Tidbits: One may be for you

1.  Here is some beautiful fabric that just arrived from the Michael Miller company!  It’s for my next magazine project (for Modern Quilts Unlimited).  I love to use batiks for the “solids” in my quilts because of the texture and highlights they give to the design.

Michael Miller batiks

Michael Miller Batiks

2. Who wants these selvages I’ve been saving? I know the author of one of the blogs I read commented that there is a selvage quilt in her future, and I’m pretty sure there’s none in mine.  Comment or e-mail me if you want them.Selvages

Melanie, whose blog is

Melanie, whose blog is Catbirdquilts.wordpress.com

3.  For those who may want  more traditional lessons on color than the ones I’ve provided in my design series, my friend Melanie in Iowa has some nice posts.  You can find them here and here.  I think you’ll like them!

Zippy Star quilt by Mary J Puckett

Zippy Star I, which was sold at the Asheville Quilt Show

4. Woo!  I recently sold a quilt at the Asheville Quilt show!  And it’s a good thing, because–

5. My digital camera somehow got a little piece of lint inside (at a quilt show, of course) and I can’t get it out!  Any recommendations for a good replacement?

6.  I aim for a blog length of around 350 words.  I figure my attention span is short, so yours may be too 😀

7. And the more pictures in the blog, the better. So here’s my October finish, another quilt for Ronald McDonald House.  I quilted it on my new Bernina 530QE. There’s definitely a learning curve to that BSR, but I’m pleased with the result.

free motion quilting

Free motion quilting with my new Bernina

 

 

 

 

Meet Jo Glover–The BigStitch Quilter

big stitch quilting

BigStitch Quilting by Jo Glover

Big Stitch quilting has gotten to be a big deal in the past few years, so I was thrilled when Jo Glover, who published the original directions for BigStitch Quilting, spoke to our guild last year.  She agreed to be interviewed for this blog.  Here’s what she said about her development of the technique:

Jo Glover photo

Jo Glover

“In 1988, when I started quilting, I was more interested in the line designs of the quilting, rather than the patchwork.  It frustrated me that my fine hand quilting–natural thread on muslin background–didn’t show.”

“In 1991, I went to Japan and saw their sashiko with its strong visual impact.  Thick light thread on solid dark fabric.”

big stitch quilting

Another sample of Jo’s BigStitch Quilting

 “Upon my return to the US, I started using a high contrast #8 pearl cotton, longer stitches, with the traditional rocker motion of hand quilting with a hoop and thimble.
I was pleased to find that larger scale designs looked good with the longer, thicker stitches.  The new needlepunched cotton battings permitted a longer distance between quilting lines.”

BigStitch quilting

Jo Demonstrates BigStitch Quilting

“BigStitch was coined in the booklet I wrote and copywrited in 1993 (under my name at the time, Jo Walters).  It still sells.”   [You can get a copy of Jo’s booklet directly from her for $7.50; just e-mail her at GloverGirl52 at gmail dot com for her mailing address, and of course give her your address.]
 “To reach a wider audience, I uploaded a series of BigStitch lessons.  They are available at no cost on YouTube; just search “BigStitch Jo Glover” for the 5 lessons and Gallery.  I’m for the preservation of hand quilting.” [Here is the link to Jo’s YouTube lessons.  I am so impressed that she did this!]
BigStitch quilting

Matisse’s Goldfish, by Jo Glover

 “Right now, I’m stitching straight lines about 1/3 inch apart, using crochet thread AND NO HOOP OR THIMBLE, ssshhhh.  My friend Jane Cole brought this style, called chiku-chiku, to my attention.  (Chiku-chiku is the sound a sewing machine makes when stitching) Jane got it from Quiltmania magazine, issue # 100, in an article featuring the originator, Akiko Ike.”

Jo Glover quilting

Pillow with close lines of BigStitch quilting by Jo Glover

 “Mixing fine hand quilting, BigStitch, and machine quilting (and now, chiku-chiku) in the same quilt is fantastic.  I do prefer solids or hand dyed fabrics to showcase the hand stitching.  I see many Modern quilters featuring their machine quilting on solids, and that’s great.”
Quilt by Jo Glover

Amerika Blooms by Jo Glover

 “Quilters I have known and loved include Gwen Marston, Jonathan Shannon, my friend Jane Cole, the Gee’s Bend quilters, Fran Skiles, Jacquie Gering and Katie Pedersen, and Yoshiko Jinzenji.”

Your Inner Designer: 3 Formulas for Modern Quilts

It seems to me that, when learning a new skill, there is often a “formula” or basic idea that, once mastered, provides a way into successful practice of the new skill.  So here are 3 ideas for you to try.  See if one of them helps you create designs that you like.

1. Use lots of “negative space”, and start by making this background space in a shade of gray.  (The person who brought my attention to this “rule” of modern quilting has asked to remain anonymous 😉 )  Here are some examples, but I’m sure you know of lots of others:

modern quilt

Shades of Gray by Terry Aske. 2nd place award in the Modern category, Quilts Canada 2014

modern quilt

Found on lilysquilts.blogspot.com

2. Another common way to “design” a modern quilt is to make it an obvious take-off from a piece of 20th Century art (or occasionally more recent art).  My design below is by no means an exact copy of any of Piet Mondrian’s work, but it certainly is an imitation of him:

modern quilt design

Thanks, Piet! by Mary  J. Puckett

Sometimes I do see modern quilts that are a direct imitation of an artwork.  However, my preference is to look at a lot of work by one artist, or by a group of similar artists, then close the book and draw something original that “references” the works I’ve studied.

For example, here’s a print I found at an Etsy shop called “Handz”.  Compare it to the quilt just below it.  It’s not a copy, but it could have been based on the print.  Or they could have both been inspired by another source altogether.

modern art print

Mid Century Modern Art print found at Handz on Etsy

modern quiilt

finished – modern drunkard’s path by m_soto on Flickr

3. Just start with modern fabric.  One of my favorite “modern” quilters is Rita at Red Pepper Quilts.  Many of her quilts are traditional designs, but she uses bright, modern, fabrics and her quilts always look fresh and modern to me.

modern quilt

Spools and Nine Patch Quilt by Rita at Red Pepper Quilts

Here’s a detail of another of Rita’s quilts:

modern quilt

Detail of a quilt by Rita at Red Pepper Quilts

Give some of these ideas a try, and let me know what you come up with!

3 Favorite Quilts from 1 Quilter!

When I noticed that 2 of my favorite 11 quilts at AQS-Charlotte were by Jean Larson, I knew I had to meet her. Luckily, while I was trying to figure out how to contact her, she contacted me! Jean has lived in Chattanooga since the early 1970s, so we met at AQS-Chattanooga.

First, as a refresher, here are the two quilts that attracted my attention at AQS-Charlotte:

modern quilt AQS

This quilt by Jean Larson won the Original Design award in the Modern Quilt Challenge!  The Modern Quilt Challenge exhibit was on display at AQS Charlotte as well as other shows during the year.

modern quilt, AQS Charlotte

The Market is Up, another quilt by Jean Larson

Jean entered a different, and maybe even more interesting, quilt in AQS-Chattanooga:

quilt AQS Chattanooga

Jean (right) and I pose in front of her quilt, “Barbed Wire” at AQS-Chattanooga

There are so many things to see in this simple quilt!  First, the design is tessellated!  Jean is a mathematician by training, so she explained it to me, but I’m going to have to ask her to write a guest post to explain it to you.  More on that later.

Second, those variations in yellow are for real, not just trouble with exposure on my camera 😉  The two yellows add complexity to the quilt.  And finally, although I couldn’t see it until she pointed it out, this quilt is actually a grid of squares in alternating colors:

Look at the quilting, too!

So, here’s a little bit about Jean:

She’s had several starts at quilting.  Her first quilt, in 1976, was a traditional log cabin made with the quilt-as-you-go method and using poly-cotton fabrics, which were about all that was available at the time.  Her second, in 1984, was an orange and turquoise quilt that she worked on while potty training her two adopted boys!  She began quilting seriously in the late ’90s.  In 2012 she discovered modern quilting through a neighbor, and she hasn’t looked back since.  She’s an active member of the Chattanooga Modern Quilt Guild and apparently knows everybody–numerous people stopped to chat with her while we were talking about quilts at the AQS show.  She had a quilt accepted for the first QuiltCon in 2013, and it has been published several places as an example of good use of negative space.  Here it is:

modern quilt

Lanterns, by Jean Larson, was accepted for Quilt Con 2013

Jean says she likes simplicity and alternative grid work in quilts.  She is inspired by geometric shapes and by fabrics–especially stripes.  She loves the mathematics of tessellations and plans to make more tessellated quilts.  I look forward to seeing them!

And I’m going to beg her to write a guest article on tessellations for my next design-your-own-quilt post.  If you know Jean, encourage her to do it!

Your Inner Designer 6: Copy Somebody Good!

Truly original ideas in design are really, really rare  More often good designs are inspired by other good designs, and most designers start by copying other people.  There’s nothing wrong with that–just give credit!

Door with art glass window

Glass window, designer unknown

For example, here’s a door I admire in a friend’s house.  It got me thinking that it would be nice to make her a table runner with a design similar to the glass in the door, especially since the dining table is right by the door.  I may start out by copying the design, but my table runner won’t be an exact copy.  I want it to be obviously inspired by the door, but I probably couldn’t make an exact copy even if I wanted to.  And I’m not going to sell it as my own “original” design without reference to the door, either.

Here’s the first attempt:Craftsman inspired table runnerThat may be obviously inspired by the door, though in fact both are inspired by Frank Lloyd Wright and Craftsman styles of design. If you don’t know much about those styles of design, Google them.  There are many similar designs to be found, so I can make LOTS of designs of this style without copying any of them.  Here’s the second try:Craftsman style table runner

This one has a little more detail.  Another master of this style, popular in the early years of the 20th Century, was Charles Rennie Mackintosh.  William Morris textile and wallpaper designs were the same historical period, and you may have seen Moda’s extensive line of William Morris-inspired fabrics.

One last try:table runner

So go look at some books on the history of design (the history of advertising works too) and make some designs inspired by what you see.  It’s a good starting place when you think you don’t have any ideas, and you’ll eventually come up with something your really like.  Then it’s time to make a quilt!

Here are the first 5 posts in this series:

Your Inner Designer 5: A Program to Make Your Own Palette!

Quilt Design 4: Choosing Your Color Scheme

Your Inner Designer 3: New Blocks From Old

Your Inner Designer 2: Many Block Arrangements

Find Your Inner Designer, Part 1

3 Perfect Ideas

Pieced quilt, circles

The Perfect is the Enemy of the Good

1. The perfect is the enemy of the good.

I made this quilt a long time ago to practice circles, and the quotation that inspired it came to mind recently when I was debating which quilts are “good enough” to be submitted to juried shows.  It probably is obvious that the design above is more interesting than the “perfect” one shown below:

pieced quilt, circles

Perfect Isn’t So Good

2. “Perfect” is well enough done that you are satisfied when you look at it, but not so over-worked that you’re sick of quilting by the time you finish it.

To make a perfect quilt, It helps to start with:

  • The right pattern for your skill level
  • Fabric you love
  • Techniques you enjoy (e.g., paper piecing, applique, whatever)
  • The right tools, well maintained

3. You may be more capable of “perfect” than you think.  It helps to have friends who keep you honest!  I recently had trouble making my seams line up on a medallion-style block and my friend Jerri said, “You’re too good a quilter for that!  You just don’t want to bother!”  Oops, she was right.

And here’s a book that helped me with “perfecting” my blocks:  

Sneaky Piecing by Beth Ferrier

I found this book with lots of tips on how to improve piecing accuracy and got a lot better with just a little practice!

I recommend the book if you want to improve some of your skills, too.

pieced quilt block

Swap Block–88 little squares!!!

And look at this lovely swap block with the corners all matched up!  It isn’t perfect, but it’s good enough 🙂

6 Orphan Blocks, 1 Donation Quilt

I’ve probably mentioned that one of the ways I’m motivating myself to get rid of the excess in the studio is by joining Marti’s UFO finish of the month over at 52 Quilts.  As part of my ongoing effort to “clean it up, move it out” I’m making a series of donation quilts out of my orphan blocks.

pieced quilt blocks

Orphan blocks from a recent project

I had these 6 blocks that I liked, so I looked for fabric to go with them. The bright turquoise went well, but I had enough to join them only, not to frame them.  Searching for something to make it wider, I found a piece of black/white chevron fabric and decided it needed to be used, and FAST.chevron fabric

My daughter recently point out, “When you find chevrons on your mouthwash bottle, they’re on the way out!” 😀

Finally, I had some colorful Michael Miller dots that seemed to fit in:Michael Miller dots

And WOW!  A very “lively” improvised quilt.Donation quilt

I’m going to practice free motion quilting it on my new Bernina, and it will be the August UFO finish of the month.  Then off to Ronald McDonald House it goes.

 

 

 

11 Favorites from AQS Charlotte

The quilts at AQS in Charlotte were inspiring, and there were more modern ones than at most AQS shows. Here are 11of my favorites. They aren’t necessarily the judges’ favorites; those are available on the AQS website here.  I judge mainly on innovative or attractive overall design; the judges have another set of rules.  I hope you enjoy my choices!

quilt AQS Charlotte

Joy, by Peg Collins of Colorado

The Modern Design Challenge had loads of great quilts, but I only took pictures of my very, very favorites:

modern quilt AQS

This quilt by Jean Larson won the Original Design award

modern quilt, AQS Charlotte

The Market is Up, another quilt by Jean Larson

quilt AQS Charlotte

Mid-Century Modern II, by Serena Brooks, won the Improvisation award

modern quilt AQS Charlotte

Canopy by Helen Garland

There was a display of art quilts, including this one by an art quilter whose work I really like:

art quilt AQS Charlotte

Artfabrik, by Laura Wasilowski

And I liked this quilt by Miriam C. Coffey, who is in one of my guilds:

quilt at AQS Charlotte

This, That, and the Other, by Miriam C. Coffey

And there was a big display of quilts from the Tentmakers of Cairo.  I’d heard about them (from you, Bert!) so I was glad to see some of their work:

Tentmaker of Cairo quilt

quilt by Haissan Kamal

And finally, some quilts I just liked for various reasons:

Dear Jane variation at AQS Charlotte

Jane As A Teenager, by Anya Tyson

art quilt at AQS Charlotte

Out of my Box, by Kathy McNeil

quilt at AQS Charlotte

Fiesta Fireworks by Julia Graber

It’s Out!!!

I’ve been WAITING to tell about my Zippy Star quilt, which appears in the Summer 2014 issue of Modern Quilts Unlimited, and here it is!

quilt photo

Zippy Star Quilt and Pillow as shown in Modern Quilts Unlimited, Summer 2014

Didn’t they do a great job of the “glamor shot”?  I love the setting

And the magazine has clear instructions with lots of helpful pictures.  OK, I wrote the instructions and their staff improved on my pictures, so both are pretty good!  There’s a pillow cover to go with the quilt, just for fun.

instructions

This is one of several pages of instructions

The Michael Miller company worked with me to choose fabric for the quilt and I’m very pleased with how it came out.  The central square fabric is called “Tara’s Fireworks” and is a print made from a quilt one of MM’s employees created with their Cotton Couture solids.  So of course the star points made from Cotton Couture solids match perfectly!

fabric for quilt

Some of the beautiful Michael Miller fabrics

The quilt is fairly small (48 x 58) so I quilted it on my home machine.  This was such fun and I’m so pleased with how it is featured in the magazine!

magazine cover

Here’s the magazine cover. It should be at Barnes & Noble and Joann’s soon!

10 Favorites from Vermont Quilt Festival

I really enjoyed the Vermont Quilt Festival in Burlington the end of June.  I expected a traditional quilt show, and there were some traditional quilts, but there were many modern quilts as well.  Here are 10 of my favorites for various reasons.  That fantastic quilting on the first one was done by Carrie Zizza of Zizza Machine Quilting (http://www.itsazizza.com/).

quilting detail

Look at the quilting on Love Those Liberties by Laura Clements!

pieced quilt

Rainbow Bricks by Melissa Rolfe–this was her second quilt ever!

pieced circle quilt

Full Circle by Rebecca Rohrkaste

pieced quilt

Patch of Swiss Chard by Ann Feitelson

quilt detail

Detail of Patch of Swiss Chard

pieced quilt

This quilt by Ruth Eissfeldt was all shiny metallic fabrics

applique quilt

These fish by Velda Newman were SO realistic!

pieced quilt

Tied Together by Timna Tarr–a modernized bowtie quilt

pieced quilt

Circles of Hope by Sylvia Einstein

pieced quilt

Kaleidoscopic XX by Paula Nadelstern

pieced quilt

Fill the Void by Cinzia Allocca–my FAVORITE!

detail of quilt

Look at her beautiful quilting!  I love this quilt!