Tag Archives: modern quilt block

Tessellations again!

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In a moment of madness, I agreed to do a program on tessellations for my MQG in Greensboro.  I’ll be posting the same information here so we can all share it and so that these blogs can serve as “handouts” for my presentation.  To start, here’s a blog written by my friend Jean Larson, who has designed and made several award-winning tessellation quilts.  To view some of Jean’s quilts, click HERE.  –MJP

Tessellating designs make me happy.  Tweaking those designs is even more fun.   I want to share the joy of starting with a very, very simple design and watching it blossom.  

Start with a simple gridded block and create a light/dark design.  Here, I’ve started with a 3 x 3 grid.  Then re-color the same block with the lights and darks reversed

.The grid lines are only for design purposes, and each block can be constructed with a single square block with 2 corner triangles attached using any method you prefer.

Here are some design possibilities…Quilt_1A simple “cat head” quilt using only 2 colors.

Different looks can be achieved with variations in the color placement.

Blocks can be inverted and turned for even more quilt designs.

Just imagine all the possibilities with color in these!!!!!

It’s even more complex when you design with a 6×6 grid.  Here are the positive and negative versions of another block.

These blocks can be constructed using half-square triangles integrated with larger fabric pieces.  If these blocks were to finish at 6 inches by 6 inches.  The center column on each block would be a single 3.5 inch wide by 6.5 in long piece of fabric.  The side strips would include some half-square triangles.

A couple of the quilts that can be made:

Looks like spools, some gray, some white, all standing up.  Same quilt with alternate blocks turned a quarter turn yields a different  clearly recognizable tessellation.  Reminds me of tessellating doggie rawhide chews 😉

Now back to the spool quilt from above.  The “thread” areas have been colored in.  No blocks have been turned.

Jean spool 5This shows the power of color and value (lightness and darkness).   The colored part, being next to the gray and being closer in value to the gray, unites those parts of the block, and gives the illusion that we have all gray spools on a white background, some standing up, some lying down.

I hope these examples can be the seeds to sprout some design experimentation with tessellating shapes.

  1. Start with 2 square grids
  2. Create a positive design, and its negative design
  3. Alternate them in a quilt layout
  4. PLAY!
  5. And play more with color!

Happy Quilting (and Designing)!!   –Jean Larson

 

 

 

 

 

 

 

 

 

 

Fiddlesticks!

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I finished this quilt last month, but I’ve been doing a lot of quilting due to quarantine, so I’m behind on showing my work.  This is a scrap quilt, of course.  I’ve been seeing lots of quilts with little strips inserted on Pinterest, and finally got around to developing my own.

First, I got out all my solids, including the Grunge, and cut a 12″ square from each for background.  I planned to trim the blocks to 10.5″ after I finished inserting strips, since I have a 10.5″ square ruler 😀  No point making things difficult; let’s plan for easy!

Then I got out all my scraps and cut them into strips ranging from about 1″ to 2.5″ in width.  I made strip sets and cut them crosswise into strips for the quilt.   The inserted strips were cut in widths varying from 1″ to 2″, which of course means they finished 0.5″ to 1.5″ wide in the blocks.  I made more skinny ones than wide ones.

I just slashed the blocks at random angles.  I did slash and insert only one strip at a time. 

After I’d inserted enough strips to suit me, I trimmed each block to 10.5″ square.

Just look at the fun flower design my quilter used!

And yes, I left 3 blocks unpieced to add interest.

Quilt stats:  Fiddlesticks

Finished size: 49″ x 69″

Designed by me, based on multiple inspirations from Pinterest

Technique: Improvisation

Quilted by Julia Madison

A Swap Block for Donation Quilts

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One of my quilt groups makes donation quilts about 40″ square for various organizations. The size is easy to construct and quilt at home, and is appropriate for the children who receive the quilts.  Here are the recent group donations:

We often use swap blocks for our quilts and recently decided on a new swap and I want to tell you about it. One of your quilt groups may enjoy it, too!  Here’s how:

First make a big wonky log cabin block. Our blocks started with a 5″ square, which was modified to make a wonky center.  It was then surrounded by strips from my scrap bins, and occasional strips were trimmed so they were wonky, too.

These big blocks are 21″ square (unfinished).

We cut each block in quarters, so each quarter is 10.5″ unfinished, and started arranging them to make a quilt top that would finish at 40″ square.

This was how we eventually decided to arrange them in the finished top:

And then, of course, we made 4 more:

If you decide to do this, there are only 2 things to watch out for:

  1. As you add strips, keep measuring to be sure the center block remains centered enough so that there will be a piece of it in each quarter when you cut the block up.
  2. It’s easiest if the final round of strips is considerably wider than needed so the block can be trimmed to (unfinished) size easily without running into seams.

This is a really fun way to use scraps!  If you make one, or use this for a group swap, send me a picture!

What to do? Please help!

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Remember this fabric I was thrilled by?

I thought about how to use it for several weeks and finally decided on Turning Twenty Again. It’s an old pattern, but I’ve seen it made up in many different fabrics and it’s almost always spectacular and modern-looking.  The fabric I bought was 8 fat quarters, and Turning Twenty Again is a pattern developed for efficient use of fat quarters, so it seemed a good match.

I needed a little more fabric and found this dot in my stash–it had the same appearance of linen texture as the original fabric and I thought it went perfectly with the others.
The next question was what else to add. After auditioning several options, I decided on this cat fabric. The eyes are sort of of dots, too, and the color coordinated well. I made the blocks and put them on the design wall, and…Eek!  Is it too busy?  And when I see it overall, I do not like the tan fabric I added, even though it is similar to the beige-green that came with the fat quarter set!

I’ve had it on the design wall for a week trying to decide what to do. One option is to put the squares together with sashing and a border to kind of calm things down.  I auditioned a dark blue fabric and a turquoise fabric for that–both are Moda grunge, so they have the same linen-look texture.

Another option is to take the blocks apart in order to add these birds from the same collection, giving a greater variety of prints.  I think if I take it apart, I will remove the tan fabric I don’t like, so the birds could add variety AND get rid of the tan!
From there we go into the wild options. They are legion, and include the possibility of cutting the blocks randomly and inserting solid strips. Or I could replace some pieces with the birds and some with the turquoise grunge.

And of course there is the perennial option of putting it away for a month and then looking at it again to see what comes to mind.

Suggestions, anyone?

Guild Program, Guild Challenge

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Since somebody has to be in charge of guild programs, and this year I’m “it” for my modern guild, I’ve been publishing some ideas for guild programs and challenges. Hopefully, if you are in charge of programs and challenges for your guild, you can use some of these.

quilt, tessellation

The familiar “cat” tessellation

Nobody volunteered to do the program this month, so I read up on tessellations, starting with this post my friend Jean did for my blog a couple of years ago.  I found a couple of great books on tessellations, one by Jinny Byer (yes, that Jinny Byer!).  They are:

Designing Tessellations: The Secrets of Interlocking Patterns, by Jinny Byer

Introduction to Tessellations, by Dale Seymour and Jill Britton

And if you decide to develop a program on tessellations for your guild, feel free to e-mail me.  You can have my “class outline” and list of exercises if you want.

wonky house block

Wonky house drawn with Electric Quilt 7

The challenge for next month is to make a 12-1/2 inch (so it will finish 12 inches) wonky house block. I made up a couple of blocks to illustrate the idea and drew a couple of additional ones for people to take home for inspiration.

Another wonky house drawing for inspiration

I cut the pieces for this house freehand, with scissors, to make it really wonky

This one was made with fused fabric, using techniques I learned several years ago from Laura Wasilowski

We’ll vote on whether to have a “dirty Santa” swap or a drawing where one person gets all the blocks to make a quilt.  Seems like most of our members are really into the swap thing, so I’m betting that’s what happens!

 

YOW! I’m teaching curved piecing!

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To be exact, YOW is the name of the quilt, not my reaction to teaching a curved piecing class 🙂

curved piecing

YOW is the class I’ll be teaching at Studio Stitch in Greensboro

The class is at Studio Stitch in Greensboro (NC), one of my favorite shops. To my surprise, I don’t have a picture of the quilt I’m using as a class sample, so I had to lift this one from the Studio Stitch website. There is no pattern for this quilt; it is just what I did with some really bright batiks and some nice templates from Elisa’s Backporch Designs.

I’m going to teach at least 3 different ways to piece these curves, so most anybody with some sewing experience can find success with at least one of the methods.

I got out some examples of my quilts with curved piecing yesterday to have them for display in class, and I was surprised at how many there are.  Then I found all these pictures of other things I’ve made with curved piecing, so here are a few.

curved piecing

An attempt at improvised New York Beauty blocks

My “cocktail pillow”–to put out when you have people over for cocktails! (As if!)

stack, cut, shuffle block

This block was made with curves cut freehand

This was made for my modern sampler

Quilt Alliance

Cat Circus, my 2015 Quilt Alliance challenge quilt

Metrol Hoops baby quilt

This was made using the Quick Curve ruler.  I don’t love it–but the baby did.

Applique quilt

Radiating Orchid mini-quilt for the Radiant Orchid Challenge, 2014

Guild Challenges, Part I

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When I volunteered to arrange programs for one of my modern guilds this year, I didn’t realize the job included coming up with a challenge each month.  Luckily, there were lots of ideas for guild challenges in internet-world, so the challenges weren’t too much of a challenge.  (Sorry, that just slipped in!)

I thought it might be helpful to other modern guilds if I posted our proposed challenges, since I’m sure other folks are in need of ideas, too.  So here’s the first one: slabs.  If you don’t know what a slab quilt block is, Canadian quilter Cheryl Arkison published the idea in her book Sunday Morning Quilts.  You can see a picture and instructions here.

modern quilt challenge

Slabs can be addictive!  And a quilt of many colors is fun.

In January, each member received brief instructions on how to make a “slab” of a single color of the rainbow.  Sort of.  While trying to figure out how to set up the rainbow challenge, I found this quote from Isaac Asimov (one of my heroes):

It is customary to list indigo as a color lying between blue and violet, but it has never seemed to me that indigo is worth the dignity of being considered a separate color. To my eyes it seems merely deep blue.

So our colors for the challenge are red, orange, yellow, green, blue, purple.  Seems like the main value of indigo and violet is that they let us spell out ROY G BIV.  Huh.

Our slabs are 15-1/2 inches square, to be 15 inch finished blocks.  Each person makes one in her assigned color, then can make as many others as she wants in as many of the six basic colors as she wants.  At the next meeting, we’ll put all our slabs in a pile and each person’s name will go in a basket once for each block she turns in.  Then we’ll draw a name and somebody gets all the blocks.  Of course she’s expected to make something wonderful with those blocks before the next meeting!

I e-mailed examples of slab quilts to guild members as part of the challenge and also took some of my quilts to show.

slab quilt

Jerri Szlizewski combined her purple slabs with neutral slabs, then appliqued purple dots on the neutral backgrounds

Improvised slab quilt

I cut up the yellow-orange slabs I got in a swap and inserted blue

Does your modern guild have some great challenge ideas?  Let me know!  I’ll be posting about our other challenges as we go along so you can use them, too.

 

Slabs, Round 2

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Cheryl Arkison is one of several people to suggest putting together scraps of the same color to make a quilt block (or fabric from which to cut quilt pieces).  Cheryl calls hers “slabs” and makes them big–15 inches square finished.Mary J Puckett quilt

Above is the quilt I made from a slab swap with one of my quilt groups a couple of years ago.  I had asked for slabs made from the yellow/orange family, and I loved what I got.  But I’m not one to leave well enough alone, so I cut them up and made the quilt shown above.

A relative-who-will-remain-nameless looked through my quilts online and asked for something similar, but in a larger size.

I’ve had fun collecting orange and yellow fabrics.  My friend Linda donated a large bag of orange “scraps”; I felt free to ask her since she claims to hate orange 😀  Then she brought me a big cut of solid orange to go with the scraps!

slab quilt

Linda even found an orange patterned bag to put her scraps in!

The rest came from my stash and from a few things I bought while travelling.  I improvised the squares, featuring a few funky fabrics in each one from the fabrics I bought especially for this quilt.

Then I used Moda Bella Amelia Blue to sash each square and cut the sashing so they are all wonky.  Each will finish 18″ square with sashing.orange4

This one will be big enough that it will need to go to the long-arm quilter.  I’ll have more pictures when it’s finished.

Meanwhile, how are those holiday projects coming along?

 

Cherrywood Toss

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This quilt was started about 2 years ago when I bought a scrap pack of Cherrywood hand dyed fabrics. The blocks are entirely from Cherrywood scrap packs plus that cute print with the words on it, which is a Robert Kaufman fabric.

improvisational quiltThe dark sashing is made from black plus little pieces of the darkest almost-black solids I could find. All are Cotton Couture from Michael Miller.

I quilted this on my home machine, using randomly-spaced, gently curving, lines from edge to edge. I used Superior Bottom Line in the bobbin, which I always do. Top thread is a medium grey light weight polyester, Mettler Metrosene.

This is going to the Smoky Mountain Quilters show in September. This year the show is scheduled in conjunction with Western Carolina University’s Mountain Heritage Day, which I think is a great idea. Of course I’ll have pictures from that show when it happens.

Linking to Aunt Marti’s UFO Challenge. I did get one finished this month!

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Layer Cake Quilt

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I bought a terrific layer cake was bought a couple of years ago and it has been “waiting”, along with its solid coordinates, for inspiration to strike.

quilting storage

Future projects are stored in boxes…oops, sometimes for years! (Found a nice set of these at Costco.)

Then the other day I decided I wanted to insert strips of the coordinating colors into the squares. As you probably know, a layer cake is a stack of 10″ x 10″ squares. That means fat quarters (18″ x 22″) of solids will work well for insert strips.

I started by sorting the layer cake squares into stacks with the solids I wanted to use with them.

layer cake quilt

Layer Cake and Coordinates

Then I cut strips of various widths from the solids.The strips varied from 1″ x 18″ to 2″ x 18″, in 1/4″ increments. I cut a variety of widths from each solid color.

insert strips into quilt blocks

Strips ranging from 1″ to 2″ wide in 1/4″ increments

I had NO idea what I was going to do with these blocks once I got them modified; I just liked cutting them up and inserting strips–it takes very little to entertain some of us 😉 Then I remembered John Cage’s “prepared piano”.   So I called these “prepared fabrics”.

I did the inserts in several ways, still working on this just for fun:

When I looked at my “prepared fabrics” together, it was apparent I wasn’t going to just sew them together along the edges (for several reasons)!Retreat18

So the next step was to go to EQ (Electric Quilt, a computer program for quilt design) and make some designs:

Quilt from layer cake

Option #1. I’ve always loved concentric blocks, and alternating them like this produces a nice design easily.

modern quilt design

Option #2. Concentric blocks off-center are even better!

layer cake quilt design

Option #3. Flying geese are always a lively design element, and I just bought a special ruler for trimming!

modern quilt design

Option #4: I haven’t done anything with gentle curves for a while. These look like flags to me.

What do you think?  Anybody have a strong preference for one of these designs?  Whatever I do, I think it will be fun to see how the inserted strips turn out in the final design 🙂