Scraps Happen, Part III

There is no shortage of patterns for scrap quilts, and often I start with a pattern I’ve found somewhere and modify it to suit me.  I have notebooks full of pictures from magazines and photos I’ve taken of vintage or show quilts, so I use those for inspiration.  Here is a quilt I made by modifying a pattern from a magazine I’d been saving for a long time:

You can find the original pattern for this quilt by going to AllPeopleQuilt.com and searching for the “trail mix” pattern

The above quilt was made from my husband’s old shirts–whether that counts as scraps or yardage is a matter of opinion 🙂

I have some favorite scrap patterns I’ve used repeatedly over the years.  This one, which I learned from Barbara Lenox many years ago, is intended to be made at the end of the year using scraps from all the projects you made that year.  I love that idea and have made several of these.  You can see my post explaining the basic block here.

Another favorite quilt pattern is Junk to Jems, by Linda J. Hahn.  Here is my version which has been modified a fair amount from the pattern.

One thing I love about this pattern is that it is possible to make the elements of each block then re-arrange them so that there are several different variations on the same block.  So yes, my version is not quite like hers.

Augusta Cole is another teacher whose scrap quilts I admire, and I have made several from her Snappy Scrappy Stars pattern.  This makes a great leaders-and-enders project for me and I often use the blocks in donation quilts.

This is a leaders-and-enders project from Augusta Cole’s Scrappy Snappy Stars pattern

Of course, often a quilt starts as a pattern and then veers off course (surprise!).  The quilt below started as a way to use both a linen background and a group of fabrics I had in small amounts.  The original pattern is one of Karla Alexander’s stack and shuffle designs, and you probably can see that if you know the pattern.  This is my variation.Alison Glass fabrics quilt

And finally, even when I buy fabric for a quilt, I often buy fat quarters, which pretty much guarantees a scrappy look.  And I don’t really like making the same block twice, so often I make a variety of blocks for a single quilt.  Here is one last example of a quilt made from a fat quarter bundle, though it appears scrappy.

The pattern is Bermuda Sunset, another one by Linda Hahn.

A friend who is a writer mentioned the other day that her stories sometimes take on a life of their own and lead where she didn’t expect to go.  She asked if my quilts do that, too.  Absolutely!  Start out headed for A, end up at Q!

It’s all good. 🙂

Scraps Happen, Part II

Many of my scrap quilts are inspired by other quilters.  I still find it useful to start with a collection of fabrics I think “go together”.  In that regard, I do NOT worry about color per se, though I recognize that color is a big “bugaboo” for many quilters.  I do find it useful to decide at the outset whether the quilt is to be bright or muted colors, but beyond that I don’t worry much.  And of course I break that rule sometimes, too.

One of my first inspired-by-others adventures was a series of quilts I made after reading Gwen Marston’s books.  I just love her aesthetic, and wish I had been able to take a class with her while she was alive.  Here is a quilt I made for the Quilt Alliance annual contest a few years ago, based on Gwen’s published quilts:

improvisational quilt

“Gwen Visits the Farm” is a quilt I made for the Quilt Alliance contest; the black fabric has words representing animal sounds such as “quack”

I also used a collection of Cherrywood scraps to make this quilt based on Gwen’s “liberated log cabin” idea:

improvisational quilt

Cherrywood Toss, 59″ x 61″, 2016.  My favorite part of this was making the background out of a mixture of dark colors.

Also, taking a cue from my friend who makes a small art quilt each week, I made these 3 quilts based on lessons in one of Gwen’s books:

I continue to learn from the quilters I consider “the best” by making quilts inspired by their ideas.  A recent one was inspired by Maria Shell’s tutorial on improvised flying geese:

The colors of the quilt blended with the colors of my chimney, where I stuck it up to be photographed

Of course, not all such experiments are particularly successful.  I love Freddy Moran’s aesthetic, but this table runner based on her ideas didn’t turn out very well, in my opinion.  I expect to make more things using her ideas, and they’ll improve 🙂

I designed and made this runner for a guild challenge

Since, at this point in my quilting career, most of my fabric collection is scraps, there will be many more scrap quilts to come!  Next week I’ll discuss how I use scraps in quilts made from patterns.

 

 

Scraps Happen, Part I

When I mentioned recently that I was making a basket to hold scraps as I work on a project, my blogging friend Elizabeth asked how I decide what to do with the scraps.  This first post will be about how I design scrap quilts; the second in the series will be about how I use inspiration from other quilters; the third will be about how I modify published patterns for scrap quilts.

My first improvised scrap quilt was made close to 20 years ago.  I absolutely just starting sewing scraps together and kept it up until I had a collection of blocks.  The scraps were all from an Amish-style quilt I had made, which kept the blocks cohesive.

improvisational blocks

I then added 2 shades of yellow for sashing.

improvisational quilt

Nothing Is Wasted, my first improvisational quilt, 2001-2002

Using scraps from a single project is one way to be sure the scraps all play well together, assuming the fabrics were well coordinated in the original project.  After making the quilt below for Modern Quilts Unlimited with some yummy Cotton Couture fabrics provided by Michael Miller…

quilt photo

My Zippy Star Quilt and Pillow as shown in Modern Quilts Unlimited, Summer 2014

I started sewing all my tiny scraps together and added a tiny paper-pieced star to make a donation quilt for the Quilt Alliance annual contest:

scrap quilt

Confetti Star, 20″ x 20″, 2014.  Some of these pieces finish less than 1/4″ square

I then started combining scraps of a single color to make blocks.  I called them “slabs”, since the idea of making single-color scrap blocks came from Cheryl Arkison (though hers are much more orderly than mine).  Here is one example of a quilt made from these single-color blocks:

On at least one occasion I decided a collection of yellow and orange scrap blocks were booooring, so I cut them up and inserted some bright blue before combining them in a quilt:Improvisational quilt, orange and blue quilt

Sometimes I am “forced” to design a new quilt because the scrap bins are overflowing.  When the strip bins got out of hand last spring, I designed this quilt.  The idea of putting a circle in the alternate blocks came from my friend Jerri.  The triangle blocks were because I have a 60 degree triangle ruler 🙂

Machine applique of these circles was done after the quilting, so there was no need for further stabilizer

On another occasion, some friends and I had way too many 2.5″ blocks, so we developed these blocks and set them on point.  That quilt hung around for a long time “needing something”.  Eventually I added a central motif, and here it is:

The petals were fused on with Heat’n’Bond, and then I buttonhole stitched around them

Another design process I like to use is to simply fill a piece of batting with scraps.  For the table runners shown below, I selected a group of fabrics for the top and a piece of backing fabric about 6″ longer and wider than the finished runner.  I spray basted the batting to the backing, then started filling the space on the batting with pieces of fabric from my collection. I didn’t sew them down until I had a whole section done, since this type of designing involves cutting off bits here and there to keep edges even.

modern table runner

Here is one of the samples for my improvised table runner class

improvisational quilt

I have taught this method as a class, but it proved to be too unstructured for some people, who really just wanted to make my runner.  I continue to use the method for myself but have not attempted to teach it to others again!

So, in response to the question of my process for designing scrap quilts, it’s really just “by the seat of my pants”.  I do start with a collection of fabrics I like together, but otherwise it’s sew first, plan later.  What I’m not showing, of course, is all the “fizzles” that got thrown out along the way!

Please stay tuned for Part II, scrap quilts inspired by other quilters.  And go visit Elizabeth, who inspired this post!

Serendipity Quilt

I love this quilt because it gets rid of both a UFO and some scraps!

I had this great backing fabric with all the color names you can imagine written on it, and I had just finished backing a quilt with it. Did NOT want to put the scraps in a scrap drawer if I could help it–those are overflowing!

Blocks finish 6″, so this is an 18″ square section to show fabrics

At the same time, I had these great little sew-and-flip stars from a block swap and needed to do something with them. Serendipity!

Here is a single block showing the quilting:Here is the finished quilt:

QUILT DETAILS

Name: Serendipity

Finished size: 42” x 42”

Alternate blocks are Windham Fabrics Modern Hand fabric

Sew and flip stars from a group swap

Designed, made, and quilted by me

Augusta Cole: Variety is the Spice of Life

Augusta Cole’s motto is “Variety is the spice of life” and she travels with a lovely quilted wall hanging bearing that motto.  You can see the wall hanging and a good picture of her on the front page of her website.

Augusta designs and teaches beautiful scrap quilts that I’ve admired for years, and certainly scrap quilts have plenty of variety!.  She was one of the instructors at the North Carolina Quilt Symposium, so I took the opportunity to interview her.  I’ve been following her online ever since I found her Snappy, Scrappy Stars quilt pattern many years ago.  Here is one of the multiple versions I’ve made of that quilt (her version has a much fancier border):

I was unable to lift pictures from her site–which usually is how people want me to get pictures to go with my interviews–due to the format. These pictures of some of her quilts are those I took at the quilt symposium. 

Augusta says she has a lifelong history of crafting and keeping her hands busy.  She took up quilting after her second child was born, and “it came very naturally.”  A class with Karen Pervier was especially influential, and Karen remains a good friend.

After living in New York state and North Carolina, Augusta now lives in the Richmond (Virginia) area.  Since retiring from her career as a physical education teacher, she travels to teach quilting.  Her husband is supportive and even keeps the books for her!

I was unable to fit in a class with Augusta, but a friend who took her class really enjoyed it.  She reports Augusta is a lively and engaging teacher.  Augusta’s patterns are  available on her website.  (Go look at her pretty quilts even if you don’t need a pattern!).  I continue to be inspired by her many variations on scrap quilts.

Addendum: Here is a picture from Augusta’s Cutting Bee class, kindly provided by Chris Crouch:

 

Donation Quilt Catch-Up

I now belong to THREE groups that make donation quilts, and it may be a bit much.  I’ve decided to focus on the group I’ve been working with the longest, both because it was the original and because we donate the quilts locally.  (I fear there’s some truth to Garrison Keillor’s quip that most donation quilts sent to other countries go to hot climates where their best use is as compost.)

I see from my notes that I fell behind on donation quilts over a year ago due to being over-committed.  Duh.  Anyway, here are my recent attempts to catch up.

I found this panel in the SCRAP BIN at a shop where I teach, so I got it for $1 an ounce! The finished quilt is 34″ x 44″.

This top was started over a year ago when I wanted to experiment with half-rectangle triangles. The finished quilt is 40″ x 48″

This was made from slabs swapped in one of my groups. I spy some orphan blocks incorporated into slabs!

This one was done for leaders and enders, and is going to have to be entitled “Nobody’s Perfect”! Finished size is 34″ x 39″

I made this after starting the blocks as a class demonstration last time I taught “Twinkle”. Finished size is 40″ x 40″

I can just hear somebody saying, “Well!  That certainly is a variety!”  It would be more efficient to make the same pattern multiple times, but I just can’t do it.

What are your favorite donation quilt patterns?

 

Another Scrap Class

Here are some pictures from the recent scrap quilt class.  The block is directional, so it is considerably more difficult to get right than it looks!  Nevertheless, everybody got it right by the end of the day.  Here are a few of the blocks with their makers:

Gail chose the more challenging smaller size and still was the first to finish a block!

Here are a few of the larger blocks:

Sorry I got the glare on the glasses, but the block is beautiful!

This woman made a small block, too!

Love those bright colors!

My next class at Studio Stitch in Greensboro is Twinkle on Thursday, February 21:

I looove this quilt!  Join us if you can!

My Quilt is in Quilty Magazine!

This quilt was designed with friends at a retreat and remained unfinished for a year while I contemplated what should go in the big.white.center.  

Eventually I decided on petals, finished the quilt, and submitted it to F&W, where it was accepted for the January 2019 issue of Quilty.  I love Quilty, so I was thrilled.  And now the January issue, including my quilt, is available at Barnes & Noble.

This is Quilty’s “glamour shot” of my quilt

Once I got going on what to put in the center, I made another version with a ring in the center and the addition of a floral border:

If you pick up the magazine but want to make the quilt with the center ring instead of the petals, e-mail me and I’ll tell you the measurements.  Alternatively, just trace a dessert plate from your collection, which is what I did 😀

Triangles: What Do You Think?

It all started with this beautiful batik that was ON SALE…And I have quite a collection of batik scraps from other projects, so I decided to make a scrap quilt with colors that would go with the sale fabric. Initially, I made the blocks really scrappy:

Then I made a few that were more controlled and liked them better:


This is just up on the design wall, not sewn, and I’m thinking of taking out the really scrappy ones. They kind of jar my nerves.But, what do you think? It’s good to have opinions from quilty friends!

Update on the Shirt Quilt

Remember this?shirt quilt

This pile of blocks barely made a dent in the pile of shirts!

And here is some of the quilt up on the design wall:

The holes are because I unaccountably made too few double 4-patch blocks.  Luckily, that was one of the easier blocks in this quilt, so it the error won’t be difficult to fix!

As you can see, both the red and the orange made good accents.  The interesting thing to me about this quilt is that those little accent blocks save the day.  There is WAY too much variety in the quilt for it to be a good design without those diagonal orange and red lines created by the tiny blocks.  They pull the whole thing together by giving it structure.

I’ll update you when I get the holes plugged 😀