric Kinard.  (Her website is here.)  I learned a lot about creating portraits in fabric.  Here is one that was done for practice at the beginning of the class.  It’s supposed to be the woman who was sitting across from me, but I did not take a photo of her for comparison 😀

This was just a quick practice piece; I promise the woman didn’t really have blue skin!

Lyric went on to teach a much more elaborate and realistic way to do a portrait in fabric, but mine isn’t even far enough along to show.  The whole class was useful and Lyric is an encouraging instructor.

The details of next year’s NC Quilt Symposium are not finalized, but if you want to know more about the symposium and what was available this year, visit the website at NCQSI.org.  I hope to see you there next year, especially, because I have agreed to help recruit teachers!  Come join the fun!

I was able to interview 3 of the teachers at NCQS, so look for posts about them coming up in the next few weeks.