Category Archives: Quilt Design

City Park: A Panel Quilt

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This quilt started when I saw the central panel at Studio Stitch and it was just too pretty to leave there. It’s actually yardage, not sold as a panel, but of course can be used as a panel.

The fabric is Robert Kaufman “Happy Place”, so I consulted the website of the manufacturer for design ideas. One of their designers had made a wall hanging from this fabric, so that was a good starting place. The trees and balloons were inspired by Jen Kingwell’s “The Avenue” pattern, though I used my own templates rather than hers.

I love the way the print fades from vibrant at the bottom to ethereal toward the sky, so I added additional striped sky. I then put balloons in the sky, with their silver tape strings hanging down into the house area.

Finally, I put a strip of coordinating fabric from the collection on the left side of the panel to balance the design.

Hopefully you can see the lovely bubbles used to quilt the piece. Quilting was done by Linda Nichols. I love this cheerful quilt.

There are a lot of beautiful panels out there now, so I’ll offer a class to “design your own quilt using a panel” at Studio Stitch in June.

Quilt Stats

Name: City Park

Finished size: 56″ x 58″

Designed and made by me, with inspiration from the Robert Kaufman website

Materials: Happy Place fabric by Robert Kaufman, except a leftover scrap for the upper sky and Kaffe fabrics for the balloons and trees. Balloon strings are YLI metallic braid, couched onto the fabric.

Quilted by: Linda Nichols

Trying a Couple of Things

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A few weeks ago two events occurred serendipitously: The final challenge for Project Quilting was “Conquer A Fear”, and a friend helped me try ruler quilting.

Practicing on a piece of fabric where mistakes can’t be seen!

In fairness, I tried ruler quilting a couple of years ago and decided it wasn’t for me–seemed like just FMQ (free-motion quilting) with complications. So maybe I was scared because I wasn’t immediately good at it?

Anyway, after some instruction from my friend I made several practice pieces, then this round quilt for Project Quilting.

It’s not perfect. Not even close. But good enough for now.

And then something else interesting happened. I had recently cut some striped binding at 30 degrees instead of 45 degrees and found that I got the same diagonal stripe effect with less of the stretchy-wobbly-crawly stuff that happens with true bias binding. It worked very well on this quilt:

So I had a little of that striped binding left and decided to use it on the Project Quilting circle. Turns out a 9″ circle really could have benefitted from fully bias (45 degree) binding.

Just look at all I learned in a 9″ circle 😀  Mission accomplished!

And one more thing…finding that striped binding reminded me that I never showed one of my favorite quilts from 2022:

Quilt Stats

Name: Rock Star Granny

Source: Rock Star Granny pattern from Crystal Manning, available here

Finished size: 62″ x 62″ (smaller than the pattern size)

Made by: me

Quilted by: Linda Nichols

A Chair Is A Chair

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This is coming to you a day early because part of this post is an entry in Kim Lapacek’s Project QUILTING. The current challenge is Sew Not A Square.

But first a little background. On Monday of this past week, I was happy to attend a workshop with Daisy Aschehoug, who calls her business Warm Folk. I didn’t realize until I got to the workshop that I had reviewed a book she wrote with Heather Black a few years ago.

Photo courtesy of C&T

Anyway, Daisy was presenting her Giant Nested Curves workshop and it was within easy driving distance, so a friend and I went for the day!

When Daisy says “giant” curves, she isn’t kidding! Her templates for this project make a circle that finishes 24″ in diameter!  Here are some pictures I took of her class samples; keep in mind that these are 24″ circles.

And here’s the quarter circle I got made during class.

Which leads me to the project for the Project QUILTING challenge: The assignment this time was to make a finished quilt with NO SQUARES! Since I had just been making circles, I started with the smallest template, which makes a quarter circle finishing 2″.

Making a curve that small was a “challenge”, as we like to call it 😀

So I made a second curve, on the end of a rectangle, and combined the two blocks into a chair. I thought it looked like a mid-mod chair, or maybe a Bauhaus chair, so I decided it could be a chair for Gertrude Stein. Which is why the quilting says over and over, “A CHAIR IS A CHAIR IS A CHAIR”. And taking a cue from a friend who recently sent me a quilted postcard, I zigzagged the edges rather than binding–much more practical for a postcard sized quilt.

Quilt Stats

Name: A Chair for Gertrude

Finished size: 3.5″ x 6″

Designed, made, and quilted by: me

Fabrics: cotton, front and back

Batting: Felt

Thread: Superior So Fine

Quarter circle template from Daisy Aschehoug

 

 

 

 

Scrap HSTs

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HSTs (half square triangles) are the basis of lots of dynamic quilt designs, so of course they’re even better if they’re scrappy. For those who may not know, here’s a half-square triangle block. Each half of the square is a triangle, and of course it helps that they contrast.

Block drawn in EQ8

So after I had made a whole bunch of scrappy squares, I decided to cut them in half diagonally to make scrappy HSTs. I had the perfect white fabric with metallic gold oriental writing to use as contrast.

Of course I tried numerous layouts for the blocks and consulted friends about which to use.

This arrangement was voted out

Eventually I chose the arrangement below because I like the “double twist” effect you get in the center if you look from a distance.

The finished quilt

Quilt Stats

Name: Ziggy Scraps

Designed and made by me

Finished size: 58″ x 78″

Quilted by: Linda

I’m developing a talk about making successful scrap quilts. If you have any ideas I should include, let me know!

Improv Quilt-Along Continued

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I’ve already posted about the first week of the quilt-along, which was focused on strips. Here are my blocks again.

The second week’s suggestion was polygons but not triangles. I found it difficult to like most of my attempts for this, though I did finally use EQ to design a block that I paper pieced. I thought that many of the others lack focus, so there was a lot of cutting up and re-designing. Still not my faves, but here they are:

The third week focused on triangles. I still did much of my cutting without a ruler, but I stuck to simpler designs and I’m much happier with this collection of blocks.

The quilt-along is called “30 Days of Improv” so we’re only about half way through. Here’s a link to the first post for the QAL if you want to join in. I’m looking forward to next week’s prompts.

Return of the Fruit Ladies!

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I’ll be teaching a new class in August, all because I am so excited to see the return of this fabric! (The fabric is shown on a bag I made many years ago using the original issue of this design.)

This is one I made several years ago

I had the fruit lady fabric when it came out about 15 years ago and made our daughter a quilt because she loves the beach. I made the bag shown above to go with it.

So when I ran across the re-issue of it, I was “forced” to buy some and make another quilt.

Because this quilt involves special techniques, I’ll be teaching it at Studio Stitch on August 11. Class list is here.

Quilt Stats

Name: Fruit Ladies

Pattern: Modification of “Level Up”, a pattern currently offered free here

Finished size: 49″ x 60″

Quilted by: Elisabeth Pugh

Trying A New Binding Technique

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I’m always on the lookout for ways to improve my binding (as well as my other quilting skills). Recently I ran across a video (YouTube, of course) showing how to use the Bernina #71 foot for binding. Here’s the link: https://www.youtube.com/watch?v=tpl-7L4SEzM

I have no idea who this woman is, but she’s using 2″ binding, which is my usual. I also use Quilter’s Dream Request Loft batting (the thinnest loft), which is part of why the narrower binding works.

After watching the video several times, I tried it out.

As you can see, the binding looks pretty good, and it’s still all done by machine. I achieved a more consistent width using this foot than with my usual method with the walking foot.

I did have some trouble with the corners, but I thought my binding was pretty good for a first try. (And no, I didn’t take a picture of a messy corner!)

Here’s the finished quilt, which is one of the samples for the beginning quilting class I’ll be teaching later this year. This is a pattern I modified from the book Jump Into Patchwork and Quilting. Specifically, I re-drafted it so the monkey wrenches are made with the flip-and-sew method rather than with half square triangles. This floats the wrenches so beginners will be less likely to cut off a point.

Photo courtesy of C&T

I’ll be using the book as a text for the class so students will have a written reference at home. The book is bright and modern and I think it will appeal.

It also has some easy projects students will be able to do on their own. This book costs only a bit more than a pattern, so it’s a good value. (The book is available from Studio Stitch or C&T.)

I’ll be making another sample before offering the class. Meanwhile, here’s the information on this one.

Quilt Stats:

Name: Making Waves Modified

Source: I re-drafted a pattern from the book Jump Into Patchwork and Quilting

Finished size: 48″ x 48″

Made and quilted by me.

Tossed 9 Patch

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The other day I considered what to do with my large stash of 5″ squares.

Bin of 5″ squares from a variety of sources

It occurred to me that I might be the only quilter in the world who hadn’t yet made a tossed 9 patch quilt.

Just on the off chance you haven’t made one yet, here’s the drill.

The 9-patch block was 15.5″ with raw edges. Drawing done with Electric Quilt 8.

Start by making a 9 patch (duh). I cut a bunch of light colored 5″ patches and enough red 5″ patches for 22 nine-patch blocks, then used various 5″ squares from my bin for the four corners.  (Yes, that only got rid of 88 5″ squares. Still…)

I included some old favorites from the 5″ bin:

Blueberry fabric bought in Maine, one of the Moda wildflower fabrics, the fruit ladies from Elizabeth’s Studio, and some of my favorite metallic dot fabric.

After assembling the 9 patch blocks, I cut them in quarters, resulting in 88 blocks like this:

This is one quarter of the original 9-patch block. Drawing done with Electric Quilt 8.

When all my 88 blocks were made, I played with layouts until I had one I liked. There are a lot of different ways to cut the 9 patch block, and even more ways to lay out the resulting blocks, so it took a while.

After it was quilted, I decided on a blue and white striped border, which I cut on the bias.

And here’s the finish:

Quilt Stats:

Name: Tossed 9-patch

Designed and made by: me, though of course there is nothing new under the sun, This idea has been around forever.

Finished size: 51″ x 71″

Quilted by: Linda

Magic Kaleidoscope Finish

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I finished this quilt back in January but didn’t get around to blogging about it, so here goes…

I was on a magic kaleidoscope quilt kick, and this one was the last one. It was quilted by Walker Quilt Company, where they did an excellent job with an edge-to-edge design.

And here’s the whole quilt:

Here are a few of the blocks. There are no two alike!

Luckily there was enough fabric to put some on the back as well as in the border.

And here’s the binding.  I did a double binding so there is some of the original fabric as well as the solid binding.

Quilt stats:

Name: Magic Kaleidoscope 3

Designed and made by me

Finished size: 56″ x 70″

Quilted by: Walker Quilt Co., Franklin, NC

Atomic Sunflower

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This started as an experiment with some leftover fabric, then sort of wandered off into an art quilt for the International Quilt Museum’s “Modern Meets Modern” challenge.

The fabrics are scraps of Michael Miller Cotton Couture left from another project. I saved them as a group because I particularly like the color combination. I started cutting the wedges freehand while working on a Cindy Grisdela-inspired project. When I decided to make them into a circle, I found a large platter in my kitchen and traced it because the rim was irregular. I then used reverse applique to set the circle in its background.

My friend Chela helped with input regarding the center design.

When I saw the Modern Meets Modern Challenge, I thought this piece would be a good fit, so I finished it up after Christmas, just in time to submit it. You can see the contest and the entries here.

Mine was not judged a winner, but here’s the good news: I agree the winners are better.

In looking at the entries, it’s clear that the better designs go all the way to the edge of the quilt, while mine is isolated in the middle. I’ve noticed this element of design several times over many years. In good modern designs, the design extends to the edge, often with the implication that it goes past the edge. But this time I got so wrapped up in what I was doing that I didn’t think “outside the circle”. 😀

As Nelson Mandela said, “I never lose. I either win or learn.” So, on to the next quilt!