Why I Use Polyester Batting!

A friend recently asked why I use poly batting. The reasons mostly have to do with the aesthetics of my quilts. I use thin, high quality, polyester batting, NOT to be confused with the awful stuff available at the big box store. So here are my reasons:

Main reason: Polyester batting doesn’t shrink. Years ago, when I started designing my own quilts, I used polyester batting to minimize distortion when the quilt is washed. If I’m going to all the trouble to get the design just the way I want it, and make all the points match, I want all that to show, even after the quilt is washed. In short, if I design it, I don’t want the design distorted.

Here’s an example of a quilt where I worked hard to get things straight and square.

Of course this is based on Piet Mondrian’s paintings, and particularly on the Mondrian dresses derived from them

That said, I prewash only selected fabrics, so there’s likely to be some shrinkage of the fabric anyway. At least shrinkage is minimized if the batting doesn’t shrink, too.

Second reason: After hefting quilts made by other people using cotton batting, I appreciate the light weight of polyester batting! I hadn’t realized the difference until I was involved in hanging quilts. Most of those were traditional and had cotton batting. The heft of some of them was amazing.

Above is a king sized quilt I made years ago. It would have been very heavy with cotton batting. Yes, I’ve heard that cotton batting “breathes” and poly batting doesn’t, but do you really feel the difference when you’re sleeping under it? And if you do, is it good or bad?

Third: Poly batting doesn’t crease as easily or hold onto folds after it’s unfolded. Since most of my quilts are stored folded for months at a time, it makes a difference. Also, it’s good to avoid hard folds when I’m shipping a quilt somewhere. The quilt below is one I use for teaching, but it lives in my quilt closet the rest of the time. I like being able to take it out and find it’s ready to go without having to “hang out” the folds.

With all that said, not just any batting will do. I use Quilter’s Dream, a high quality batting available in several lofts. They even make a poly batting from recycled plastic bottles; it’s called Dream Green. I’ve used some other brands and found some of them to be good quality as well, but Quilter’s Dream is my current choice. Which brings me to a final consideration: Request loft, the thinnest, is still suitable for longarm quilting if you choose polyester. The thinnest loft in cotton doesn’t work with a longarm. (By the way, Quilter’s Dream makes excellent cotton batting also, if that’s your jam.)

And finally, there are a couple of exceptions. One of the places I donate quilts is a camp for seriously ill children and they want cotton or 80/20 batting. Thankfully, my quilter stocks it so I can get it easily for those quilts. And when I fail to match points despite my best efforts, I sometimes ask for cotton batting and then wash the quilt as soon as it’s finished 😀 Distortion may not be all bad!

Opinions, anyone?

Pattern Review: Strip Search

I found this pattern at Five Little Monkeys and it turned out to be as much fun as it appeared to be! The pattern said that, if you followed the instructions exactly, none of the strips would try to line up, and that was right! This means the only thing to “match” is the corners where the blocks come together, but really, the blocks are big so that was easy. Easy and fun–that’s what we like!

Here’s the first quilt I made from the pattern. I thought at first that the blocks needed sashing. However, that was not an improvement, so I removed the sashing and just added a border. The blocks are about 15″ square, so this was a good size quilt.

The second quilt is for Quilts of Valor and will be just the right size without a border. This is just a picture of part of it so the pattern of the strips shows. It isn’t finished yet.

And finally, here is a quilt I made to be used on one of our twin beds with a pillow sham.

This is an excellent pattern for using 2.5″ strips, either from scraps or a jelly roll. The instructions are clear and work well if they’re followed carefully. I recommend it!  

These folks developed the Stripology ruler so they recommend it, but it isn’t necessary for this pattern. Here’s a source for the pattern if you can’t get it at your LQS.

 

On to 2024!

Having reviewed my faves from 2023, I’m looking at plans for 2024.

First: My MQG is having one of those UFO challenges where you pick one each month, so I’ve made a list and started that. The current project is cutting up some of the orphan blocks, shown here…

…and making them into different blocks. Some are on the design wall here:

Who knows where that will go!

Second, having enjoyed the Bloem pattern by Libs Elliott, I’m making her pattern La Fin Du Monde.

Next up will be some map quilts. I took Timna Tarr’s map class via Creative Spark in 2022 and have been enjoying my experiments since.

It’s time to actually finish some of those map quilts…

And speaking of map quilts, I’ve been facing these and hanging them as usual, but the Chief Consultant (AKA husband) thinks they need to be framed. I’m considering adding borders to frame them, or mounting them over stretched canvas (still without a frame). Or maybe a poster frame? Or maybe just stay with the facing.  Anybody have an opinion?

One more thing I’d like your help with: I’m on the program committee for one of my guilds. Has your guild had any outstanding programs you can recommend? We are in Greensboro, NC, and we need either someone nearby or someone who presents via Zoom in order to stay within our budget. I’d appreciate any ideas.

 

Personal Favorites from 2023

Here are my personal faves of the quilts I made in 2023.

This is my version of the Bloem pattern by Libs Elliott. I think I showed in-progress photos but forgot to show it once it was finished!

I made this from a panel I just had to have. I especially enjoyed making the balloons and trees the opposite of each other.

This is made from Rachel Hauser’s Oodalolly pattern, which I’ve admired for years.

Swedish Sunrise is one of several quilts I’ve made with a sunrise theme. When It’s art we call it “working in series” rather than “perseveration” 😀

I made “St. Agatha in Venice” to use this beautiful print fabric.

Yes, it’s being held out a window by hand, so the picture isn’t as nice as the ones taken by the magazine folks!

The Tilda fabrics are beautiful, but so similar in value that they needed structure when they were all mashed together.

The “Wish” pattern from Cluck Cluck Sew was perfect for a Quilt of Valor

“Mod Owls” made a good teacher gift because the mascot at my grandsons’ school is an owl

Aha! Orphan blocks can be cut up to make new blocks, as I did with my Giant Circles quilt, here

Next post will be the “on to 2024” edition 😀