My Modern Sampler: Using Linen in Quilts

Posted on February 28, 2016 by zippyquilts

After finishing the blocks for my modern sampler, I ordered several shades of Essex linen/cotton blend to consider for the background. I know I said I’d never use linen again after the last struggle, but I’ve learned several things since. So, if you’re thinking of using linen in your quilts for its nice texture, read my tips at the end of this post.

Here I’m trying various layouts on two different potential background fabrics. I hung the ironed fabric and pinned the blocks to it, trying out various layouts and different colors of background fabric.

Here is the Pewter background

Here is the Natural background, with a different attempt at layout

I decided I liked the natural background better than they gray. Then I took it all down and made a rectangle on my design “wall”, outlining the approximate finished size with blue painter’s tape.

Here is the layout I decided to use, with some of the sashing in place

And here are my thoughts on using linen in quilts:
–The linen I used the first time was “real”, 100% linen. Remember that from your childhood, when summer clothes were supposed to be linen? Think wrinkles! And avoid 100% linen for your quilts
–The “linen” of the Essex brand actually is a linen/cotton blend, so it has a nice texture but is less wrinkle-prone and tighter woven than the linen I used previously.
–Pre-wash the linen blend, even if you don’t pre-wash anything else. Wash in warm water and dry on warm so it will get its shrinking done and be more dense and stable.
–Before you pre-wash, serge or zig-zag the raw edges together to prevent fraying! This worked great and “wasted” only about 1/4″ on each raw edge, much less than would have frayed. And there was no mess of threads in the washing machine.

How have you done with using fabrics other than quilting cotton in quilts?

Projects 2013–Part I

Posted on February 21, 2016 by zippyquilts

For some time I’ve been meaning to add to my blog with a gallery of projects for each of the past several years. I’ve been held up in part by the variable quality of my photography over the years, but I’ve decided to just start anyway. Here are some projects from 2013.

I entered several national contests in 2013, the year I also started this blog. Here is the quilt I made for the Quilt Alliance TWENTY challenge and chose as the header for my blog:

Rising Star, made for the Quilt Alliance TWENTY contest in 2013

I made this quilt for the Michael Miller challenge in 2013:

Packet of Posey Seeds

And I made this little quilt for the Pantone Challenge:

Radiating Orchid mini-quilt for the Radiant Orchid Challenge

I attended some wonderful classes with Laura Wasilowski in 2013, and made this little art quilt:

Leaf, made in class with Laura Wasilowski

I did some “crafty” things in 2013, including chambray shirts decorated with orphan blocks and matching T shirts for a special baby and his special Dad:

A decorated chambray work shirt

Here’s another orphan block on a shirt

Here are a set of placemats and two table runners from 2013:

Table runner made from a strip of leftovers

Also in 2013, I made an apron for a special friend and a caddy for carrying my iron to classes and retreats:

2013 was also a good year to make pillows for friends and to use up orphan blocks:

Well! That’s it for special projects from 2013. The actual quilts from 2013 are up next–more to come!

Connie Brown, A North Carolina Quilter

Posted on February 14, 2016 by zippyquilts

Connie Brown

Connie Brown and I met at the Modern Quilt Guild of Asheville. She has been juried into membership in the Southern Highland Craft Guild, a prestigious organization promoting fine Southern Appalachian crafts. I thought you would enjoy meeting her.

Give us the quick tour of your quilting career. How did you get started?

My husband, son, and I moved to Asheville in 1989. I knew no one in the area, so I signed up for a quilting class at Asheville-Biltmore Technical College. The instructor, Mary Field, was the best. Along with quilting basics, she taught me many sewing skills and shared her knowledge and love of antique quilts and quilt history. By the end of the class she had encouraged me to join the Asheville Quilt Guild and a weekly bee. The first few meetings I attended featured presentations by quilt historians. I really enjoyed quilt history, so I started studying antique quilts.

When/how did you decide to “go pro” by studying quilt history and appraisal, judging shows, and joining the Southern Highland Craft Guild (SHCG)?

Connie demonstrates quilting at a Southern Highland Craft Guild event

After a few years of making quilts and entering them in both local and national shows, I put a couple in a gallery exhibit. To my surprise, one sold and visitors were interested in my other quilts. I knew about the SHCG, with its shops, marketing, and educational opportunities. After selling that quilt in the art gallery, I decided to apply for membership and was juried in during 2000. I have my quilts in their shops and participate in several of their events, including Fiber Day and Heritage Day (where I share my beekeeping), as well as others.

When people started calling me about the value of antique quilts, or what value to place on a quilt they were entering in a show, I saw a need for a local certified quilt appraiser. I put my years of studying quilt history and my knowledge of local quilt sales to use and focused on becoming a certified quilt appraiser. In 2009, I was certified by the AQS (American Quilters Society) as an Appraiser of Quilted Textiles.

What is your favorite of the quilts you have made?

I love making circles and Drunkard’s Path units! My 3 favorite quilts so far are:

Color Cascade

“Color Cascade aka Prints Charming” includes more than 500 scraps. The pattern for this quilt is in the September 2012 issue of American Quilter Magazine. This is machine pieced and machine quilted.

“V-Spot Target Attack” is also made entirely by machine.

Finally, “Tiffilippa” was inspired by a Tiffany lampshade. I couldn’t throw away the trimmed off “waste”, so I used it as a border.

How much time do you spend quilting? How do you have time to quilt, participate in guilds, keep bees, substitute teach, and still eat and sleep?

Every day I do something quilt related, whether it’s making quilts, studying, visiting an exhibit, or writing appraisals. I always carry something to work on in my down time when I substitute teach.

How far do you travel with your quilt activities? And what do you have coming up?

I’ll be at the Folk Art Center (on the Blue Ridge Parkway near Asheville) for National Quilting Day (March 19, 2016). I’ll be hosting a quilt sharing day with an exhibition of 4 or 5 antique quilts, and people are invited to bring older quilts they have questions about. I won’t be doing appraisals that day, but it’s a free event and a good opportunity for people who may have quilts they wonder about. It can help them decide whether the quilt needs a formal appraisal.

This year I will be offering appraisals at the AQS shows in Paducah and Chattanooga as well as in Mt. Pleasant, South Carolina during the Cobblestone Quilt Show. My fees for written appraisals are $75 per quilt, but during these events the charge is $50 per quilt. Each appraisal takes a minimum of 2 hours, including meeting with the client, travel, research and preparation, and typing the report.

To see more of Connie’s quilts, visit her webpage at southernhighlandguild.org/conniebrown

You may email Connie at mail2thebrowns@juno.com

When Good Improv Goes Bad

Posted on February 7, 2016 by zippyquilts

I really love improvisational quilting and, in fact, have been doing it for about 15 years–since before I knew improvisational quilting was a “thing”. Most of the time it works out great.

Nothing Is Wasted, my first improvisational quilt, 2001-2002

This is my first improvisational quilt, made with scraps from an Amish style quilt with yellow added. I made it for the friend who helped me select fabrics for the original quilt.

It wasn’t easy to get good solids back then, and I ended up going to an Amish-owned store. When I got there, I found that there WERE a lot of solids, and MANY of them were polyester blends. Well, duh, if you don’t have an electric iron, that makes a lot of sense. Anyway, I got the solids eventually, but NOT at my local quilt shop!

Once in a while, though, the improvisation requires revision. Maybe more than once!

Take this attempt at an improvised log cabin block, made in 2012 to use up the little maple leaves at the center.

“Bad Ronald”, a failed attempt to improvise a donation quilt for Ronald McDonald House

I added too many fabrics, and even though they were in the same color families, the design did NOT gel! That stripe, in particular, really blew it!

It took a while, but in 2015 I cut the piece up and started over, coming up with something I liked better:

Maple Leaf donation quilt–I guess we could call this one “Good Ronald”

And then there was this attempt at Sherri Lynn Wood’s Score #1:

This came from following one of Sherri Lynn Wood’s “scores”

Which I eventually re-made into this donation quilt:

The “New! Improved!” quilt

And, just to end on a positive note, let me repeat that mostly the improvisations DO work out well, like this one:

I cut up the yellow-orange slabs and inserted blue

Have a good week!

Meet J. Michelle Watts

Posted on January 31, 2016 by zippyquilts

I make frequent trips to the Southwest, and you KNOW they include visits to quilt shops along the way. For years I’ve been seeing Southwestern-themed patterns by J. Michelle Watts, who seems to have that niche all to herself. So this last time I thought I’d ask her for an interview. Here she is:

J. Michelle Watts

Tell us about your quilts and your other projects, too.

When I started quilting in 1982, I hand pieced and hand quilted mostly traditional quilt blocks.

I designed my first original southwestern wall hanging, Adobe Sunrise, in 1987. In 1989, I started a small mail order pattern company with my own collection of southwestern quilt patterns. I have also designed a line of patterns that use the 9 degree wedge ruler and a couple of jelly roll friendly scrap quilt patterns, written 3 books, and designed 3 collections of fabric for Moda.

One of Michelle’s designs for wedge ruler.

“Stenciling Quilt Blocks” is my favorite class to teach right now. The technique is simple, fast and fun and the finished projects can fool you into thinking they are pieced or appliqued.

Pueblo Rhapsody

The black designs in “Pueblo Rhapsody” have been stenciled onto 40 odd shaped turquoise blocks and then the blocks are sewn together. My newest pattern collection, “It’s Simple With Stencils”, is a collection of quilt patterns that use laser cut stencils and Paintstiks to stencil quilt blocks and quilts. The collection features a variety of small traditional quilt blocks and some with a southwestern style.

Inquiring minds always want to know: do you have a “day job”, or do you teach and develop patterns full time?

I print and package all my own patterns. This is my day job, night job and weekend job. I now travel about 120 days a year teaching and vending at quilt shows. I manage a website that features all my patterns. I host a small quilt retreat each year near Ruidoso, NM. This year I want to try to make some short tutorials on several techniques I teach. When people ask me “So what do you do for a living?”, I love being able to tell them ” I am a quilter.” There is a quilted wall hanging in my studio that says “Love what you do and do what you love.” That pretty much says it all.

Casa Blanca, Michelle’s newest applique pattern. Thank goodness it will be available as a stencil, also!

What’s next?

My newest applique pattern, Casa Blanca, which is inspired by an old ironwork door. This design will also be available as a stencil pattern. The dark wine pieces are machine appliqued to a cream background. I have many other patterns in the works as well.

If you want to see all Michelle’s patterns, visit her website. Here are a few of my favorites:

Lines

Posted on January 24, 2016 by zippyquilts

I’ve been kind of stuck on lines lately, since doing the article on narrow inserts (i.e., lines) for Modern Quilts Unlimited. As a result, I took a series of pictures of lines to explore their functions.

Lines can define forms and set boundaries:

Tiles at the McDonald Observatory in Texas

This is one of the samples for my table runner class, and includes my narrow inserts to define some of the sections

Lines can make patterns, and those patterns can be distorted for more interest:

Lines can link people, patterns, or shapes, both literally and as design elements:

Guy lines from the poles keep them stable, and the poles carry lines for power and telephone service in this rural area

And too many lines (or enough lines) can make a tangle!

Wisteria vines against an adobe wall

Bare branches, clear sky

All of them make interesting patterns. I can feel a new quilt design on the way 🙂

Crunchy Numbers

Posted on January 17, 2016 by zippyquilts

The WordPress people send me two statistical reports a year regarding my blog, and of course I can look at statistics on my administrative page at any time. I don’t stress it or check very often, so I was quite surprised when the recent report from WordPress said people from 61 different countries viewed my blog in 2015!

Most of the countries were predictable: the U.S., Canada, U.K., Australia, and New Zealand. But there were views from every continent except Antarctica! The place I got the biggest kick out of was Iceland 🙂

This improvised log cabin block, which was made into a pillow, appears to have been the most viewed picture on the site.

improvised log cabin block

Jo Glover

And my most popular post was about Jo Glover, who first developed Big Stitch quilting but doesn’t always get enough credit now that everybody does it. You can find that post HERE if you missed it.

Another popular topic was my ongoing modern sampler quilt, and there’ll be much more about that coming up soon. A few of those blocks are shown below.

This block was made with curves cut freehand

The stats show my readership growing steadily over the 2-1/2 years I’ve been blogging. The growth is slow, but I’m blogging for fun (and I’ve kept my day job!) so that’s just fine. I’ve made some new friends, which is even better.

As always, I’m amazed by the power of the internet. I’ll skip the chance to philosophize about that and just wish anyone who reads this a very happy 2016!

Little House Class at Studio Stitch

Posted on January 10, 2016 by zippyquilts

I’ll be teaching my fusible applique class, called Little House on the Wall (with no

Samples for the Little House workshop

apologies to Laura Ingles Wilder) at Studio Stitch in Greensboro (NC) on January 30.

I visited the shop recently to talk with the staff about materials for the class, and of course I HAD to look at EVERYTHING. Well, I needed to look so I could discuss what would be appropriate for the class, but it’s OK to just drool on the fabric a little, right?

They had landscape fabrics and plenty of batiks that will be great for the class.

There was even a bundle that seemed just made for creating my little houses!

I even found 28 weight thread for embellishment in a variety of yummy colors.

28 weight thread can be hard to find, but Studio Stitch has plenty!

Of course I wandered a little…they had gorgeous batiks made specifically for use with the Jacqueline De Jonge patterns. They even had one as a kit, with a more restful background fabric than this sample I took from Jacqueline’s site.

Yummy fabrics at Studio Stitch, where I sometimes teach

The ladies at the shop were all friendly and helpful, and I’m looking forward to teaching there. You can find out more about the shop and my class on the Studio Stitch website.

Cover for The Quilter’s Planner

Posted on January 3, 2016 by zippyquilts

I was pretty excited to get the newly-developed Quilter’s Planner (more info HERE if you’re interested) for Christmas. I decided it needed a fancy cover to protect all my

The Quilter’s Planner

plans! A quick Google search for “planner cover tutorial” found one HERE by Jodi Bonjour on her blog Sew Fearless.

Now, Jodi’s tutorial is for a planner of a DIFFERENT SIZE, You can follow her general directions, but here are my modifications to make it the right size for the Quilter’s Planner. As is often the case, it took 2 tries to get this right, so I’ve also made a few notes about what worked for me.

First, about cutting: I cut the pieces for the cover, lining, fusible fleece, and Peltex (stiffener) 20-1/2″ x 11″. The sleeves were cut 5-1/2″ x 11″. Here are pictures of the interior of the planner cover, showing what the sleeves are:

Interior of the planner cover, showing the sleeves and the closing tab

Interior with the planner in place, cover inserted in the sleeves

I pretty much followed Jodi’s instructions, BUT here are a few hints:

I spray basted the backing to the Peltex–that stuff is slippery.
It may be a good idea to cut these pieces 1″ larger than needed and trim to size after quilting the cover. As always, things shift a little during quilting.
Jodi used a big snap to close her cover, but I used hook-and-loop tape. It’s more adjustable, and who knows what all I may jam in with the book? (Plus, I couldn’t find my snap setter 🙂
Jodi’s directions just say to attach the tab closure. For the record, you do that by lining up the unfinished end of the tab with the unfinished edge of the planner cover, centering it along one side.
I cut my binding 2-1/4″ wide, attached it to the inside with a 1/4″ seam, and turned it to the outside. This made the seam attaching it to the outside almost 1/2″, which made the planner cover fit tightly into the pockets. It worked out fine, but check your seams so you don’t find the pockets have gotten a little too small!

I quilted my cover, which holds all the layers together really well. I’m not sure what would happen if you didn’t do that. Here’s a picture of the quilting: