My Modern Sampler: Using Linen in Quilts

After finishing the blocks for my modern sampler, I ordered several shades of Essex linen/cotton blend to consider for the background. I know I said I’d never use linen again after the last struggle, but I’ve learned several things since. So, if you’re thinking of using linen in your quilts for its nice texture, read my tips at the end of this post.

Here I’m trying various layouts on two different potential background fabrics.  I hung the ironed fabric and pinned the blocks to it, trying out various layouts and different colors of background fabric.

essex linen

Here is the Pewter background

modern sampler

Here is the Natural background, with a different attempt at layout

I decided I liked the natural background better than they gray.  Then I took it all down and made a rectangle on my design “wall”, outlining the approximate finished size with blue painter’s tape.

modern sampler

Here is the layout I decided to use, with some of the sashing in place

And here are my thoughts on using linen in quilts:
–The linen I used the first time was “real”, 100% linen. Remember that from your childhood, when summer clothes were supposed to be linen? Think wrinkles! And avoid 100% linen for your quilts
–The “linen” of the Essex brand actually is a linen/cotton blend, so it has a nice texture but is less wrinkle-prone and tighter woven than the linen I used previously.
–Pre-wash the linen blend, even if you don’t pre-wash anything else. Wash in warm water and dry on warm so it will get its shrinking done and be more dense and stable.
–Before you pre-wash, serge or zig-zag the raw edges together to prevent fraying! This worked great and “wasted” only about 1/4″ on each raw edge, much less than would have frayed. And there was no mess of threads in the washing machine.

How have you done with using fabrics other than quilting cotton in quilts?

 

Projects 2013–Part I

For some time I’ve been meaning to add to my blog with a gallery of projects for each of the past several years.  I’ve been held up in part by the variable quality of my photography over the years, but I’ve decided to just start anyway.  Here are some projects from 2013.

I entered several national contests in 2013, the year I also started this blog.  Here is the quilt I made for the Quilt Alliance TWENTY challenge and chose as the header for my blog:

Rising star art quilt

Rising Star, made for the Quilt Alliance TWENTY contest in 2013

I made this quilt for the Michael Miller challenge in 2013:

Michael Miller Challenge 2013

Packet of Posey Seeds

And I made this little quilt for the Pantone Challenge:

Applique quilt

Radiating Orchid mini-quilt for the Radiant Orchid Challenge

I attended some wonderful classes with Laura Wasilowski in 2013, and made this little art quilt:

applique art quilt

Leaf, made in class with Laura Wasilowski

I did some “crafty” things in 2013, including chambray shirts decorated with orphan blocks and matching T shirts for a special baby and his special Dad:

Here are a set of placemats and two table runners from 2013:quilted placemats

leaf runner

table runner

Table runner made from a strip of leftovers

Also in 2013, I made an apron for a special friend and a caddy for carrying my iron to classes and retreats:

2013 was also a good year to make pillows for friends and to use up orphan blocks:

Well!  That’s it for special projects from 2013.  The actual quilts from 2013 are up next–more to come!

Connie Brown, A North Carolina Quilter

Connie Brown quilter

Connie Brown 

Connie Brown and I met at the Modern Quilt Guild of Asheville.  She has been juried into membership in the Southern Highland Craft Guild, a prestigious organization promoting fine Southern Appalachian crafts.  I thought you would enjoy meeting her.

Give us the quick tour of your quilting career.  How did you get started?

My husband, son, and I moved to Asheville in 1989.  I knew no one in the area, so I signed up for a quilting class at Asheville-Biltmore Technical College.  The instructor, Mary Field, was the best.  Along with quilting basics, she taught me many sewing skills and shared her knowledge and love of antique quilts and quilt history.  By the end of the class she had encouraged me to join the Asheville Quilt Guild and a weekly bee. The first few meetings I attended featured presentations by quilt historians.  I really enjoyed quilt history, so I started studying antique quilts.

When/how did you decide to “go pro” by studying quilt history and appraisal, judging shows, and joining the Southern Highland Craft Guild (SHCG)?

Connie Brown, hand quilting

Connie demonstrates quilting at a Southern Highland Craft Guild event

After a few years of making quilts and entering them in both local and national shows, I put a couple in a gallery exhibit.  To my surprise, one sold and visitors were interested in my other quilts.  I knew about the SHCG, with its shops, marketing, and educational opportunities.  After selling that quilt in the art gallery, I decided to apply for membership and was juried in during 2000.  I have my quilts in their shops and participate in several of their events, including Fiber Day and Heritage Day (where I share my beekeeping), as well as others.

When people started calling me about the value of antique quilts, or what value to place on a quilt they were entering in a show, I saw a need for a local certified quilt appraiser.  I put my years of studying quilt history and my knowledge of local quilt sales to use and focused on becoming a certified quilt appraiser.  In 2009, I was certified by the AQS (American Quilters Society) as an Appraiser of Quilted Textiles.

What is your favorite of the quilts you have made?

I love making circles and Drunkard’s Path units!  My 3 favorite quilts so far are:

Connie Brown quilter

Color Cascade

“Color Cascade aka Prints Charming”  includes more than 500 scraps.  The pattern for this quilt is in the September 2012 issue of American Quilter Magazine.  This is machine pieced and machine quilted.

Connie Brown quilt“V-Spot Target Attack” is also made entirely by machine.

Finally, “Tiffilippa” was inspired by a Tiffany lampshade.  I couldn’t throw away the trimmed off “waste”, so I used it as a border.

How much time do you spend quilting?  How do you have time to quilt, participate in guilds, keep bees, substitute teach, and still eat and sleep?

Every day I do something quilt related, whether it’s making quilts, studying, visiting an exhibit, or writing appraisals.  I always carry something to work on in my down time when I substitute teach.

How far do you travel with your quilt activities?  And what do you have coming up?

I’ll be at the Folk Art Center (on the Blue Ridge Parkway near Asheville) for National Quilting Day (March 19, 2016).  I’ll be hosting a quilt sharing day with an exhibition of 4 or 5 antique quilts, and people are invited to bring older quilts they have questions about.  I won’t be doing appraisals that day, but it’s a free event and a good opportunity for people who may have quilts they wonder about.  It can help them decide whether the quilt needs a formal appraisal.

This year I will be offering appraisals at the AQS shows in Paducah and Chattanooga as well as in Mt. Pleasant, South Carolina during the Cobblestone Quilt Show.  My fees for written appraisals are $75 per quilt, but during these events the charge is $50 per quilt. Each appraisal takes a minimum of 2 hours, including meeting with the client, travel, research and preparation, and typing the report.

To see more of Connie’s quilts, visit her webpage at southernhighlandguild.org/conniebrown

You may email Connie at mail2thebrowns@juno.com

Crunchy Numbers

The WordPress people send me two statistical reports a year regarding my blog, and of course I can look at statistics on my administrative page at any time. I don’t stress it or check very often, so I was quite surprised when the recent report from WordPress said people from 61 different countries viewed my blog in 2015!

Most of the countries were predictable: the U.S., Canada, U.K., Australia, and New Zealand. But there were views from every continent except Antarctica! The place I got the biggest kick out of was Iceland 🙂

This improvised log cabin block, which was made into a pillow, appears to have been the most viewed picture on the site.

improvised log cabin block

improvised log cabin block

Jo Glover, big stitch quilting

Jo Glover

And my most popular post was about Jo Glover, who first developed Big Stitch quilting but doesn’t always get enough credit now that everybody does it. You can find that post HERE if you missed it.

Another popular topic was my ongoing modern sampler quilt, and there’ll be much more about that coming up soon.  A few of those blocks are shown below.

The stats show my readership growing steadily over the 2-1/2 years I’ve been blogging. The growth is slow, but I’m blogging for fun (and I’ve kept my day job!) so that’s just fine. I’ve made some new friends, which is even better.

As always, I’m amazed by the power of the internet. I’ll skip the chance to philosophize about that and just wish anyone who reads this a very happy 2016!

Little House Class at Studio Stitch

I’ll be teaching my fusible applique class, called Little House on the Wall (with no

Studio Stitch

Samples for the Little House workshop

apologies to Laura Ingles Wilder) at Studio Stitch in Greensboro (NC) on January 30.

I visited the shop recently to talk with the staff about materials for the class, and of course I HAD to look at EVERYTHING.  Well, I needed to look so I could discuss what would be appropriate for the class, but it’s OK to just drool on the fabric a little, right?

They had landscape fabrics and plenty of batiks that will be great for the class.

There was even a bundle that seemed just made for creating my little houses!Studio-Stitch-8

I even found 28 weight thread for embellishment in a variety of yummy colors.

 

 

28 weight thread can be hard to find, but Studio Stitch has plenty!

28 weight thread can be hard to find, but Studio Stitch has plenty!

Of course I wandered a little…they had gorgeous batiks made specifically for use with the Jacqueline De Jonge patterns.  They even had one as a kit, with a more restful background fabric than this sample I took from Jacqueline’s site.

The ladies at the shop were all friendly and helpful, and I’m looking forward to teaching there.  You can find out more about the shop and my class on the Studio Stitch website. 

 

Final Finishes!

I got these two quilts back from the quilter last week, so I put the binding on and have my final 2 finishes for the year!

modern quilt

This binding was made from the remaining black and white chevron fabric

I finally finished the eternal paper piecing for this quilt and I’m having fun arranging the blocks.

modern quilt

The pattern is Lombard Street, by Sassafras Lane Designs

Here are a few of the other projects I’ve done this year.  You can click on any of them for more detail.

And finally, here are a couple of things I had published in Modern Quilts Unlimited:

Can’t wait to start next year’s projects!  Woo!

Regarding the Quilts I Didn’t Finish…

‘Twas the week before Christmas
And all through the house
Enough chores to be done
To make nice women grouse.

quilt humor

A few unfinished quilts!

The mantle to dust
With its inch of cat hair
For the people with allergies
Soon will be there.

The mice are not nestled
All snug in their beds
They’ve invaded my car
Where they soon will be dead.

[This may seem a little harsh. But we live in the woods, and mice can destroy a car if allowed to run free there.]

xmas-pkgWe go to the attic
To get out a trunk
Where we’ve stored generations
Of bright Christmas junk.

The stockings don’t seem
To be anywhere here!
I’ll have to make new ones
If they don’t appear!

xmas-stove

My studio is nice and warm!

We’ve sent Christmas cards
To our friends far and near
Even though we won’t write them
Again for a year.

And what of the quilts
That I meant to have done?
I’ve done a potholder!
(But only this one.)

One lonely potholder

One lonely potholder

There’s one Christmas quilt
In the living room here
Where we may take a nap
After having a beer.

Christmas Quilt

Christmas quilt

At last off to bed
With a smile on my face:
Merry Christmas to all—
And next year at YOUR place!

May you all have a wonderful holdiay!  The grousing is just in jest–I’m having a great time baking lots of treats 🙂

New Quilts from Old

This is a quilt I made a few years ago to practice cutting curves freehand. It never looked as good as I thought it should, for various reasons.

I loved the quilted leaves, but I thought the golds should have been more similar in value; the light ones stood out too much. It always bothered by husband that the curves didn’t line up from block to block. Anyway, it never got much use.

Then I decided I needed more placemats, and hit on the idea of cutting up this quilt into placemat size pieces (18″ x 12″).  So I trimmed off the binding…Placemat from quilt

And used my extra-big square to cut pieces 12″ x 18″.Placemat-8

Then it was time to search for binding.  Of course, I had no more of the fabrics that are in the quilt, since it was made several years ago.  Eventually, I decided on the second combination:

Here are a couple of the finished placemats:

Even some of the backs were interesting, and showed the quilting better:Placemat-13

There was only this much left over:Placemat-4

So, if you have a quilt that didn’t quit work out, maybe it would make good placemats!

Artsy Table Runner

YP1I’ve been looking at lots of beautiful pictures of art quilts. Also, the monthly challenge for the Modern Quilt Guild of Franklin (NC) was to make something including prairie points.

For years I’ve had Susan K. Cleveland’s Prairie Pointer, intending to make something with prairie points “any day now”. (Raise your hand if you DON’T know how THAT goes!)Susan KThe stars finally aligned, and here is my first crack at a table runner combining all of the above.

As expected, Susan’s Prairie Pointer tool worked beautifully. I’m a big fan of her techniques, and teach some of them in my classes.  The starting squares for the prairie points ranged from 1-1/2″ to 2-1/2″ in size, so they were all pretty small.

Prairie Points

Prairie Points

I like this runner pretty well, but I just KNOW I could do better! So here goes with another idea I’ve meant to try for some time: working in a series. I’ll keep you posted 🙂

Narrow Accents!

Modern Quilts Unlimited just published my article on how to add narrow accents to your projects.  It’s a very easy method for sewing crisp, even accent strips from 1/8″ to 3/4″ wide.

Modern Quilts Unlimited magazine

Notice the Narrow Accents article featured on the cover, along with the beautiful quilt by Bev Getschel

There are so many uses for narrow accents!  Here are a few of mine:

narrow accents, Modern Quilts Unlimited magazine

This is a corner of the piece I made to illustrate the MQU article

These blocks from my modern sampler all include narrow strips:

The samples I made for my improvised table runner class all include narrow strips, as well.  Here is one of them:

modern table runner

Here is one of the samples for my improvised table runner class

modern quilt design

Here’s a Mondrian-style block I made several years ago with narrow inserts

There are options too numerous to mention!  Go get the magazine and make some accent strips, then please send me pictures of your creations.