So I went to the Asheville Quilt Guild’s annual show, which usually has lots of inspiration. There were many nice quilts, but two quilt makers stood out, in my opinion.
The first is Diana Ramsay, whom I know from the Modern Quilt Guild, which used to exist in Asheville. Here are her quilts:
Dutch Holiday by Diana Ramsay
Detail of Dutch Holiday
Fascinating Rhythm by Diana Ramsay
Bulls Eye II, by Diana Ramsay
Although I don’t know Linda Fiedler, I was very impressed by her quilts, as well:
Moonglow, by Linda Fiedler
Detail of Fusion by Linda
Fusion, by Linda Fiedler
The guild’s gift shop always has something I wish I had made, and this year it was a little pyramid bag. Of course I bought it.
I’ve always liked pyramid bags, which I first saw years ago in a craft store in Berea, Kentucky. I had a pattern to make one, but it seemed pretty complex. The internet to the rescue! I found several sets of instructions and even videos. Here are the instructions I used:
One of the best things about quilting is being able to give quilts to people who will appreciate them. Our friends Jim and Michele recently moved and, when we went to see them and the new house, I took two big piles of quilts so that each of them could choose a quilt to use in their new home.
We loved the modern house they chose in a wooded setting. I think Abby the dog loves it, too
Michele chose a quilt to cuddle under while watching TV or reading, and to my surprise it was a traditional sampler quilt made from a block swap with friends. The choice certainly reinforced my idea of letting friends choose their own quilts rather than choosing for them.
Who knew that a photo in bright sun would show up the quilting so well?
Jim chose one to hang in his music studio. Michele recently sent a picture of the quilt hanging there. As you can see, it goes well with his other bright decor. This is a variation on a design I did for Modern Quilts Unlimited several years ago.
My modern guild is making a charity quilt for QuiltCon 2019, and the requirements include a predetermined palate and blocks with pieces no larger than 1″ in at least one dimension. The theme is “small piecing”. Here is the palate:
At the last meeting, our guild had chunks of fabric about 8″ x 10″ cut for us to take home and make little blocks. The blocks are going to be used to construct something else, so the only requirement is that they finish either 2″ or 3″ square. I took these 3 colors:
And here are some little blocks I made.
The quilt has to be twin size, so it’s going to take a LOT of these babies! It will be fun to see what other guilds do when QuiltCon comes around in February.
Thanks to everyone who offered an opinion about my choice of accent color for the shirting quilt. There are two different blocks in the quilt that use the tiny accent squares, and I’ve decided to use orange for this one and rust for the other. Here are a couple of the blocks with orange. Those tiny orange squares finish 3/4″. Eek!
I thought about how to use it for several weeks and finally decided on Turning Twenty Again. It’s an old pattern, but I’ve seen it made up in many different fabrics and it’s almost always spectacular and modern-looking. The fabric I bought was 8 fat quarters, and Turning Twenty Again is a pattern developed for efficient use of fat quarters, so it seemed a good match.
I needed a little more fabric and found this dot in my stash–it had the same appearance of linen texture as the original fabric and I thought it went perfectly with the others.
The next question was what else to add. After auditioning several options, I decided on this cat fabric. The eyes are sort of of dots, too, and the color coordinated well. I made the blocks and put them on the design wall, and…Eek! Is it too busy? And when I see it overall, I do not like the tan fabric I added, even though it is similar to the beige-green that came with the fat quarter set!
I’ve had it on the design wall for a week trying to decide what to do. One option is to put the squares together with sashing and a border to kind of calm things down. I auditioned a dark blue fabric and a turquoise fabric for that–both are Moda grunge, so they have the same linen-look texture.
Another option is to take the blocks apart in order to add these birds from the same collection, giving a greater variety of prints. I think if I take it apart, I will remove the tan fabric I don’t like, so the birds could add variety AND get rid of the tan!
From there we go into the wild options. They are legion, and include the possibility of cutting the blocks randomly and inserting solid strips. Or I could replace some pieces with the birds and some with the turquoise grunge.
And of course there is the perennial option of putting it away for a month and then looking at it again to see what comes to mind.
This week I received notice from Meander Publishing that both Modern Quilts Unlimited and Machine Quilting Unlimited are to cease publication immediately. I am a little surprised, given the ever-increasing popularity of both machine quilting and modern quilting. The notice cites the “soft market” for magazines as well as the costs of producing a print magazine.
For me personally this is a disappointment, both because I have enjoyed reading Modern Quilts Unlimited and because the magazine has published several articles by me. My most recent submission was to have been published in the upcoming July issue of Modern Quilts Unlimited, but they will be returning the quilt to me instead. The July issue of Modern Quilts Unlimited will not be published at all, and the July issue of Machine Quilting Unlimited will be digital only.
The front page of the Meander Publishing website hasn’t caught up with the news as I write this, so I’m not sure how widely it is known. I predict that this will leave a vacuum in the modern quilt magazine market that will be filled shortly by something from the Modern Quilt Guild. Their agenda seems to be to own the definition of modern quilting, and a magazine would further that aim.
I expect this is disappointing to Vicki Anderson, the CEO and editor of the Meander Publishing magazines. She has put a lot of effort (and probably money) into these publications. I am sorry to see these magazines go.
In case you haven’t been reading my blog long enough to know about the condom quilt, here is a brief summary:
A couple of years ago I wanted to make a quilt from a QR code in such a way that the entire quilt top could be scanned to open the target website. Since I was going to be putting in a lot of effort, I wanted a QR code that had some meaning for me.
At that time I was working in public health, spending much of each day helping patients cope with various problems that might have been prevented by appropriate use of condoms.
When I looked for a condom-related QR code, I found that Planned Parenthood of the Great Northwest and Hawaiian Islands (PPGNW) had developed a QR code to be placed on their condom packages. Scanning the code linked to PPGNW’s “Where Did You Wear It?” site. The goal was to encourage safer sex through condom use.
The Original Code
My colorized version of the code
PPGNW graciously agreed to let me use their QR code in my design. I colorized their code and made my quilt, checking after construction of each section to be sure the whole thing still scanned correctly.
This is the finished quilt. That tiny embedded QR code leads to my blog.
I showed the quilt anywhere I could. (It isn’t just younger people who need safer sex.) That included guilds, quilt shows, and the folks in my office. After a year of showing it to anybody who would listen, I donated the quilt to PPGNW to be used in any way they wish.
I was very pleased recently to receive this picture of the PPGNW management staff with the quilt. That funny looking guy is their condom mascot.
The folks at PPGNW report that the quilt has sparked discussion, especially about the interaction of traditional crafts and technology. I enjoyed this quilt from start to finish and I’m glad it is now in its home.
The Gypsy Wife quilt is quilted, and bound, and ready to go to its “forever home”, as our daughter calls it when one of the animals she fosters is adopted.
I recently read a post listing pictures we supposedly should take of every quilt, and thought “not”. I think Rita, at Red Pepper Quilts, does one of the best jobs anywhere on her photos and posts about her quilts. She includes enough pictures for me to get a good idea of the quilt. Even better, she lists “statistics” about each quilt at the end of the post. So here’s my attempt:
First, a picture showing the back and giving a closer view of the binding:
Then, a picture of my favorite block. OK, that wasn’t Rita’s idea, but I like it 🙂
A picture showing the quilting:
Gypsy Wife Quilt
Pattern: Gypsy Wife by Jen Kingwell, with several modifications by me
Fabric: Just A Speck collection by Jen Kingwell,
Moda Grunge in various colors
And a few others
Finished Size: 61” x 66”
OK, did any of those pictures or details add to your experience of the quilt?