Tag Archives: art quilt

A Little House Quilt

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One of my guilds provides little wall quilts, featuring houses, to Habitat for Humanity. They give one of these quilts to each new homeowner, and have asked us to provide a few more.

To make this one, I used a pre-drawn block from EQ8 and printed a line drawing of it at 12″ x 12″. Then all I had to do was measure the components and make the fusible applique quilt. This is the block as it was shown in EQ8:

Block design taken directly from EQ8

And here is the line drawing I printed from the program (along with my notes!):

EQ8 drew this as if I were going to piece it. There was the option to print sections for paper piecing as well.

Finally, here is the finished house. It is all fused applique.

I use wool felt as the “batting” for wall quilts now, having learned from one of the many books I read that it is more stable for that purpose. It does, indeed, produce a nice firm quilt and this small one won’t sag even though it is to be hung with two loops at the top instead of a sleeve and rod.

I did a little decorative quilting and zig-zagging along the edges of some of the pieces, but this won’t be washed so I didn’t worry too much about it.

The redbird on the roof is a button! I collect them for things such as this 😀  As is often the case with decorative buttons, this one has a shank, so I poked a hole in the quilt and pushed the shank through so the button would lie flat. The back is secured with a pin.

Finally, after debating about what to do, I zig-zagged the edge to finish the quilt. I hope it will enhance someone’s new home.

Changing the Artwork

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I’ve been in my “new” studio a couple of years now, so I decided to change out the art quilts I have on the walls. Some of the newly-hung items are from years ago, but I found them in the closet, so here they are.

I had forgotten about this little leaf-pounding piece that I quilted by hand.

I made Atomic Sunflower only two years ago, but I’d forgotten about it, too.

I did make this one self-portrait quilt in a class years ago, but that’s it for people in my quilts.

I designed and made this little neighborhood after seeing similar projects online. Isn’t the internet a great source of inspiration?

I made this many years ago from a pattern designed with tiny pieces. I don’t think that designer is still publishing patterns.

I made this when I was first experimenting with stripes and curves. I still love the colors.

These little wall hangings were made just for fun. That’s a money tree at the bottom of one of them 😀

There isn’t room for all the small quilts to be up at one time, so I probably need to change things up more than every couple of years!

City Park: A Panel Quilt

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This quilt started when I saw the central panel at Studio Stitch and it was just too pretty to leave there. It’s actually yardage, not sold as a panel, but of course can be used as a panel.

The fabric is Robert Kaufman “Happy Place”, so I consulted the website of the manufacturer for design ideas. One of their designers had made a wall hanging from this fabric, so that was a good starting place. The trees and balloons were inspired by Jen Kingwell’s “The Avenue” pattern, though I used my own templates rather than hers.

I love the way the print fades from vibrant at the bottom to ethereal toward the sky, so I added additional striped sky. I then put balloons in the sky, with their silver tape strings hanging down into the house area.

Finally, I put a strip of coordinating fabric from the collection on the left side of the panel to balance the design.

Hopefully you can see the lovely bubbles used to quilt the piece. Quilting was done by Linda Nichols. I love this cheerful quilt.

There are a lot of beautiful panels out there now, so I’ll offer a class to “design your own quilt using a panel” at Studio Stitch in June.

Quilt Stats

Name: City Park

Finished size: 56″ x 58″

Designed and made by me, with inspiration from the Robert Kaufman website

Materials: Happy Place fabric by Robert Kaufman, except a leftover scrap for the upper sky and Kaffe fabrics for the balloons and trees. Balloon strings are YLI metallic braid, couched onto the fabric.

Quilted by: Linda Nichols

Visiting Susan Brubaker Knapp

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Last weekend we had the opportunity to see some of the Orange County Artists Guild open studio tour. Our first stop was at the studio of Susan Brubaker Knapp, who makes really remarkable quilts. She also hosts a quilting art TV show, which is how most people know her.

Susan in her studio

Susan is a gracious hostess, and answered many questions for both me and the non-quilter friends who were with me. Her work is absolutely amazing!

One of Susan’s beautiful quilts

She discussed her methods, which you can read more about on her website. She also hosts Quilting Arts TV, so that’s another useful resource if you’re looking for information on how to make art quilts. A lot of her quilts are whole cloth works, painted with textile paint and then extensively quilted on one of her Bernina machines. The quilts are based on her own photographs, and she often begins by tracing a photo on white fabric.

The sheep quilt is amazing, and Susan loves chickens so she has them in a lot of quilts

The body on this butterfly is 3-dimensional

Here are more photos Susan allowed me to take during our visit. Please note, however, that she copyrights her designs.

I am in awe of Susan’s detailed work, and it was lovely to get to visit with her. You can find her teaching schedule on her website if you’re interested. When I expressed amazement at her free motion quilting, Susan pointed out that she has thousands of hours of experience with it! Nevertheless, her skill is amazing.

Poke weed is a native plant and is well represented in this quilt

This is my favorite! I’m happy to say that pitcher plants can grow in the yard here given the right conditions.

Here’s the back of one of the quilts so you can see Susan’s amazing free motion quilting

Of course every quilter needs a vintage machine on display in her studio

You can see much more extensive pictures of her studio on her website, here. Additionally, she has several tutorials on her techniques. You can also visit her blog and subscribe to keep up with what she’s doing. That’s how I learned about the tour. And if you have questions about her techniques, look at both the tutorials and the blog in detail.

A Village

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I made a lot of little improvised houses and related blocks during COVID and decided to combine them into a quilt for our builder, since we love our house!

Here are a few of my favorite blocks from the quilt.

First, this is a watermelon canning factory. I told the builder it really needs to be re-purposed to make garage doors, since those are in short supply and nobody eats canned watermelon.

Really it’s just my idea of whimsy.

Then there are several little houses that came pre-made from some fabric I’ve had on hand for a long time. I enjoyed placing them in various locations.

My husband especially likes the stars in the sky on this block, not to mention the car pulled up to the house 😀

I made a number of wonky houses of my own.

And even one modern house.

 

Quilt Stats

Name: It Takes a Village to Build a House (because it really did)

Finished size: 45″ x 53″

Designed and made by me

Quilted by Linda

I still have a number of quilts to be bound and blogged, but there is progress!

 

Finish! A Really Old UFO

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A number of years ago we had a guild program in which we made 3-dimensional fabric. I know I got this fabric wet and pushed it through a cake rack, but I don’t recall the details and can’t find instructions online. If you know how to do this, please tell me!

So this fabric (just the purple piece, with no beads yet), sat around for quite a while.

Then I layered it on batting and added all the rest of the stuff–beads, ribbon, side triangles, and quilting.

Then it sat around. OK, there was a lot going on in those years, but really, it just didn’t rise to the top of the “to-do” list.

Finally this week I got it out and applied binding.

Quilt Stats

Name: Shiny

Designed and made by: me

Quilted by: me

Finished size: 11″ x 11″

Whew! I’m guessing it took 5 years to make this quilt. Well, at least to get it finished 😀  What’s your oldest UFO?

Susan’s Ideas Explode

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I took a class with Susan Cleveland at AQS-Paducah this year and it was excellent. Susan manages to be both pleasant and precise as a teacher and has many, many tricks for improving quilt making skills.

Thinking of Susan’s creativity and sense of humor, I decided to make my SAQA donation quilt a picture of ideas exploding out of her head.

Here’s the resulting piece:“Susan’s Head Explodes”, 12″ x 12″, a tribute to Susan Cleveland

Susan is known for (among other things) her binding techniques, prairie points, and Dresdens. All these involve her signature precision and attention to detail. I used some of her techniques in this little quilt and added several of my own. Here are some details.

First, the martini glass. Please note that I have no idea whether or not Susan drinks alcohol; I just couldn’t resist this use of a prairie point!

You can see my binding up close in this detail photo. I used a flange to accent the edge. The little spheres are wool balls cut in half, a technique I learned from Susan.

The red exclamation mark is made with Kraft-Tex to avoid any risk of fraying on such a small element.The flamingo is a plastic button! Following a suggestion from a reader (Elizabeth, in response to my Habitat House), I removed the shank and glued the button to the quilt.

For one of the prairie points, I put a clear spherical button inside to hold it open a little. This button was one of my happy finds in Paducah, so it deserves to be in the piece!

The wool blend felt used for batting was a suggestion in a recent book by Sue Bleiweiss. It worked quite well in terms of being stable and easy to use.

Quilt Stats:

Name: Susan’s Head Explodes!

Designed and made by: me, with inspiration from Susan Cleveland

Finished size: 12″ x 12″

Materials include: Commercial cotton fabric, hand dyed fabric (Cherrywood), hand dyed embroidery thread (Artfabrik, Laura Wasilowski), Kraft-Tex (C&T), plastic buttons, commercial rick rack, wool felt balls, a polymer clay button, wool blend felt for batting, and various commercial threads.

Note: As always, the links in this post are for your convenience. They are not affiliate links.

Happy Habitat House

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The Gate City Quilt Guild, which I recently joined, makes little house quilts for the local Habitat for Humanity. Each family then gets a little quilt as part of the ceremony in which they take over their new house. Of course I wanted to make one, so here we go!

The quilts are approximately 12″ x 12″, so I began by cutting two 13″ squares of fabric, one for the front and one for the back. I recently read in Sue Bleiweiss’s latest book that she uses a wool-blend felt for the batting in her art quilts, so I gave that a try. I cut the felt 12″ x 12″.

This is the back

I turned the edges of the front fabric to the back, turned under the edges of the backing fabric, and edge stitched the 3 layers together. The felt “batting” was easy to work with and avoided the puffiness that can distort a quilt when using regular batting.

I used Heat n Bond Lite to fuse the door, windows, and roof to the house, then fused the house to the quilt top.

The finished quilt front

I added stitching to the grass and tree for texture, and to make rays from the sun to show sunshine falling on the house. I collect fun buttons, so I had a round one for the door knob and some little flowers for the yard.

The buttons were shank-type, so I had to make little holes in the quilt to push the shank through so they would lie flat. The felt batting was extremely stable, which helped a lot with this process. Here’s the back, showing the button shanks held in place with little pins.

Although I like my quilt, I must say that there are some very talented quilters in the group and some of the houses were more realistic than mine! I look forward to learning a lot from these ladies.

Quilt Stats:

Name: Happy Habitat House

Size: 12″ x 12″

Designed and made by me

I hope the family who receives the quilt will enjoy it, though of course it is unlikely to look like their real house!

Atomic Sunflower

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This started as an experiment with some leftover fabric, then sort of wandered off into an art quilt for the International Quilt Museum’s “Modern Meets Modern” challenge.

The fabrics are scraps of Michael Miller Cotton Couture left from another project. I saved them as a group because I particularly like the color combination. I started cutting the wedges freehand while working on a Cindy Grisdela-inspired project. When I decided to make them into a circle, I found a large platter in my kitchen and traced it because the rim was irregular. I then used reverse applique to set the circle in its background.

My friend Chela helped with input regarding the center design.

When I saw the Modern Meets Modern Challenge, I thought this piece would be a good fit, so I finished it up after Christmas, just in time to submit it. You can see the contest and the entries here.

Mine was not judged a winner, but here’s the good news: I agree the winners are better.

In looking at the entries, it’s clear that the better designs go all the way to the edge of the quilt, while mine is isolated in the middle. I’ve noticed this element of design several times over many years. In good modern designs, the design extends to the edge, often with the implication that it goes past the edge. But this time I got so wrapped up in what I was doing that I didn’t think “outside the circle”. 😀

As Nelson Mandela said, “I never lose. I either win or learn.” So, on to the next quilt!

Woo! The Book I’ve Been Waiting For!

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I’m a fan of Cindy Grisdela’s work and have gone through the exercises in her previous book, so I was thrilled when C&T sent me Cindy’s new book for review. Adventures in Improv Quilts covers the basics of design and color, but includes some more complex quilts than her previous book. Some of them remind me of Maria Shell, whose book I also love.

Photo courtesy of C&T

Cindy’s colors are bright and interesting. She often combines colors I wouldn’t have thought to use together, which causes me to look twice at the design. That’s a plus!

Photo courtesy of C&T

The book includes plenty of detail on technique. I was especially amused (and gratified) to learn that part of Cindy’s design process is to outline the size for the quilt with blue tape on her design wall. I’ve done that for years and find it a very effective way to think about filling the space as I design. Validation is always nice!

Photo courtesy of C&T

The book includes a chapter on color choices, which will be welcomed by numerous quilters who worry endlessly about the “right” colors. I choose my palettes intuitively, with better results some times than others, so maybe I should pay more attention? I love the color examples in the book, starting with basic palettes and progressing to the addition of other colors or values to give the project variety.

Photo courtesy of C&T

Cindy then goes on to cover the basic principles of design. These won’t be news to most quilters, but her examples shine. I think I will go back to the “bits” left from working through her previous book and see if I can enhance them by using some of her examples from this book.

Photo courtesy of C&T

My favorite advice in the book: “Don’t fear wasting fabric”! That’s a liberating thought!

My second favorite is one of her tips for free-motion quilting, but I think it could apply to most any part of the process: “If you feel like you’ve made a mistake, keep going. Either ignore it or do it again so it becomes a design element.” I love that! I love this book!

The book is available here, but this is not an affiliate link. C&T sends me books for review, and I tell you about my very favorites among them.