Clothesline Basket Fun

It’s been over a year since I purchased the Indygo Junction pattern for a basket made of covered clothesline, so I expect everybody else in America has tried this already. Anyway, it was fun.

The pattern gives basic instructions for starting the basket, shaping the bottom, and then shaping the sides.  Instructions are given for two types of handles, and for making the lining.  The basket itself was easier than I expected, then the lining was a little tricky.  Probably my fault because I changed the instructions 😀

My husband sometimes asks, “What is this one for?”  The answer is, “For making something I’ve never made before.”  Which means I have no idea of a use for this basket, but I do want to make at least one of (almost) everything just for the experience!  (Bonus: this used a lot of scraps!)

What about you?  Do you have a plan for everything you make?

I Dislike Quilt-As-You-Go

Quilt-as-you-go (QAYG) has been around at least since the 1970s, and I have tried it in several forms.  Back when I wanted to use high loft batting, I made this quilt in sections and joined them using Georgia Bonesteel’s method.  The backing seams were sewn by hand.  It worked out fine, but that was a lot of hand stitching.

Queen size quilt made by qultl-as-you-go method

Jewel Box, queen size, made in 2003

More recently I read about using thin batting so pieces can be joined with batting in the seam.  Unfortunately, this method suggests quilting the front pieces WITHOUT backing, then tacking on a back after assembling the front.  That means most of the quilting is hidden from the back; the only thing that shows is the stitching used to attach the back over the actual quilting!

I’ve also seen QAYG done by using batting rather than batiste as a base for string piecing.  This means no quilting shows on the front!

The more I read about QAYG methods, the more I didn’t care for any of the options.  I decided to re-visit it anyway because students had asked for a QAYG class.  I chose the string piecing on batting option, but made the blocks with the backing included so the quilting would show on the back.

Back of quilt, showing quilting lines

The quilting is meant to show on the back, though white thread on white fabric doesn’t show much!

I kind of liked the triangles arranged like this on the design wall, but decided to save this option for when I can make the whole thing look 3-D by careful placement of color.

Here is the front of the finished quilt:

After joining the triangles with seams that included front, batting, and back, I covered the seams in back with fabric strips.

The result was awfully bulky.  Next time I may just settle for the “new” method that doesn’t show much quilting on the back.

Well, another lesson 😀  The next attempt will be closer to perfection!

Place Setting Carrier Revisited

It turns out people in my modern guild read my blog (thanks!).  At the gift exchange last Christmas, one of the most coveted gifts was a place setting carrier for potlucks.  The woman who made it had gotten the idea from one of my blog posts, here.

A place setting carrier is used to bring a plate and flatware from home when attending a potluck so that the waste of paper plates and plastic flatware is avoided.

There is a pattern available on Craftsy (which has changed its name), but she used  this free pattern from the St. Croix International Quilters’ Guild, designed by Joline Cook.  The carrier made for our gift exchange was so popular that the entire guild decided to make carriers for our February meeting!

Since the guild LOVES potlucks, these will be used!  Do be advised that, if you use the free pattern, it takes quite a bit of thinking it through to get it put together correctly.  I’m still not sure mine is the way the instructions intended, but it is functional 🙂

Someone in the guild also suggested tucking a plastic grocery bag in the carrier so that dirty dishes can be transported home without having to wash the carrier, too.

Time for a potluck!

Current Series, Parts 4 and 5

I’ve been making a series of improvisational blocks from a bundle of fat eights and a single solid blue fabric, which is intended to tie them together visually.

Each set of 4 blocks has a theme, such as triangles from a strip set in this one

I trimmed each block to 6-1/2″ wide; the length is random

and random arrangement of free-cut squares in this one.

All blocks are 6-1/2″ in one dimension to give them some chance of fitting together eventually!
Set 4 had the theme “log cabin”, and I am fond of little lines in my designs, so it had some of those, too:

“Lines” was the theme for set 5:


Despite using a bundle of coordinating fat eighths and a unifying solid, I think these are getting to be too diverse to go together well. I’ll try to attack that problem in the next set. Please stay tuned, and share any suggestions you may have!