North Carolina Quilt Symposium–Rosalie Dace

I recently took a class at the annual North Carolina Quilt Symposium, which this year was held in Asheville, relatively close to where I live. The class was taught by Rosalie Dace, an art quilter who lives in South Africa.  The focus was on techniques for putting lines into quilts.  Since she is an art quilter, there were many techniques that wouldn’t be used in utility quilts, but it was fun to try them out anyway.

Here are a couple of Rosalie’s quilts that were on display at NCQS.

NC quilt symposium

Here and Now, by Rosalie Dace

Rosalie Dace

African Blues, by Rosalie Dace

You can see more on her website.

And here are the items I made in class with her.  The first is not intended to be a finished piece; it was just made to try out various techniques.

I doubt this next block will be part of a quilt any time soon, but it was fun to make.

Later on I’ll have pictures of quilts made by some of the other teachers.  When I saw them, I wished I had been able to take more than one class!

Blue Ridge

My modern guild is having a challenge to produce quilts for display when the traditional guild has its next show in the fall.  The guidelines are: no more than 36″ on any side, and using some Riley Blake solids whose colors were extracted from a landscape photo chosen by the guild.  The quilts aren’t due for several months yet, but I had a brainstorm and produced mine already.  Here we go:

art quilt

The quilt is faced rather than bound

And here is a detail.  In case you haven’t caught on, this is the one that was stained by basting spray.  However, that came out just fine with dry cleaning.art quilt

Name: Blue Ridge

March 2018

Finished size: 30″ x 17″

Fabrics: Riley Blake solids

Quilted by: me

The Condom Quilt Goes Home

In case you haven’t been reading my blog long enough to know about the condom quilt, here is a brief summary:

  • A couple of years ago I wanted to make a quilt from a QR code in such a way that the entire quilt top could be scanned to open the target website. Since I was going to be putting in a lot of effort, I wanted a QR code that had some meaning for me.
  • At that time I was working in public health, spending much of each day helping patients cope with various problems that might have been prevented by appropriate use of condoms.
  • When I looked for a condom-related QR code, I found that Planned Parenthood of the Great Northwest and Hawaiian Islands (PPGNW) had developed a QR code to be placed on their condom packages. Scanning the code linked to PPGNW’s “Where Did You Wear It?” site.  The goal was to encourage safer sex through condom use.

PPGNW graciously agreed to let me use their QR code in my design.  I colorized their code and made my quilt, checking after construction of each section to be sure the whole thing still scanned correctly.

Asheville Quilt Show

This is the finished quilt. That tiny embedded QR code leads to my blog.

I showed the quilt anywhere I could.  (It isn’t just younger people who need safer sex.)  That included guilds, quilt shows, and the folks in my office.  After a year of showing it to anybody who would listen, I donated the quilt to PPGNW to be used in any way they wish.

I was very pleased recently to receive this picture of the PPGNW management staff with the quilt.  That funny looking guy is their condom mascot.

The folks at PPGNW report that the quilt has sparked discussion, especially about the interaction of traditional crafts and technology.  I enjoyed this quilt from start to finish and I’m glad it is now in its home.

Finally, A Finish

This quilt was started as a practice piece for a quilt I want to make using this “one block wonder” technique. Finally it is finished and bound!

one block wonder

Floral Fantasy, a “one block wonder” quilt

Here is the fabric from which these one block wonders were cut.  As you can see, it was pretty lively to begin with.

Sassaman fabric

Flower Fiesta by Jane Sassaman

The border for the above quilt is from a different Jane Sassaman fabric.

Here’s the quilt for which this was practice.  It is back in a box waiting its turn.Sassaman fabricsNext week I’ll show some more of what pushed its way in front of that quilt.

Meanwhile, if you want to try a one block wonder, here’s a link to the book.  And the fabric or both quilts is designed by Jane Sassaman, whose website is here.

Judge’s Choice! Woo!

My entry in this year’s Quilt Alliance contest was chosen by judge Linda Pumphrey for her Judge’s Choice Award! Here’s the quilt:

quilt alliance contest

For Quilt Alliance contest 2017, 16″ x 16″

And here’s Linda’s comment:

I love the graphic abstract and bold colors of this little quilt. The quilt is beautifully executed with strong visual impact.

Of course I am thrilled to be chosen!

All quilts entered in the contest will be displayed at QA’s “Quilters Take Manhattan” event as well as at International Quilt Festival in Houston. They will then be auctioned to raise money to support the Quilt Alliance’s many projects.

Here’s the link to the auction site, where you can see all quilts entered in the contest:

Quilt Alliance Auction 2017

Another Experiment

In one of my modern guilds, several of our members have volunteered to teach techniques we want to try out.  Some of these may be more “art quilt” than strictly “modern quilt”, but what matters is that the members want to learn the technique, not how it could be classified.

pencils fabric use

One member who does some fantastic art quilts is going to teach us how to use colored pencils intended for fabric.  At the last meeting, she suggested that we get a head start by making a palette of the pencils we have so we won’t be wondering how the color will turn out when we do her project.  I had this grid-print fabric from another project, so I used it for my sampler

fabric pencils color

After reading an article in Quilting Arts about how to use pencils on fabric, I got some textile medium to try  textile mediumTo make the sampler above, I brushed a thin layer of fabric medium on the square, then applied pencil. The color went on smoothly while the textile medium was damp.

I haven’t yet tested how colorfast it may be.  The woman who will be doing the program applied her pencils directly to the fabric (without textile medium), then brushed with water.  The colors had a lovely watercolor-like appearance as they bled a little into each other.  I presume the textile medium will hold the color and prevent that bleeding.  That would be good for things where precise placement is needed, but of course sometimes fuzzy edges might look better.  More to come!

Fabric Postcards Again

I’ve been blogging about the monthly challenges and programs at my modern guild, hoping it will be helpful to some of you who need challenge or program ideas. Here’s a recent one: we made fabric postcards.

I gave out pieces of Peltex 71F cut 4″ x 6″ to use as the stabilizer and backing for the cards.  I gave no further guidance, though I did bring an example to pass around.

fabric postcard

Here is the example

I probably should have provided a handout with some basic instructions, since we have members with quite variable skills, as do most guilds.  Anyway, here are some of the postcards people made.  As you can see, they varied in technique quite a bit, and all were fun.

fabric postcard

Kim’s clever Bee Kind postcard–she paper pieced the bee!

Somebody had some cute quilt lady fabric and put a nice frame around it

Coffee is always popular, and the fusible broderie perse worked well

Somebody else stitched elaborate designs like Zentangles on hers

Bev made a bird with a nest of torn strips and beads sewn on for eggs

Mine was titled “A Different UFO”. I’ve had that UFO button a long time!

Threads of Resistance

My friend Claire made me aware of Threads of Resistance, “a juried exhibition of work created to protest the Trump administration’s actions and policies”. I usually avoid politics here, since this is a blog about quilting.  But I am very concerned about some of the Trump administration’s plans, so I’m making an exception.  Here is my quilt, the Statue of Liberty wearing a hijab, because it’s un-American to exclude immigrants based on religion.

Threads of Resistance quilt

The Statue of Liberty stands for freedom, including freedom of religion.

As always, I learned a lot doing this.  First, there are a TON of public domain pictures out there.  I finally found a couple showing the Statue from the perspective I wanted, and sort of improvised from there.  Second, it IS possible to find verdigris-color fabric, and it’s easier than I thought because everyone seems to have a different idea about just what shade “verdigris” is.

I drew my design on a big piece of paper then traced it onto the verdigris fabric.  I quilted the rays on the background, then cut out the statue and horizon pieces and fused them to the background.  I consulted one of Sue Bleiweiss’ books about how to do the black outline, but ended up not using her method because I was too far down my own road before I consulted the book!  I would like to say I think a project through thoroughly before beginning, but the truth is that often I have no idea how I’m going to do something until I’m doing it!Threads of Resistance quilt

I outlined most of my drawn lines with black thread, but then had to go back over the lines in the face with marker to make them stand out.  One final lesson:  Kona cotton was a poor choice for fusible applique; the weave is much too loose. I had to fray-check the edges even after I fused them, and then had to go back and trim some “whiskers” even after I had satin stitched the edges.  From now on I’m sticking to Michael Miller Cotton Couture, which is a much finer weave (similar to the hand of the batik here, which gave me no trouble with fused applique).

If you’d like to make a quilt to submit for the Threads of Resistance exhibit, which is juried, click on the highlighted name and it will take you to the link you need.  And if you disagree with my politics, please do not take offense–allowing differences is what America is all about.

 

Pamela Wiley Quilts in Savannah

While in Savannah for QuiltCon, my husband and I happened on an exhibit of quilts by Pamela Wiley, a professor emerita of SCAD (Savannah College of Art and Design).  I’m sorry I missed her class at QuiltCon, but the exhibition of her quilts was terrific!

SCAD, Pamela Wiley quilt

As Above So Below, by Pamela Wiley

Pamela Wiley’s quilts are stretched tight and framed, so that when we looked in from the street we were not sure at first whether we were looking at paintings or quilts.  Once in the gallery, it was apparent that these were real quilts.

Pamela Wiley quilts

Mineralogie by Pamela Wiley

Little information was given about the materials used; each label simply listed “stitched cotton”.  However, the stitching was used to distort the cotton, not just in the usual way by making raised and depressed areas with stitching and batting, but also by slightly moving printed lines so that the surface appeared warped.

Pamela Wiley art quilt

Detail of Outside In, by Pamela Wiley

Stitching was used to add layers of color and to distort commercially printed fabric in ways that fooled the eye.

art quilt, Pamela Wiley quilt

Outside In by Pamela Wiley

I took a number of pictures, with permission of the guard for the exhibit.  If you want more, there is an article about her work in what I call “art school language” here, and many pictures of details of her quilts on Instagram here.  I’ll be looking for quilt shows where she may teach in the future!

Pamela Wiley quilt

Houndstooth Hurdy Gurdy by Pamela Wiley

art quilt, Pamela Wiley

Detail of Houndstooth Hurdy Gurdy by Pamela Wiley

Pamela Wiley quilt

Detail of Houndstooth Hurdy Gurdy by Pamela Wiley

Pamela Wiley art quilt

detail of Holding Space by Pamela Wiley

Pamela Wiley

Holding Space by Pamela Wiley

Pamela Wiley art quilt

Full Circle by Pamela Wiley

art quilt

Detail of Full Circle by Pamela Wiley

Pamela Wiley

Detail of Full Circle by Pamela Wiley

Oh, and if you aren’t already intimidated, let me tell you that all these quilts were dated 2016!!!

Smoky Mountain Quilt Guild Show 2016

One of my local guilds had their biennial show recently, so of course I have many pictures of the quilts.  This is an opportunity to display the best needlework of many of our local quilters.

I’m starting with ten of the most elaborate ones.  The quality of the pictures is limited by both the lighting in the hall and the arrangement of quilts in 3-sided cul-de-sacs, the way it is done at AQS as well.  However, it is obvious that a lot of work went into these!Smoky Mountain Quilt Guild, Pamela McBride

Smoky Mountain Quilt Guild, Sandra Sneed

I’ve always meant to make one of these!

Smoky Mountain quilt Guild, Linda Hallatt

Smoky Mountain Quilt Guild show, Karen Burney

Though it is traditional, this is one of my favorites!

Smoky Mountain Quilt Guild, Frances Owl-SmithSmoky Mountain Quilt Guild Show 2016

Smoky Mountain Quilt Guild Show

Love the houses and trees!

Smoky Mountain Quilt GuildSmoky Mountain Quilt Guild ShowI’ll have more pictures from this show at a later date 🙂

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