Name: Super Simple Squares
Finished size: 52″ x 52″
Fabric: Alison Glass
Quilted by: Julia Madison
Name: Super Simple Squares
Finished size: 52″ x 52″
Fabric: Alison Glass
Quilted by: Julia Madison
In a moment of madness, I agreed to do a program on tessellations for my MQG in Greensboro. I’ll be posting the same information here so we can all share it and so that these blogs can serve as “handouts” for my presentation. To start, here’s a blog written by my friend Jean Larson, who has designed and made several award-winning tessellation quilts. To view some of Jean’s quilts, click HERE. –MJP
Tessellating designs make me happy. Tweaking those designs is even more fun. I want to share the joy of starting with a very, very simple design and watching it blossom.
Start with a simple gridded block and create a light/dark design. Here, I’ve started with a 3 x 3 grid. Then re-color the same block with the lights and darks reversed
.The grid lines are only for design purposes, and each block can be constructed with a single square block with 2 corner triangles attached using any method you prefer.
Different looks can be achieved with variations in the color placement.
Blocks can be inverted and turned for even more quilt designs.
Just imagine all the possibilities with color in these!!!!!
It’s even more complex when you design with a 6×6 grid. Here are the positive and negative versions of another block.
These blocks can be constructed using half-square triangles integrated with larger fabric pieces. If these blocks were to finish at 6 inches by 6 inches. The center column on each block would be a single 3.5 inch wide by 6.5 in long piece of fabric. The side strips would include some half-square triangles.
A couple of the quilts that can be made:
Looks like spools, some gray, some white, all standing up. Same quilt with alternate blocks turned a quarter turn yields a different clearly recognizable tessellation. Reminds me of tessellating doggie rawhide chews 😉
Now back to the spool quilt from above. The “thread” areas have been colored in. No blocks have been turned.
This shows the power of color and value (lightness and darkness). The colored part, being next to the gray and being closer in value to the gray, unites those parts of the block, and gives the illusion that we have all gray spools on a white background, some standing up, some lying down.
I hope these examples can be the seeds to sprout some design experimentation with tessellating shapes.
Happy Quilting (and Designing)!! –Jean Larson
I finished this quilt last month, but I’ve been doing a lot of quilting due to quarantine, so I’m behind on showing my work. This is a scrap quilt, of course. I’ve been seeing lots of quilts with little strips inserted on Pinterest, and finally got around to developing my own.
First, I got out all my solids, including the Grunge, and cut a 12″ square from each for background. I planned to trim the blocks to 10.5″ after I finished inserting strips, since I have a 10.5″ square ruler 😀 No point making things difficult; let’s plan for easy!
Then I got out all my scraps and cut them into strips ranging from about 1″ to 2.5″ in width. I made strip sets and cut them crosswise into strips for the quilt. The inserted strips were cut in widths varying from 1″ to 2″, which of course means they finished 0.5″ to 1.5″ wide in the blocks. I made more skinny ones than wide ones.
And yes, I left 3 blocks unpieced to add interest.
Quilt stats: Fiddlesticks
Finished size: 49″ x 69″
Designed by me, based on multiple inspirations from Pinterest
Quilted by Julia Madison
One of the books C&T sent to me recently is Quilt Modern Curves & Bold Stripes, by Heather Black and Daisy Aschenhoug. I found the quilts in this book to be new and interesting, not just a repeat of what I’ve seen elsewhere..
There are 15 projects in the book, all including curves and stripes, and I would be happy to make all of them! The one I just HAD to make first, however, is called “Tidbits”:
The directions for the quilts offer the option of making your own strip sets or using striped fabric.. I used some fun striped fabric I had in stash.
As was the case with the last C&T book I used, the instructions were clear and complete. For the Tidbits block it is important to keep track of the way stripes are oriented, and there are tips on how to do that.
The book includes templates to trace for each of the quilts, though it would be possible to use curved templates you have on hand if you don’t mind modifying the designs slightly.
I want to make this one next:
BTW, go to the C&T website and sign up for their newsletter That way you’ll know when they’re having a SALE! Click this link, scroll all the way to the bottom of the page, and find the box to sign up in the bottom right corner. They also have a blog you may want to check out. (As always, this is not an affiliate link; it is provided for your convenience and I do not get paid if you click)
OK, more eye candy from the book.:
I just love these fresh, modern designs! Which one do you want to make?
I love to hear from people who have used something from my blog to make something of their own, so here are a couple of examples.
My long-time friend Katy read my blog on leaf pounding and decided to do some of her own. She was kind enough to send pictures of her first batch. Each picture shows both the original leaf and the print. Click on any picture for an enlarged image.
Laura, a blogging friend, made a lattice quilt using instructions from my blog to design it herself. She made the blocks a little more rectangular than mine, and I like it. The fabric used was brought by her daughter from a visit to Cote d’Ivoire. The vendor who sold the fabric gave her the lime green to go with it. This certainly makes a lively wall hanging, which Laura plans to give to the daughter who brought her the fabric.
Please let me know what you’ve done lately, even if it isn’t something from my blog! I love seeing other people’s ideas 🙂
One of my quilt groups makes donation quilts about 40″ square for various organizations. The size is easy to construct and quilt at home, and is appropriate for the children who receive the quilts. Here are the recent group donations:
We often use swap blocks for our quilts and recently decided on a new swap and I want to tell you about it. One of your quilt groups may enjoy it, too! Here’s how:
First make a big wonky log cabin block. Our blocks started with a 5″ square, which was modified to make a wonky center. It was then surrounded by strips from my scrap bins, and occasional strips were trimmed so they were wonky, too.
If you decide to do this, there are only 2 things to watch out for:
This is a really fun way to use scraps! If you make one, or use this for a group swap, send me a picture!
A couple of years ago I bought this fabric because I really liked it:
I didn’t like the quilt top once I got it made, so I took out every single seam and set the pieces aside to think about.
I took out the fabrics I had added, thinking perhaps they were the problem. That helped a little. However, I decided the dots needed some solid mixed with them. I took them on a shopping trip with friends and we selected a nice red-orange to mix with them. Then I re-made the quilt including some of the red-orange.
I still didn’t like it. And call me lazy if you like, but I was not going to take those pieces apart again! So, with a what-the-heck attitude, I cut the new top up into circles (big dots!) using my dinner and salad plates as templates.
I pinned various potential backgrounds on the design wall and tried them out.
When I mentioned recently that I was making a basket to hold scraps as I work on a project, my blogging friend Elizabeth asked how I decide what to do with the scraps. This first post will be about how I design scrap quilts; the second in the series will be about how I use inspiration from other quilters; the third will be about how I modify published patterns for scrap quilts.
My first improvised scrap quilt was made close to 20 years ago. I absolutely just starting sewing scraps together and kept it up until I had a collection of blocks. The scraps were all from an Amish-style quilt I had made, which kept the blocks cohesive.
I then added 2 shades of yellow for sashing.
Using scraps from a single project is one way to be sure the scraps all play well together, assuming the fabrics were well coordinated in the original project. After making the quilt below for Modern Quilts Unlimited with some yummy Cotton Couture fabrics provided by Michael Miller…
I started sewing all my tiny scraps together and added a tiny paper-pieced star to make a donation quilt for the Quilt Alliance annual contest:
I then started combining scraps of a single color to make blocks. I called them “slabs”, since the idea of making single-color scrap blocks came from Cheryl Arkison (though hers are much more orderly than mine). Here is one example of a quilt made from these single-color blocks:
Sometimes I am “forced” to design a new quilt because the scrap bins are overflowing. When the strip bins got out of hand last spring, I designed this quilt. The idea of putting a circle in the alternate blocks came from my friend Jerri. The triangle blocks were because I have a 60 degree triangle ruler 🙂
On another occasion, some friends and I had way too many 2.5″ blocks, so we developed these blocks and set them on point. That quilt hung around for a long time “needing something”. Eventually I added a central motif, and here it is:
Another design process I like to use is to simply fill a piece of batting with scraps. For the table runners shown below, I selected a group of fabrics for the top and a piece of backing fabric about 6″ longer and wider than the finished runner. I spray basted the batting to the backing, then started filling the space on the batting with pieces of fabric from my collection. I didn’t sew them down until I had a whole section done, since this type of designing involves cutting off bits here and there to keep edges even.
I have taught this method as a class, but it proved to be too unstructured for some people, who really just wanted to make my runner. I continue to use the method for myself but have not attempted to teach it to others again!
So, in response to the question of my process for designing scrap quilts, it’s really just “by the seat of my pants”. I do start with a collection of fabrics I like together, but otherwise it’s sew first, plan later. What I’m not showing, of course, is all the “fizzles” that got thrown out along the way!
Please stay tuned for Part II, scrap quilts inspired by other quilters. And go visit Elizabeth, who inspired this post!
My modern guild is making a charity quilt for QuiltCon 2019, and the requirements include a predetermined palate and blocks with pieces no larger than 1″ in at least one dimension. The theme is “small piecing”. Here is the palate:
At the last meeting, our guild had chunks of fabric about 8″ x 10″ cut for us to take home and make little blocks. The blocks are going to be used to construct something else, so the only requirement is that they finish either 2″ or 3″ square. I took these 3 colors:
The quilt has to be twin size, so it’s going to take a LOT of these babies! It will be fun to see what other guilds do when QuiltCon comes around in February.
Thanks to everyone who offered an opinion about my choice of accent color for the shirting quilt. There are two different blocks in the quilt that use the tiny accent squares, and I’ve decided to use orange for this one and rust for the other. Here are a couple of the blocks with orange. Those tiny orange squares finish 3/4″. Eek!
I’ll keep you posted.
Remember this fabric I was thrilled by?
I thought about how to use it for several weeks and finally decided on Turning Twenty Again. It’s an old pattern, but I’ve seen it made up in many different fabrics and it’s almost always spectacular and modern-looking. The fabric I bought was 8 fat quarters, and Turning Twenty Again is a pattern developed for efficient use of fat quarters, so it seemed a good match.
I needed a little more fabric and found this dot in my stash–it had the same appearance of linen texture as the original fabric and I thought it went perfectly with the others.
The next question was what else to add. After auditioning several options, I decided on this cat fabric. The eyes are sort of of dots, too, and the color coordinated well. I made the blocks and put them on the design wall, and…Eek! Is it too busy? And when I see it overall, I do not like the tan fabric I added, even though it is similar to the beige-green that came with the fat quarter set!
I’ve had it on the design wall for a week trying to decide what to do. One option is to put the squares together with sashing and a border to kind of calm things down. I auditioned a dark blue fabric and a turquoise fabric for that–both are Moda grunge, so they have the same linen-look texture.
Another option is to take the blocks apart in order to add these birds from the same collection, giving a greater variety of prints. I think if I take it apart, I will remove the tan fabric I don’t like, so the birds could add variety AND get rid of the tan!
From there we go into the wild options. They are legion, and include the possibility of cutting the blocks randomly and inserting solid strips. Or I could replace some pieces with the birds and some with the turquoise grunge.
And of course there is the perennial option of putting it away for a month and then looking at it again to see what comes to mind.