More Donation Quilts

Before I show the latest group of donation quilts, I want to say how happy I am that my long-time blogging friend Melanie has started posting again.  She’s an expert in medallion quilts and does beautiful work, so you may want to check her out here.

These quilts are going to Ronald McDonald House, so here’s a last look at them before they go.  

improvisationally pieced quilt

“In Fairyland”, original design, 2013.  53″ x 67″.  I like it, but it’s never been used, so off it goes.

 

Serendipity I”, 2020, 51″ x 61″. Pattern is from Love Jelly Roll Quilts.

 

Black and floral quilt

Unnamed, 55″ x 69″, 2011.  Made to use some of my huge stash of florals, but never used.

Kaffe Leftovers, 48″ x 60″, 2020.

I designed “Spring Sun” using piecing papers from a Judy Niemeyer pattern, 2012-2014.   It was juried into an AQS show but has never been used, so it’s time to donate it.

“Elizabeth’s Village”, 40″ x 40″.  Center design is by my friend Elizabeth and pattern is available in her Payhip store. I added borders so it would finish crib size, 2020.

“Baby Stars”, 45″ x 45″, 2019.  Pattern is “Lucky Stars” by Atkinson Designs.

Star Swap Quilt, original design, 2019. 40″ x 40″.

I hope the families at Ronald McDonald House get enjoyment and comfort from these quilts.  They were just stored in a closet here, so they need to be used.

2020 Review, Part II

Here are the rest of my 2020 project completions.  As previously mentioned, shelter-in-place was an opportunity!

I designed and made Fiddlesticks after seeing a number of similar quilts on the internet.

Pineapple Fabrics requested pineapple blocks for a children’s hospital donation project, and my friend Chela and I each made several.

I finally finished this little art quilt, which was started several years ago

This quilt used up a lot of scraps!

I made numerous projects inspired by books I reviewed for C&T.  The quilt on the left is a modification of a pattern that appears in New Patchwork and Quilting Basicsby Jo Avery.  The block on the right is one of my favorites of the year; the pattern is in Quilt: Modern Curves and Bold Stripes.

The quilt above is modified from my friend Elizabeth’s Merrion Square pattern.  The pattern is available in her Payhip shop and includes several variations.

This quilt was made with a jelly roll I won in a contest!  The pattern is in Love Jelly Roll Quilts.

Who can resist the colorful fabrics by Kaffe Fasset? I made two quilts with them. This pattern is available free from Free Spirit Fabrics, here.

And here’s the quilt made with leftover blocks:

Above is another Scrap Quilt, 64″ x 64″. I was planning to teach it in January, but the COVID numbers have gotten too high here for that to be safe right now.

This is the quilt in crib size

The quilt above is another I developed for Studio Stitch.  I think they still have some kits left if you’re interested.  My friend Mary just sent me a picture of her completed quilt from the kit!

This next quilt, 12″ x 12″, was just a block for years after I took a leaf pounding class.  I finally quilted it, and I’m happy with the result.

Here are 3 that I know you’ve seen before, but they were completed in 2020, so gotta show them:

And finally, here’s my end-of-year art quilt.  I’ve had this idea in mind for some time so I was glad to finally get it out on fabric.  I think the tree topper needs a golden starburst around it, so I’ll be adding that before the next holiday season, but at least the quilt is mostly done.

Xmas, 25.5″ x 31.5″

Whew!  2020 had some redeeming accomplishments despite all the “challenges”, as we like to call them!  I hope you find that the year had some good points for you, as well.

2020 Quilt Review, Part I

Every problem being an opportunity, I think we’ll review the projects completed in 2020 because of the opportunity to spend much more time at home 😀  In fact, I got so much done that I’m splitting it into two posts so my head doesn’t spin.  Here’s part I:

Plaidish was made from a free pattern available from Kitchen Table Quilts

I designed the quilt above based on a barn quilt I saw every time I drove to town.  The design was created in EQ8 and Eileen Fowler at McCall’s Quilting transformed it into a design of her own, giving me credit for inspiration.

The above quilt was designed in EQ8 and made with scraps.  Studio Stitch offered the pattern free with purchase.  I loved using all my colorful scrap strips.

I made a bunch of postcard-sized art quilts as samples for a class I plan to teach on making landscape quilts.  COVID happened, so the class hasn’t been offered yet.

I designed and made this little neighborhood after seeing similar projects online. Isn’t the internet a great source of inspiration?

I made a bunch of donation quilts, including the two above constructed from orphan blocks.  Several quilts went to a local at-risk infant project, and there’s another pile waiting to go to Ronald McDonald House.

I took a class with friends at A Stitch in Time and made this fall quilt.  They still have the pattern if you want to make one, too.

I made this orphan block up into a little quilt for the SAQA auction.

Like everyone else, I made a zillion of these. At least my model is cute 🙂

I enjoyed making this quilt and the templates from Elisa’s Backporch made it easy.

That is surely enough for one post!  To be continued…

Catching Up

Catching up on a few things that happened over the holidays:

First, Julie contacted me about an error in a pattern I did for McCall’s Quick Quilts back in 2006.  It was nice to know somebody was still using the pattern!  The magazine probably published a correction in the next issue, but I was out of town so didn’t have access to either my original article or the magazine.  Julie figured it out on her own, however, and I think she did a great job.  She was kind enough to send me pictures of her finished placemats:

Second, I got 3 quilts bound.  Oh yes, I blogged about the first two before the binding was complete, taking care to hide the edges!  Here they are:

Little Jewels, from a pattern by The Quilt Police

Quilt from Pat Sloan’s “Going on a Picnic” quilt along

I finally bound this quilt, which was a practice piece for a pattern I developed last fall

Third, Studio Stitch is now offering the pattern I developed to make this quilt:

The pattern is free with purchase of enough FQs to make the smallest size, but you don’t have to buy the same fabrics I used.  Since I’m always looking for an excuse to buy more FQs, this seems perfect to me 😀

On to 2021!

The Tula Quilt: Better Late Than Never!

A friend and I decided to work together on Tula Pink’s City Sampler quilt. We liked the variety of the blocks and the tiny pieces in some of them. Since I really prefer not to make the same block twice, 100 different blocks were appealing.

And yes, I know everybody else made this quilt years ago. I’ve seen several beautiful examples.

Anyway, here are a few of my blocks so far. If some of them don’t look right, that’s because I made a substitute for any block I didn’t care for 😀And finally, my favorite block so far:
What have you been up to?

Avoiding Half Square Triangles

Half square triangles are an important design element in many quilts. The split value and diagonal line allow a variety of dynamic designs.

This is a Half Square Triangle (HST)

One of my quilt groups has been discussing HSTs because some of us love them and some have limited tolerance for them. It matters because we regularly do block exchanges.

One member recently sent a picture of a beautiful depression block quilt, and that got the discussion going again. A depression block quilt is made entirely of HSTs!

This is a typical block from a Depression Quilt

 

This is a traditional Depression Block Quilt made entirely with HSTs

Not being much of a rule-follower, I got to speculating about how we might make this quilt using strips instead of HSTs. (Yes, I get that the original idea was to use up small scraps, but what if you just wanted the overall effect without all those HSTs?) My friend Mary B encouraged me to develop this idea, so here we go.

I did a number of experiments with Electric Quilt 8 (EQ8), which produced all the illustrations for this post.  I learned that the most important element in the success of this quilt is contrast between the values (rather than the colors) of the fabrics. (All the illustrations use Fossil Fern fabrics from the EQ8 fabric library.)

I first tried drawing a block that used strips of lights and darks in place of the rows of triangles. This would simplify construction significantly.

Here’s the block:

Depression block effect without the HSTs

And here’s the quilt:

Then I tried a traditional Courthouse Steps block set on point to mimic the depression block effect.

Here’s the block:

And here’s the quilt:

Finally, I changed up the color arrangement in the traditional Courthouse Steps block to provide more variation.

Here’s the block:

And the quilt:

So! I’m not sure my variations are a good substitute for the traditional Depression Block quilt, but it was fun and I do like the quilts. What do you think, Mary B? 

Christmas 2020

Our neighborhood was lucky to get a visit from Santa on a warm afternoon.  Everyone wore masks, because we can’t risk Santa getting you-know-what!

I hope your holiday preparations are going equally well!

And it’s back to quilts next week–I just couldn’t resist because this is so 2020.

Designing to Avoid Intersecting Seams

My friend Chela asked about designing to avoid intersecting seams.  The goal is to make a quilt less “fussy” to construct. Here are 3 ways to do that. Thanks for the idea, Chela!

One of the easiest ways to avoid intersecting seams is to move alternate rows over 1/2 block. This can create interesting designs that you wouldn’t have suspected if you hadn’t tried it!

My most recent example is a quilt I designed for Studio Stitch:

Lightening. Read about it in last week’s post if you like.

Of course, many traditional patterns depend on the blocks lining up exactly to create visual interest.  They might not benefit from shifting half a block!  Just look at this:

Another favorite way to avoid obvious intersections is to partially frame blocks so that they appear offset. The intersections get lost in the background and the design is much more interesting. One of my favorite examples of this is the BQ2 pattern by Maple Island Quilts. 

I taught a class with this pattern and called it “Easier Than It Looks” because it is! The design looks complex but in reality it is just a matter of framing and rotating blocks. Here’s the quilt I made as a sample for the class:

Another example of partially framed blocks is my recent “Little Jewels” quilt:

And good news!  I tracked down the origin of this design and you can find instructions for it free on this website.

Here is an example of one block.

The “trick” is that each block is framed on two sides, making it asymmetrical.  Then alternate blocks are rotated 180 degrees so that any sense of quilt rows is lost!  Make a couple of scrap blocks and try it–it’s magic!  In truth, there are the usual intersections between blocks but the corners are almost impossible to see 😀

Finally, making blocks of different sizes certainly can be used to avoid intersecting seams. I consider this a design-as-you-go process and it does take both time and confidence, but it works well.  Here is one I made ages ago:

art quilt, gwen marston

Refrigerator quilt inspired by Gwen Marston. Bev Manus came up with the idea for refrigerator quilts.  Finished size 12″ x 12″

And here are some recent blocks up on the design wall to test a potential background fabric:

These blocks are all the same size (will finish 6″) but the sashing will be variable.  I’m setting them in vertical rows with variable distances between the rows, and variable distances between the blocks within each row!  No way will there be anything to line up 😀

Have a good week and share any tricks you have to avoid fussy intersections!

A Few Favorite Christmas Patterns

If you put up a Christmas tree at your home, the tree skirt probably is part of the fun. Because of that, I thought I’d feature a couple of tree skirts I’ve made in the past few years. The patterns were fun and the only potentially difficult part of the construction was the need for bias binding on the scalloped edges.

Garden Gate Quilts
“Trees All Around”, class sample made from the pattern by Quilted Garden Designs

I love the tree skirt with Christmas trees!. Family members loved it, too, so I had to make more than one 😀 It was also a good way to use some of the Christmas fabrics I’ve been unable to resist! I used fusible applique, so it was pretty quick and easy.

Quilted Christmas tree skirt
Snowmen All Around, my class sample from a pattern by Quilted Garden Designs

A year of so later I found this additional tree skirt pattern by the same designer. I love it too, so of course I had to make it.

Which reminds me of this pattern, by Joni Pike, which I reduced to half size so our daughter could use it as a wall hanging rather than a lap quilt. The pattern is called “Frosty Flakes” #806, but I have been unable to find the publisher on the internet recently.

Frosty Flakes, Sew Special Designs

I loved this one, too. I guess, when it comes to winter holidays, I’m trapped in what my friend Elizabeth calls the “dungeon of cute”. So I’ll quit for now!

What cute stuff have you made for Christmas or other holidays?