Up Next: The 25 Year Quilt

I recently decided to make the Postcard from Sweden quilt, which I’ve admired for some time.

The photo above is from the front of the pattern.

I had to search for the pattern, which has always been free courtesy of the designer, Kelly Liddle. I’d like to link you to her, but I can’t find her except on Instagram (@jeliquilts). Anyway, the pattern is now available free for download from Stash Fabrics, here.

I have an extensive stash because, until recently, we lived in a rural area where the nearest “local” quilt shop was at least 45 minutes away. I gathered all 36 colors required for the top from stash!

This picture shows the first 15, so there was quite a stack by the time I had all 36 on the table! This is a 25 year quilt because that’s the period of time over which I’ve collected this stash.

For a few fabrics I had to substitute other choices that were not quite solid.

And even then it sometimes took more than one fabric to get all I needed of an unusual color.

And several of the fabrics had been cut long ago for unremembered projects!

But eventually, the huge stack of fabrics was reduced to a small stack of 6″ strips and the remaining fabrics were put back where they belong.

That was a full day of pressing, cutting, and folding.

I made a few fun discoveries along the way.

First, a couple of the fabrics seem to be poly-cotton blends. They are from before “modern” quilting came along, meaning that only the Amish and Gwen Marston were using a lot of solids, so I had trouble finding solids in the stores. Much of what I did find in fabric shops (which at the time had a lot of clothing fabric) was poly-cotton blend, and I took what I could get. So there’s some poly-cotton fabric in the stash and that will be used in the quilt.

Second, there were solids from several different fabric companies, now that everybody has their own line.

Finally, some fabrics were prewashed and some were not. There’s a whole story there, but I’ll spare you!

I’ve cut those strips into squares and paired them up ready to make HSTs, so progress has been made!

With regard to that stack, I didn’t completely follow the pattern (surprise!). There are excruciatingly precise instructions to enable the quilter to reproduce the original exactly, but I don’t intend to do that. I paired up some colors the way the pattern suggested and did what I wanted with the rest. We’ll see how that works out.

Gathering the fabrics was a fun review of the past 25 years of collecting, and now we can all look forward to the Postcard from Sweden quilt in the future.

 

A WOMBAT

According to a facetious list of quilting terms I have, a WOMBAT is a quilt that is a “Waste Of Money, Batting, And Time”. Which is why I’ve named this quilt WOMBAT.

The full sun on the west side of the house washed out the colors a bit

And here’s the backing!

This was one of the patterns provided by the Modern Quilt Guild. I usually ignore those, BUT in this case a blogging friend made one and it sounded interesting. In particular, she commented, “Who thinks like that?” with regard to the written instructions in the pattern. I like to find out how different designers think and plan, so I jumped in.

In fairness, I learned a couple of things, but I thought the written instructions wasted a lot of printer ink and time giving detailed instructions for things that were easily improvised. Anyway, it’s done. Finished in 2022, actually, but I have a backlog of quilts to bind and blog about, so here it is at the start of 2023. Happy new year to all!

Quilt Stats

Name: WOMBAT

Designed by: Charles Cameron, for the Modern Quilt Guild

Finished size: 63″ x 87″

Made by: me

Quilted by: Elisabeth Pugh

Did anyone else make this quilt? If so, what did you think?

 

 

Tula Stack

A “stacked” quilt, with the blocks arranged so they look like they’re overlapped on top of each other, has been on my bucket list for years. So recently when I got a “stack” of Tula Pink10″ squares I decided it was time.

There were even a few blocks left for the back.

I love the lime green thread for the quilting! And just so you know, there are stacked bears on the back 😀

Quilt Stats

Name: Tula Stack

Design based on many similar quilts I’ve seen

Finished size: 52″ x 69″

Quilted by: Linda

 

Another Zen Chic Quilt

Yes, I liked this pattern so much I made it twice.The quilt shown above is the first version, more or less following the pattern.

I’ve blogged previously about the second version, made when I had the “brilliant” idea that this would be a great Quilt-As-You-Go (QAYG) project. Here it is again:Anyway, I still like both of them and plan to use them when I next teach QAYG.

Here are the stats on the latest one (with the border):

Quilt name: Bauhaus

Pattern by Zen Chic available here

Finished size (with border): 58″ x 58″

Designed by: Brigitte Heitlend of Zen Chic

Made by: me

Quilted by: Linda

Have a good week!

Super Simple Squares

A layer cake of Alison Glass fabric jumped in my cart when I wasn’t looking, and I’ve been wondering what to do with it. Finally, I designed this quilt.

The quilting by Julia Madison is an Urban Elementz panto called “Sound Waves”. I love it!

Quilt stats:

Name: Super Simple Squares

Finished size: 52″ x 52″

Designer: me

Fabric: Alison Glass

Quilted by: Julia Madison

Sunrise

Here’s the last finish of August, made of HST (half square triangle) blocks left over from another project.

And here it is held out the window for me to photograph! I thought it would be fun to have my husband stand on the landing half way up the stairs and hold the quilt out the window. And it was fun!

Quilt Stats

Name: Sunrise

Design by: me

Finished size: 50″ x 75″

Quilted by: Julia Madison

And just in case you asked, the quilt isn’t upside down in either picture. It’s ambidirectional–is that even a word?

Virtual Design Wall

I’m making a queen sized quilt from my 100 Tula City Sampler blocks using this design. I made several layouts in EQ8, my design software, and chose this one.I love this layout, but it’s turning out to be a bear to piece!

BTW, I don’t recommend this design particularly. The sashing is waaay too fiddly.

Anyway, I have assembled the top in 4 quarter panels to improve the accuracy of my piecing. Now I’m ready to assemble the panels into a quilt top, but we are still in our rental house so I don’t have much of a design wall.

I thought I would wait until I have a big design wall in the new house, but then I had another thought. I took a picture of each of the quarters, edited them all with Photoshop, and custom printed them so each quarter is 7″ square. The pictures aren’t perfect, but I think they’ll work!

Now I can play with arranging the quarters in various ways. The printed colors aren’t great (I used regular printer paper) but this is going to be much easier than moving 4 big panels around on a big design wall. I may even use this technique again when I have a big design wall available.

I’ll let you know what happens.

Eight Years

I’ve now been blogging weekly for 8 years. One of the best things about it is “meeting” people from all over the world and reading about what they are doing. Some of them have been at it even longer than I have, though many of the bloggers I’ve “met” have since quit writing.

Here are my current favorite quilts from each of the years I’ve been blogging.

Rising star art quilt

Rising Star, made for the Quilt Alliance TWENTY contest in 2013

quilt photo

My Zippy Star Quilt and Pillow as shown in Modern Quilts Unlimited, Summer 2014

modern quilt

Happy Squares, designed and made by me, 2015

improvisational quilt

Cherrywood Toss, 2016.

scrap quilt

Scrap quilt made with strips that finish 1″ wide, 2017

Equilateral Triangles, 2018

My “Little Green Man” quilt, June 2019

“Clamshells? Really?” 2020

I’m going to delete many of the older posts since I doubt they are serving any purpose at this time. I have had a book made for each year, as suggested by my friend Linda, so I can always look back at them if I want.

Tessellations again!

In a moment of madness, I agreed to do a program on tessellations for my MQG in Greensboro.  I’ll be posting the same information here so we can all share it and so that these blogs can serve as “handouts” for my presentation.  To start, here’s a blog written by my friend Jean Larson, who has designed and made several award-winning tessellation quilts.  To view some of Jean’s quilts, click HERE.  –MJP

Tessellating designs make me happy.  Tweaking those designs is even more fun.   I want to share the joy of starting with a very, very simple design and watching it blossom.  

Start with a simple gridded block and create a light/dark design.  Here, I’ve started with a 3 x 3 grid.  Then re-color the same block with the lights and darks reversed

.The grid lines are only for design purposes, and each block can be constructed with a single square block with 2 corner triangles attached using any method you prefer.

Here are some design possibilities…Quilt_1A simple “cat head” quilt using only 2 colors.

Different looks can be achieved with variations in the color placement.

Blocks can be inverted and turned for even more quilt designs.

Just imagine all the possibilities with color in these!!!!!

It’s even more complex when you design with a 6×6 grid.  Here are the positive and negative versions of another block.

These blocks can be constructed using half-square triangles integrated with larger fabric pieces.  If these blocks were to finish at 6 inches by 6 inches.  The center column on each block would be a single 3.5 inch wide by 6.5 in long piece of fabric.  The side strips would include some half-square triangles.

A couple of the quilts that can be made:

Looks like spools, some gray, some white, all standing up.  Same quilt with alternate blocks turned a quarter turn yields a different  clearly recognizable tessellation.  Reminds me of tessellating doggie rawhide chews 😉

Now back to the spool quilt from above.  The “thread” areas have been colored in.  No blocks have been turned.

Jean spool 5This shows the power of color and value (lightness and darkness).   The colored part, being next to the gray and being closer in value to the gray, unites those parts of the block, and gives the illusion that we have all gray spools on a white background, some standing up, some lying down.

I hope these examples can be the seeds to sprout some design experimentation with tessellating shapes.

  1. Start with 2 square grids
  2. Create a positive design, and its negative design
  3. Alternate them in a quilt layout
  4. PLAY!
  5. And play more with color!

Happy Quilting (and Designing)!!   –Jean Larson

 

 

 

 

 

 

 

 

 

 

Fiddlesticks!

I finished this quilt last month, but I’ve been doing a lot of quilting due to quarantine, so I’m behind on showing my work.  This is a scrap quilt, of course.  I’ve been seeing lots of quilts with little strips inserted on Pinterest, and finally got around to developing my own.

First, I got out all my solids, including the Grunge, and cut a 12″ square from each for background.  I planned to trim the blocks to 10.5″ after I finished inserting strips, since I have a 10.5″ square ruler 😀  No point making things difficult; let’s plan for easy!

Then I got out all my scraps and cut them into strips ranging from about 1″ to 2.5″ in width.  I made strip sets and cut them crosswise into strips for the quilt.   The inserted strips were cut in widths varying from 1″ to 2″, which of course means they finished 0.5″ to 1.5″ wide in the blocks.  I made more skinny ones than wide ones.

I just slashed the blocks at random angles.  I did slash and insert only one strip at a time. 

After I’d inserted enough strips to suit me, I trimmed each block to 10.5″ square.

Just look at the fun flower design my quilter used!

And yes, I left 3 blocks unpieced to add interest.

Quilt stats:  Fiddlesticks

Finished size: 49″ x 69″

Designed by me, based on multiple inspirations from Pinterest

Technique: Improvisation

Quilted by Julia Madison