Slabs in 4 Colors

Posted on July 19, 2015 by zippyquilts

One of my quilt groups is swapping slabs, those blocks made up of scraps all in a single color range. (The name was given to this block style by Cheryl Arkison, who blogs at Dining Room Empire, if you want to check her out.) We all have MORE than enough scraps in all possible colors, so each of us requested slabs of a specific color.

It turns out these are addictive! Usually we make only 2 blocks for each recipient, but I got a little carried away….and this is only half the blocks I’ve made so far.

Just a few of the slabs

Aren’t they pretty? And such fun! So fair warning to my quilt group friends: I HAVE the scraps and I know what to do with them! You will be getting lots of blocks this time! Which should give the option of taking a break to those of you who have weddings to plan, etc.

If you think I’m kidding about making extra, just look at the scrap bin. Something must be done!

What are you doing with your scraps these days?

3 Little Soapboxes

Posted on July 12, 2015 by zippyquilts

Here are 3 topics on which I just couldn’t hold back:

1. Competitive quilter?!?! I don’t think so! I took a great class with a noted quilter about two years ago and was stunned when she referred to herself as a “competitive quilter”. I’ve always thought of quilting as the ultimate cooperative endeavor, with women working together in quilting bees and quilt guilds, sharing both their work and their lives. It was discouraging to hear that many quilters find out who the judge will be at a major show and then make a quilt specifically to please that judge. I do understand that many people make all or part of their income from quilting, and that big wins can bring in both fame and fortune. I’m still shocked that some people quilt for other people rather than for their own artistic expression. Just call me grumpy.

Some practice quilting–love that shiny thread!

2. I don’t want to become a machine. I’ve written before about what works and doesn’t work for me in terms of learning to quilt on my domestic sewing machine. It finally occurred to me when I was working to get all my loops exactly the same that a pantograph (all-over) design on a longarm machine could do exactly the same thing with a fraction of the effort. HUH.

So, from now on I’m going to limit my efforts on the domestic machine to small items that are easier to do than to send out, and to quilts that really require custom quilting for some reason. And I’m going to quit trying to “perfect” my loops, stitches, etc.

I figure I could have every quilt I’ll make for the rest of my life quilted for what it would cost me in time and money to buy, house, and learn to use a longarm machine.

I recently met a woman who says she will have her longarm paid for after 40 quilts. But she was accounting for only the cost of the machine, not her time in learning to use it, her time doing the quilting, or the cost of finding a place to set it up. Seems to work for her and for many others, but I think it’s not for me. I’ll hire one of them to do my longarm work!

More practice quilting, more shiny thread

3. Chutzpah and modern quilting. I’m not big on a definition of modern quilting. “I know it when I see it” works for me. But in looking at many blogs and websites, it appears to me that it’s modern quilting if you say it is. I’ve seen very traditional designs done in modern fabric and called “modern”. So I if I use traditional fabric but with asymmetric design or lots of negative space or one of those other “hallmarks” of modern quilting, that would be a modern quilt, too! Looks to me like modern quilting is a lot like all other art: 80% chutzpah. Fine by me. Don’t tell me my design isn’t modern and I won’t tell you that yours isn’t either. We get to define ourselves. Enough said.

Have a good week!

One final sample…not perfect and not meant to be since I’m not a machine

One Big Improvement

Posted on July 5, 2015 by zippyquilts

Here’s the donation quilt that resulted from following one of Sherri Lynn Wood’s “scores” as it originally turned out. I didn’t much like it. As several friends pointed out, there wasn’t anywhere for the eye to rest!

This came from following one of Sherri Lynn Wood’s “scores”

I got some great suggestions from readers and other friends. I considered them all and finally used EQ7 (the Electric Quilt design program) to draft a layout. I removed the borders and cut the center into 9 equal blocks, each 10″ square. I loved Wanda’s idea to make the blocks different sizes with frames, but I was afraid the design already suffered from too much “creativity” so I didn’t do it.

10″ x 10″ blocks cut from the quilt center

Checking my stash, I came up with these options for sashing. I guess if I’d wanted a “really” modern quilt I’d have chosen the gray 😉

Sashing options for the revised quilt

I chose the marine blue because it calmed things down without making them dull. I’m pleased with the result.

The “New! Improved!” quilt top

Thanks to everyone who provided input about what to do with this!

What To Do x 2?

Posted on June 28, 2015 by zippyquilts

Here are two projects I need to “fix”, and I’m open to suggestions.

“Swim” is about 50′ x 50″

This first one, shown above, is an improvisation I did about 2 years ago. I haven’t finished it because the lines between the layers are more distinct than I intended. I joined the layers with curved seams cut freehand, and I changed the fabrics I used in each layer gradually, but the layers still aren’t blended as well as I’d like.

My “UFO finish” for June is to do SOMETHING with this top. (Mother used to say, “Do something, even if it’s wrong!” when we got stuck on a task.)

My current thought is to cut some freehand diamonds and applique them intermittently along the seams I want to blend. Any other ideas?

And here’s the second one that needs “fixing”:

This is to be the June donation quilt, 40″ x 40″

This is my second attempt to follow a Sherri Lynn Wood “score”. I followed her instructions more closely than last time, and I like it a lot less!

I chose a focus fabric from my novelties because this is a quilt for a child. I followed Sherri Lynn’s directions to make some “rules” and cut up 3 fabrics for the quilt, etc, etc. When I finished, I thought it needed something to “pull it together”, so I added a border of the focus fabric.

BUT, my friend who coordinates our donation quilts looked worried when she saw it. (PLEASE don’t tell me you think that’s a donation quilt?)

So help me out here! What should I do with this?

1. Leave it as it is and quilt it, already!

2. Cut it into blocks to be joined by solid color sashing to calm things down.

Option 2

3. Dye it black and use it to back something else (kidding!)

4. Another idea?

Option X

Hope you have a good week 🙂

My Modern Sampler: Improv Block I

Posted on May 24, 2015 by zippyquilts

Sherri Lynn Wood’s book finally arrived, and I’ve been enjoying it. I have NO intention of making a full-size quilt for every exercise in the book! However, an improv block for my sampler quilt seemed just right.

The first exercise in the book involves cutting fabric into squares, then using background fabric as needed to join them improvisationally. I’ll mostly let the pictures speak for themselves here.

I chose 2 fabrics and a background to start–my notes are lying on the background fabric

Then I cut a bunch of squares

About half way through, the design looked too static to me, so I cut a triangle of background fabric to set in the middle and throw the whole thing onto diagonal lines.

I joined some of the pieces, but then…I decided to add a triangle!

The finished block:

The finished block, which will be 12-1/2 inches square

This ended up resembling my previous work much more than it resembles Sherri Lynn’s quilts. I think that may be sort of the point 🙂 Here are some of my previous improv blocks:

Confetti Block, 2014

My entry for the Quilt Alliance Challenge 2014

I’ll probably go on to Improv Block II, etc, as I go through the book. Stay tuned!

The other posts in my modern sampler series can be found here:

My Own Modern Sampler–It May Take A Year!

The Modern Sampler Continues

One Quilt, Two Lessons

Posted on April 26, 2015 by zippyquilts

Check out these fabrics!

Alison Glass Handprint fabric and neutral linen

A friend gave me the FQ (fat quarter) bundle of lovely Alison Glass handprint fabric and I combined it with a neutral linen fabric I’d been saving for something special. I started with Karla Alexander’s instructions for a quilt, but (as my friends all know) I never really follow instructions so it diverged…

The blocks were lots of fun to make. I followed the instructions for a while, then started cutting the blocks up and inserting strips. Then decided NOT to trim all the blocks to one size. I adjusted the sizes of the linen sashing so that all the rows came out the same length, and made the rows of different heights to allow for the different block sizes.

And I slashed the sashing and inserted some strips in that, too.

When I had the top all made, I basted it with spray basting as usual. BUT I didn’t have enough of the first can. Then the SECOND can was a different brand and almost empty as well!

Determined to get the doggone thing basted, I resorted to some spray-on stuff that was supposed to bond the fabric to the batting when I ironed it. This last stuff left SPOTS on the handprint fabric, which is light weight (almost like voile). YIKES!

Lesson 1: Be patient until you can get to the store for a can of basting spray.

Finally (after buying basting spray) it was basted and I started quilting. Enter Lesson 2: this linen is a loose weave of large fibers and doesn’t play well with a tight weave of small fibers. YIKES AGAIN! No matter how I changed the pressure on the quilting foot or otherwise fiddled with it, the quilting distorted the top and the backing.

The finished quilt

Now it’s finished and I like it. I appreciate the texture of the linen, but I’m not sure I’ll use it again. I took this to my last modern guild meeting and people were positive about it, but one of the more experience sewists told me linen is usually stretchy, so at least it’s not just me!

Here’s the quilt back–that column was straight when I started!

Well, I try to learn something new every day, so I’m calling this a SUCCESS! 😉

Perspective on Quiltcon

Posted on March 8, 2015 by zippyquilts

There are numerous blogs showing pictures of the winning quilts from QuiltCon, so if you want to see them go to Houzz or the MQG blog here and here. Lots of interesting quilts to see. Here are some of my thoughts:

Fill the Void by Cinzia Allocca

First, I was very happy to see that Fill the Void, by Cinzia Allocca, won a prize in the handwork category. This was one of my favorite quilts at the Vermont Quilt Festival last year, and the hand quilting really is beautiful.

I was happy to see some of my friends’ quilts in the show. Here is Jean with hers:

Jean Larson with “Floating”, her QuiltCon show entry

And here is Amy’s entry in the Michael Miller spring challenge.

The New New, by Amy Anderson

That really WAS a challenge for most of us who don’t often use pastels, but Amy met the challenge with a nice design, so I was glad to see it at the show.

There were several quilts that obviously drew from mid century modern art, though that was not referenced in the show notes. Here are two designs that were especially striking. They are Ethos by Natasa McFadyen and Amazonia by Nathalie Bearden.

To me, these look like mid-20th Century art, especially Mark Rothko.

There were several quilts that drew on common forms from mid-century graphic design. I thought this one was fun:

Bowls and Balls #2, by Rachel Kerley

Finally, I loved this quilt by Luke Haynes, which he frankly states is a re-working of the Andrew Wyeth painting “Christina’s World”. It’s a great example of how good design is good design, regardless of the medium. I particularly like that, although he has changed a number of details to make it his own, the reference is immediately recognizable to anyone who knows the original painting.

{The American Context #16} Christina’s World, by Luke Haynes

In view of a lot of this, I was interested to see in the newsletter from one of the modern guilds that they want to focus on “modern quilts, not art quilts”. Obviously the definition of “modern quilt” isn’t yet settled despite much discussion.

Tessellations! By Jean Larson

Posted on February 15, 2015 by zippyquilts

As promised, my friend Jean Larson has written a tutorial on tessellation quilts. I hope you enjoy it as much as I did! –MJP

Tessellating designs make me happy. Tweaking those designs is even more fun. I want to share the joy of starting with a very, very simple design and watching it blossom. My inspiration comes from this web site: http://gwydir.demon.co.uk/jo/tess/

Start with a simple gridded block and create a light/dark design. Here, I’ve started with a 3 x 3 grid. Then re-color the same block with the lights and darks reversed

.The grid lines are only for design purposes, and each block can be constructed with a single square block with 2 corner triangles attached using any method you prefer.

Here are some design possibilities…A simple “cat head” quilt using only 2 colors.

Different looks can be achieved with variations in the color placement.

Blocks can be inverted and turned for even more quilt designs.

Just imagine all the possibilities with color in these!!!!!

It’s even more complex when you design with a 6×6 grid. Here are the positive and negative versions of another block.

These blocks can be constructed using half-square triangles integrated with larger fabric pieces. If these blocks were to finish at 6 inches by 6 inches. The center column on each block would be a single 3.5 inch wide by 6.5 in long piece of fabric. The side strips would include some half-square triangles.

A couple of the quilts that can be made:

Looks like spools, some gray, some white, all standing up. Same quilt with alternate blocks turned a quarter turn yields a different clearly recognizable tessellation. Reminds me of tessellating doggie rawhide chews 😉

Now back to the spool quilt from above. The “thread” areas have been colored in. No blocks have been turned.

This shows the power of color and value (lightness and darkness). The colored part, being next to the gray and being closer in value to the gray, unites those parts of the block, and gives the illusion that we have all gray spools on a white background, some standing up, some lying down.

I hope these examples can be the seeds to sprout some design experimentation with tessellating shapes.

Start with 2 square grids
Create a positive design, and its negative design
Alternate them in a quilt layout
PLAY!
And play more with color!

Happy Quilting (and Designing)!! –Jean Larson

First Finish

Posted on January 4, 2015 by zippyquilts

Metro Hoops quilt made by Allison at Cluck, Cluck, Sew

Inspired by the beautiful Metro Hoops quilt Allison showed over at Cluck, Cluck, Sew, I mentioned the Quick Curve Ruler as something I wanted to try in a recent post. Here’s a picture of her quilt so you can see what inspired me.

My clever son-in-law gave me the ruler for Christmas, and as soon as we got home I tried it out. As always, I learned a lot. Certainly the Metro Hoops pattern is a nice modern alternative to the traditional wedding ring quilt. What I wasn’t prepared for was the fudge factor required to make it work.

My first Metro Hoops block

It made a really cute block, but then my inner perfectionist kicked in 😦 The block required a lot of “easing in” along the seams to make the points match up. *(You can skip to the reason why at the end of this post, if you like.)

Luckily, I almost never cut out a new quilt completely before making a test block. After making one block for this quilt, I decided 5 hoop blocks was my limit. The blocks really are quicker and easier to make than they look, so I got the 5 done in a few hours. They are nice big blocks (finish 15″) so I had a good start on a baby quilt.

I drew an approximation of the block with my EQ7 program and came up with this layout:

My EQ7 layout for the Metro Hoops blocks

Another half day to make the alternate blocks, then a day to put it together, make a back, and quilt it–and voila! The first finish of 2015!

About the Quick Curve ruler: the women who designed it have lots of cute quilt patterns on their site, so it’s worth checking out.

*BUT, if I make metro hoops again, I’ll modify the directions to make it more to my liking. I think the basic issue here is that the single curve provided by this ruler is used for both the concave and convex curves in the quilt. That means there is no seam allowance to make the curves match nicely. The project is “saved” by the fact that the curve is less than a quarter circle, so it’s possible to fudge the sewing to make it go together without adding seam allowances. It does work, but don’t think it’s going to fit the way pieces cut from most curved templates do. If you decide to do it, be forewarned to relax and get rid of the inner perfectionist!

Happy new year!

Your Inner Designer: 3 Formulas for Modern Quilts

Posted on October 5, 2014 by zippyquilts

It seems to me that, when learning a new skill, there is often a “formula” or basic idea that, once mastered, provides a way into successful practice of the new skill. So here are 3 ideas for you to try. See if one of them helps you create designs that you like.

1. Use lots of “negative space”, and start by making this background space in a shade of gray. (The person who brought my attention to this “rule” of modern quilting has asked to remain anonymous 😉 ) Here are some examples, but I’m sure you know of lots of others:

Shades of Gray by Terry Aske. 2nd place award in the Modern category, Quilts Canada 2014

Found on lilysquilts.blogspot.com

2. Another common way to “design” a modern quilt is to make it an obvious take-off from a piece of 20th Century art (or occasionally more recent art). My design below is by no means an exact copy of any of Piet Mondrian’s work, but it certainly is an imitation of him:

Thanks, Piet! by Mary J. Puckett

Sometimes I do see modern quilts that are a direct imitation of an artwork. However, my preference is to look at a lot of work by one artist, or by a group of similar artists, then close the book and draw something original that “references” the works I’ve studied.

For example, here’s a print I found at an Etsy shop called “Handz”. Compare it to the quilt just below it. It’s not a copy, but it could have been based on the print. Or they could have both been inspired by another source altogether.

Mid Century Modern Art print found at Handz on Etsy

finished – modern drunkard’s path by m_soto on Flickr

3. Just start with modern fabric. One of my favorite “modern” quilters is Rita at Red Pepper Quilts. Many of her quilts are traditional designs, but she uses bright, modern, fabrics and her quilts always look fresh and modern to me.

Spools and Nine Patch Quilt by Rita at Red Pepper Quilts

Here’s a detail of another of Rita’s quilts:

Detail of a quilt by Rita at Red Pepper Quilts

Give some of these ideas a try, and let me know what you come up with!

Zippy Quilts

Modern Quilts With A Twist

Tag Archives: modern quilt design

Slabs in 4 Colors

3 Little Soapboxes

One Big Improvement

What To Do x 2?

My Modern Sampler: Improv Block I

One Quilt, Two Lessons

Perspective on Quiltcon

Tessellations! By Jean Larson

First Finish

Your Inner Designer: 3 Formulas for Modern Quilts

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