Projects 2013–Part I

For some time I’ve been meaning to add to my blog with a gallery of projects for each of the past several years.  I’ve been held up in part by the variable quality of my photography over the years, but I’ve decided to just start anyway.  Here are some projects from 2013.

I entered several national contests in 2013, the year I also started this blog.  Here is the quilt I made for the Quilt Alliance TWENTY challenge and chose as the header for my blog:

Rising star art quilt

Rising Star, made for the Quilt Alliance TWENTY contest in 2013

I made this quilt for the Michael Miller challenge in 2013:

Michael Miller Challenge 2013

Packet of Posey Seeds

And I made this little quilt for the Pantone Challenge:

Applique quilt

Radiating Orchid mini-quilt for the Radiant Orchid Challenge

I attended some wonderful classes with Laura Wasilowski in 2013, and made this little art quilt:

applique art quilt

Leaf, made in class with Laura Wasilowski

I did some “crafty” things in 2013, including chambray shirts decorated with orphan blocks and matching T shirts for a special baby and his special Dad:

Here are a set of placemats and two table runners from 2013:quilted placemats

leaf runner

table runner

Table runner made from a strip of leftovers

Also in 2013, I made an apron for a special friend and a caddy for carrying my iron to classes and retreats:

2013 was also a good year to make pillows for friends and to use up orphan blocks:

Well!  That’s it for special projects from 2013.  The actual quilts from 2013 are up next–more to come!

Connie Brown, A North Carolina Quilter

Connie Brown quilter

Connie Brown 

Connie Brown and I met at the Modern Quilt Guild of Asheville.  She has been juried into membership in the Southern Highland Craft Guild, a prestigious organization promoting fine Southern Appalachian crafts.  I thought you would enjoy meeting her.

Give us the quick tour of your quilting career.  How did you get started?

My husband, son, and I moved to Asheville in 1989.  I knew no one in the area, so I signed up for a quilting class at Asheville-Biltmore Technical College.  The instructor, Mary Field, was the best.  Along with quilting basics, she taught me many sewing skills and shared her knowledge and love of antique quilts and quilt history.  By the end of the class she had encouraged me to join the Asheville Quilt Guild and a weekly bee. The first few meetings I attended featured presentations by quilt historians.  I really enjoyed quilt history, so I started studying antique quilts.

When/how did you decide to “go pro” by studying quilt history and appraisal, judging shows, and joining the Southern Highland Craft Guild (SHCG)?

Connie Brown, hand quilting

Connie demonstrates quilting at a Southern Highland Craft Guild event

After a few years of making quilts and entering them in both local and national shows, I put a couple in a gallery exhibit.  To my surprise, one sold and visitors were interested in my other quilts.  I knew about the SHCG, with its shops, marketing, and educational opportunities.  After selling that quilt in the art gallery, I decided to apply for membership and was juried in during 2000.  I have my quilts in their shops and participate in several of their events, including Fiber Day and Heritage Day (where I share my beekeeping), as well as others.

When people started calling me about the value of antique quilts, or what value to place on a quilt they were entering in a show, I saw a need for a local certified quilt appraiser.  I put my years of studying quilt history and my knowledge of local quilt sales to use and focused on becoming a certified quilt appraiser.  In 2009, I was certified by the AQS (American Quilters Society) as an Appraiser of Quilted Textiles.

What is your favorite of the quilts you have made?

I love making circles and Drunkard’s Path units!  My 3 favorite quilts so far are:

Connie Brown quilter

Color Cascade

“Color Cascade aka Prints Charming”  includes more than 500 scraps.  The pattern for this quilt is in the September 2012 issue of American Quilter Magazine.  This is machine pieced and machine quilted.

Connie Brown quilt“V-Spot Target Attack” is also made entirely by machine.

Finally, “Tiffilippa” was inspired by a Tiffany lampshade.  I couldn’t throw away the trimmed off “waste”, so I used it as a border.

How much time do you spend quilting?  How do you have time to quilt, participate in guilds, keep bees, substitute teach, and still eat and sleep?

Every day I do something quilt related, whether it’s making quilts, studying, visiting an exhibit, or writing appraisals.  I always carry something to work on in my down time when I substitute teach.

How far do you travel with your quilt activities?  And what do you have coming up?

I’ll be at the Folk Art Center (on the Blue Ridge Parkway near Asheville) for National Quilting Day (March 19, 2016).  I’ll be hosting a quilt sharing day with an exhibition of 4 or 5 antique quilts, and people are invited to bring older quilts they have questions about.  I won’t be doing appraisals that day, but it’s a free event and a good opportunity for people who may have quilts they wonder about.  It can help them decide whether the quilt needs a formal appraisal.

This year I will be offering appraisals at the AQS shows in Paducah and Chattanooga as well as in Mt. Pleasant, South Carolina during the Cobblestone Quilt Show.  My fees for written appraisals are $75 per quilt, but during these events the charge is $50 per quilt. Each appraisal takes a minimum of 2 hours, including meeting with the client, travel, research and preparation, and typing the report.

To see more of Connie’s quilts, visit her webpage at southernhighlandguild.org/conniebrown

You may email Connie at mail2thebrowns@juno.com

Meet J. Michelle Watts

I make frequent trips to the Southwest, and you KNOW they include visits to quilt shops along the way. For years I’ve been seeing Southwestern-themed patterns by J. Michelle Watts, who seems to have that niche all to herself. So this last time I thought I’d ask her for an interview. Here she is:

southwestern quilt designs

J. Michelle Watts

Tell us about your quilts and your other projects, too.

When I started quilting in 1982, I hand pieced and hand quilted mostly traditional quilt blocks.

I designed my first original southwestern wall hanging, Adobe Sunrise, in 1987. In 1989, I started a small mail order pattern company with my own collection of southwestern quilt patterns. I have also designed a line of patterns that use the 9 degree wedge ruler and a couple of jelly roll friendly scrap quilt patterns, written 3 books,  and designed 3 collections of fabric for Moda.

Ojo de Dios quilt

One of Michelle’s designs for wedge ruler.

“Stenciling Quilt Blocks” is my favorite class to teach right now. The technique is simple, fast and fun and the finished projects can fool you into thinking they are pieced or appliqued.

Stenciled quilt, J. Michelle Watts

Pueblo Rhapsody

The black designs in “Pueblo Rhapsody” have been stenciled onto 40 odd shaped turquoise blocks and then the blocks are sewn together.  My newest pattern collection, “It’s Simple With Stencils”, is a collection of quilt patterns that use laser cut stencils and Paintstiks to stencil quilt blocks and quilts. The collection features a variety of small traditional quilt blocks and some with a southwestern style.

Inquiring minds always want to know: do you have a “day job”, or do you teach and develop patterns full time?

I print and package all my own patterns. This is my day job, night job and weekend job. I now travel about 120 days a year teaching and vending at quilt shows. I manage a website that features all my patterns. I host a small quilt retreat each year near Ruidoso, NM.  This year I want to try to make some short tutorials on several techniques I teach.  When people ask me “So what do you do for a living?”, I love being able to tell them ” I am a quilter.”  There is a quilted wall hanging in my studio that says “Love what you do and do what you love.” That pretty much says it all.

J. Michelle Watts quilt pattern

Casa Blanca, Michelle’s newest applique pattern. Thank goodness it will be available as a stencil, also!

What’s next?

My newest applique pattern, Casa Blanca, which is inspired by an old ironwork door. This design will also be available as a stencil pattern. The dark wine pieces are machine appliqued to a cream background.  I have many other patterns in the works as well.

If you want to see all Michelle’s patterns, visit her website.  Here are a few of my favorites:

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Crunchy Numbers

The WordPress people send me two statistical reports a year regarding my blog, and of course I can look at statistics on my administrative page at any time. I don’t stress it or check very often, so I was quite surprised when the recent report from WordPress said people from 61 different countries viewed my blog in 2015!

Most of the countries were predictable: the U.S., Canada, U.K., Australia, and New Zealand. But there were views from every continent except Antarctica! The place I got the biggest kick out of was Iceland 🙂

This improvised log cabin block, which was made into a pillow, appears to have been the most viewed picture on the site.

improvised log cabin block

improvised log cabin block

Jo Glover, big stitch quilting

Jo Glover

And my most popular post was about Jo Glover, who first developed Big Stitch quilting but doesn’t always get enough credit now that everybody does it. You can find that post HERE if you missed it.

Another popular topic was my ongoing modern sampler quilt, and there’ll be much more about that coming up soon.  A few of those blocks are shown below.

The stats show my readership growing steadily over the 2-1/2 years I’ve been blogging. The growth is slow, but I’m blogging for fun (and I’ve kept my day job!) so that’s just fine. I’ve made some new friends, which is even better.

As always, I’m amazed by the power of the internet. I’ll skip the chance to philosophize about that and just wish anyone who reads this a very happy 2016!

Final Finishes!

I got these two quilts back from the quilter last week, so I put the binding on and have my final 2 finishes for the year!

modern quilt

This binding was made from the remaining black and white chevron fabric

I finally finished the eternal paper piecing for this quilt and I’m having fun arranging the blocks.

modern quilt

The pattern is Lombard Street, by Sassafras Lane Designs

Here are a few of the other projects I’ve done this year.  You can click on any of them for more detail.

And finally, here are a couple of things I had published in Modern Quilts Unlimited:

Can’t wait to start next year’s projects!  Woo!

2015 Finishes: Part I

 

Ronald McDonald House is the chosen recipient of donation quilts from one of my groups, and EACH of us made 12 quilts for that cause this year.  I finished the last 2 this month (yes, a LITTLE behind!).

These are a good illustration of why a dark border is a good idea to make a quilt feel “finished”.  I’ll try to remember that next year!

And here are the other 10 donation quilt finishes for the year.  I love how different they are! I got to try lots of new things 🙂

More finishes coming soon!

Winner! Online Quilt Retreat

I won a year-long online quilt retreat!  What the heck is that?

Lora Douglas of Dragonfly Quiltworks

Lora Douglas of Dragonfly Quiltworks

Here’s Lora Douglas, one of the teachers from the retreat, to explain.

This year-long on-line, quilt retreat is sponsored by “Adventure Art Retreats”, which was started by Ilysa Ginsburg and Kira Slye. They launched “Polymer Clay Adventure” as an online experience in 2015 and got about 1000 subscribers! They’re adding a quilt adventure for 2016.

There are 12 projects, one each month of the retreat. There will be classes for quilts, placemats, totes, hexies, fabric dyeing, laminating fabric and polymer clay buttons

Roxie bags made by Lara for her Quilt Adventure class

Roxie bags made by Lora for her Quilt Adventure class

.I designed the Roxie Bag as one of the monthly projects for the retreat, and I’ll be teaching it by online video. When I couldn’t find a pattern using flex frame hardware that was easy to make and looked great, I designed my own. It is perfect as a cross-body bag for carrying a cell phone and other small items.

“Quilted Adventure” is the online equivalent of a traditional quilt retreat where you meet other quilters while learning new things.  “Retreaters” can take a new class each month; participate in live-stream events with our host, Vanessa Vargas Wilson of The Crafty Gemini; receive monthly clues for a mystery quilt; and take part in swaps. There will be a newsletter to keep participants informed of upcoming events. The instructors will be available to answer questions throughout the retreat. It’s going to be fun!

Another Roxie bag--how many samples did she make???

Another Roxie bag–how many samples did she make???

I’m gathering my supplies, and I’m sure you’ll be seeing some of my projects here as I participate in the retreat.  For now, If you want to know more about Lora or the Quilt Adventure online retreat, here’s the link for her site. There’s a button there to click for finding out more about the retreat.  (Or, if you just want to buy a Roxie bag after seeing it here, her site has a link to her Etsy shop as well. I won’t tell if you want to buy it instead of making it yourself 😉

Kaleidoscope Design and More

The November UFO project was to design a quilt to use these beautiful Jane Sassaman fabrics. Here’s my “final” decision on the layout. (“Final” in quotes because It isn’t over til it’s over).

My notebook wasn't big enough for the whole layout, but you get the idea!

My notebook wasn’t big enough for the whole layout, but you get the idea!

You can see paper mock-ups of my blocks showing the fabric HERE, but here are a couple of examples.  Of course, the one with 4 wedges would have 6 if this were the real blocks instead of a paper mock-up.

I think I have enough fabric to make 4 central patches with 6 wedges each, though I’ll check before I cut (one of my husband’s favorites is, “measure twice, cut once”). Then I’ll fit in as many of the 4-patch kaleidoscopes as seems reasonable while leaving adequate negative space.

The Back-up Plan (must have one!) is all 4-patch kaleidoscopes if it turns out I don’t have enough fabric for both the 6-wedge and the 4-patch designs.  That would be fine, too, though I like the variety of sizes in the design I’ve chosen.  (Will I like it as much when I’m trying to sash those varied shapes and sizes?)

I’m thinking I’ll use soft green fabric for the background; this seems to want to be a green quilt with pink and blue accents.  The background probably will be a solid fabric, since these blocks have a lot going on.

I’ve made two more projects this month, but they aren’t quilts.  One is a crib sheet from this fun arrow fabric by Maureen Cracknell.  The other is a changing pad cover in this “Indian Summer” fabric by Sarah Watson.

There are several places on the internet to get free patterns for crib sheets and changing pad covers, and they were easy to make.

And now, ON TO THE CHRISTMAS SEWING!!!

November’s UFO

As you probably know, I’m playing along with Aunt Marti’s UFO Challenge for 2015. This month’s UFO is a group of gorgeous Jane Sassaman fabrics I’ve had for several years. I want to make a queen sized quilt, but I’ve been debating the design for a long time, since I want to make the most of these fabrics.

Need to design a quilt for this wonderful fabric

Need to design a quilt for this wonderful fabric

Luckily, a quilter who is a better designer than I came to visit this fall, and she helped me look at ways to make kaleidoscope blocks from these fabrics.  So November’s challenge is to come up with a design for the quilt.  I’m not even requiring myself to CUT any fabric, just decide on a design.Sassaman book

Jane Sassaman’s book suggests making paper copies of the fabrics to cut up in order to try designs.  I scanned the fabrics to my printer and made many copies, then cut them up to make either 4-part or 6-part kaleidoscope blocks.  Of course, that limits my trials to typing paper size pieces.Sassaman-papers

I printed at low resolution to save ink and still used up my color cartridge!  Here are a few of the trial blocks cut from paper and taped together:

Sassaman-10

Here are some blocks made from 4 squares

And here are some partial blocks made from 60 degree triangles:

Finally, here are all my trial blocks made of paper so far:Sassaman-group

Any suggestions for making the most of these prints, either with or without kaleidoscope blocks?

Artsy Table Runner

YP1I’ve been looking at lots of beautiful pictures of art quilts. Also, the monthly challenge for the Modern Quilt Guild of Franklin (NC) was to make something including prairie points.

For years I’ve had Susan K. Cleveland’s Prairie Pointer, intending to make something with prairie points “any day now”. (Raise your hand if you DON’T know how THAT goes!)Susan KThe stars finally aligned, and here is my first crack at a table runner combining all of the above.

As expected, Susan’s Prairie Pointer tool worked beautifully. I’m a big fan of her techniques, and teach some of them in my classes.  The starting squares for the prairie points ranged from 1-1/2″ to 2-1/2″ in size, so they were all pretty small.

Prairie Points

Prairie Points

I like this runner pretty well, but I just KNOW I could do better! So here goes with another idea I’ve meant to try for some time: working in a series. I’ll keep you posted 🙂