Studio Stitch is moving down the street for a better location, so all these classes will be at 1616 Battleground Avenue, Suite D-3 (Greensboro, NC). There’s a bakery in the same shopping center, so I think everyone is looking forward to the move!
In March I’ll be teaching my Easy Kaleidoscope Quilt. It’s like stack-n-whack only easier. In addition to learning to make the quilt so no two blocks are alike, we’ll set the blocks on point. Here are a couple of samples:
Magic Kaleidoscope, 30″ x 30″
And here’s a close-up of some of the blocks in the blue one:
In April I’ll be teaching Better Binding Painlessly, which is always popular. It’s mostly about binding a quilt entirely by machine, though the techniques can be used for a more traditional binding with the back hand sewn.
In May the class will be a cute bag made from a shirt. The larger the shirt, the larger the bag!
June’s class is another stash-busting scrap quilt, made much easier with the use of the right tools!
If you’re in the area, consider joining us! To obtain more information, go to the Studio Stitch website and subscribe to the newsletter. That way you’ll be the first to know when registration opens for each class.
Hooray! The pandemic is finally well enough controlled around here for Studio Stitch to start offering classes again! We’ll still all wear masks, which means classes will be scheduled for half days so we won’t have to figure out lunch. But it is SO encouraging to have the opportunity to be with other quilters again and feel a little bit normal. Most of us have now been vaccinated, so it feels much safer, though we will continue to take care!
Here’s what I’ll be teaching in the next couple of months.
Better Binding Painlessly, May 11. This is a basic binding class that teaches techniques and answers common questions about how to bind a quilt without going crazy doing it.
Little Landscapes, June 1 in the afternoon and June 2 in the morning. This is an introduction to landscape quilting. We make little landscapes in class to learn the basics so you’ll be ready to make landscape quilts of any size on your own.
This pine tree has green flannel for foliage and lots of free motion quilting for texture
I made this after reading Happy Villages by Karen Eckmeier
Plaidish, June 10 afternoon and June 11 morning. This is a free pattern available from Kitchen Table Quilting. It’s a great way to learn about color, value, and matching the corners on tiny pieces.There’s more information about all of these classes, plus many others, on the Studio Stitch website. If you’re near Greensboro, I hope to see you 🙂
First, just to say I’m making masks like everybody else. I did verify where they are actually needed locally before I started. Enough said. Now, back BEFORE everything was turned on its ear, we had this fun “Easier Than It Looks” class at Studio Stitch. It was fun to see the fabric choices!
And best of all, Betti sent me a picture of her finished top! I think it’s spectacular!
One of these days the pandemic will be contained and we’ll have classes again. See you then! I will continue to post about quilts weekly; you can just take it on faith that I’m washing my hands and leaving home only to deliver the masks I’ve made 🙂 Take care!
Twinkle is an attractive and easy quilt by Swirly Girls Design, and I taught it recently at Studio Stitch in Greensboro. We used the Tucker Trimmer for the half square triangles (HSTs) and everyone seemed to have a good time.
First, here’s my shop sample in a glamour shot:
Twinkle, a pattern by Swirly Girls Design, was made because I had some fabulous leftover fabric
Then, here are some of the wonderful blocks made by the people in class. I’m sure I took more pictures, but apparently my camera quit part way through!
This one was two-color instead of scrappy and it worked quite well
BJ got several blocks made. Look closely and you can see the astronaut near the upper right corner
Arranging the stars on a design wall before sewing them together was very helpful–I don’t think anybody made a mistake!
And a few more for good measure!
Isn’t it fun to see everyone’s individual choices!
My next class at Studio Stitch is basic binding on March 14.
One of my objections to some of the quilting establishment is that every single thing about a quilt is supposed to be “perfect”—meaning made to the specifications of the current quilt maven, whoever (s)he may be. I once signed up for a series of classes that lead through many quilting techniques to the ULTIMATE QUILTING ACHIEVEMENT: a quilt with many tiny pieces cut on the bias, all points perfectly matched!
I did make some quilts I liked in those classes! Design by Cindy Williams
Part way through the class I realized that, for me, learning to make everything more precise was not an enjoyable activity. I quilt for my own satisfaction, and my version of fun involves developing designs rather than copying somebody else’s design as precisely as possible. In fact, even when I buy a pattern, I rarely follow it exactly. My “variations” on these patterns are a (friendly) joke among my quilting buddies: “Mary can’t just make the pattern, she has to change something.”
I substituted one large block for 4 of the small ones.
My goal is to give each task the time and energy it deserves, no more and no less. For example, I think doing a quilt binding the traditional way, by hand, is a waste of time and energy in many cases. A machine-applied binding is more durable, faster, and at least as attractive. I even read one modern quilter’s opinion that a machine binding “adds an extra line of quilting on the back!” So much for the quilt maven’s worry that the machine stitching from the front shows on the back! I do occasionally apply a binding by hand, but there has to be a reason for it.
I applied this binding by hand in the traditional way because I didn’t want machine stitching on the front to “fight” with the striped border
So what’s your opinion? Which quilting techniques/designs/details are worth the trouble and which should be modified? Leave me a comment!
I have a number of pieces of antique furniture, as much out of obligation as desire. These belonged to my grandparents, great-grandparents, and in one case to my great-great-grandmother. One of them contains Great Aunt Bess’s “Fizzle Drawer”.
Granny once commented on it, saying that whenever her sister, Bess, had a sewing project that “fizzled”, the project went into that drawer. I’m not sure what happened after that. This would have been in the early part of the 20th Century, but I don’t even know whether the “fizzle” items were clothing or something else. By the time I inherited the furniture they were long gone!
I think some of my UFOs probably should go in the “fizzle drawer”, but I don’t know when to quit, so I keep working on them. This next one was a class I did not especially enjoy, but I’ve converted it to 4 large blocks to be combined into a donation quilt.
This next one is not a fizzle, it’s a set of place mats I made for a quick holiday class to teach this fall. I developed this pattern YEARS ago for McCall’s Quick Quilts and have made many versions of it since. Place mats are a nice hostess gift to have on hand.
We went to the “apple barn” this weekend and got some apples–must be fall! Here is the view from the apple barn, looking across some trees heavy with red apples to the mountains beyond. It doesn’t get any better than that!
I recently took a one-day class in Shibori dying with natural indigo, taught by Debbie Maddy. This was part of QuiltFest, put on in Jonesborough, TN, by Tennessee Quilts. It was a good time as usual, and I’ll post more about QuiltFest later.
Debbie Maddy–her Shibori dying class was excellent!
Debbie brought many beautiful examples of Shibori dying with her.
In addition to the class, she gave a lecture about her adventures with Shibori. To hear her tell it, she became interested in Shibori and immediately signed herself and her husband up for a 10 day Shibori class in Japan! I can’t even imagine!
She gave us an introduction to how indigo is used for dying in various places around the world, then showed us how to mix the dye vats and prepare the cloth.
As always, the most fun was seeing everyone’s fabrics drying on the line!
Here are a few more examples made by students. I’m sorry to say I didn’t get their names.
When we got home, we had to neutralize the dye in a vinegar bath and then remove excess dye with pH neutral detergent in hot water.
I recently started teaching at A Stitch in Time in Franklin, NC. It’s as “local” as quilt shops get for me in this rural area, so I’m very happy to be able to teach there. It’s an excellent shop and I sort of have to work to avoid drooling on the fabric…well, you know what I mean 😉
So here is the quilt I will be teaching in July…
Scrap quilt made with strips that finish 1″ wide
“Red Pepper” is made from a quilt pattern entitled “Yellow Pepper”
Happy Squares, one of my original designs
Of course, while I was in the shop I got a little fabric! This is a specially-printed piece from Hoffman California that has 8 coordinating fat quarters in a 2 yard cut!
There were other nice prints in the series, but I’m a fool for dots. If you need some, too, you can order from A Stitch in Time (and no, I do not make any money from it; this site is non-commercial).
I’ll be teaching two classes at Studio Stitch in Greensboro, NC, this coming quarter.
First is a “Secret Message Pillow”. Go by the shop to see the sample and sign up! That class will be the morning of Saturday, January 27, which means the pillow will be finished in time for Valentine’s Day.
Scrap quilt made with strips that finish 1″ wide
Second, I’m teaching a scrap management class that will show several ways to use even small scraps to make beautiful quilts. I call it scrap management because that’s what most of us need: management of the scraps. One option is shown above. That class will be March 24 and we will have all day to play with our scraps.
Detail of Scrappy New Year
All you need to bring is the basket (dump truck load?) of scraps that have been accumulating in your studio. Sign up at the shop and come have fun!