Gallery Show!

applique art quilt

Leaf, made in class with Laura Wasilowski

The Asheville Modern Quilt Guild is lucky enough to meet in a nice conference room in the building occupied by both the Quilt Alliance and the Handmade in America organization.  Because of those connections (and the quality of our work) we will be having a show of our members’ work at the gallery maintained by Handmade in America.  This is an organization representing craft artists from Western North Carolina (that would be us!) The work they represent is very high quality, so we are thrilled to be invited to display our work in their gallery, located at 125 S. Lexington Avenue in Asheville.  (The entrance is on Hilliard Avenue between Church and S. Lexington.)

I’m including pictures in this post of the works I’m submitting, but I hope any of you whoshow announcement are in the area will come see the show.  It will run April 29 – August 19, with an opening reception 2-4 p.m. on Sunday, May 4.  We have several fine quilters in our group, and they really do make “all kinds of quilts”, as the title of the exhibit suggests.  Please come!

Handmade-3

Improv I, my original design

pieced quilt original design

Bubble Up, my oritinal design

 

 

Quilt Alliance Challenge

After thinking I would use Sunbonnet Sue as my inspiration,

Fabric scraps

Scraps!

I did a total about-face and chose a scrap quilt instead.  I LOVE scrap quilts, and since I certainly HAVE a lot of scraps, it all works out 🙂

Here’s the process for this year’s Quilt Alliance donation quilt.  I wanted to use tiny scraps and have one tiny star.  I used Electric Quilt (EQ7) to print a foundation pattern for a star that finishes about 3″ square.  The first one I made, using the brand of fabric we’ve all

depended on for solids, was just a little off.  Turns out the “beefy” thick texture of that fabric doesn’t lend itself well to tiny, tiny points (the center square here is 1/2″ x 1/2″).  So I re-generated the foundation pattern and, as often happens, decided on a little design change at the same time.  Then I made the star using Moda Bella black, which is a lighter weight cloth that folded more crisply in such a small space.

For the rest of the quilt I pulled out my zippy-colored Michael Miller cotton couture scraps and just sewed them together as I took them out of the box.  Eventually I had to cut a few more “scraps” to finish the top.  There were so very MANY seams that I was glad of the lighter weight of this cloth, almost like voile.  It took many days to do this, quite a bit longer than I had expected for a 16″ x 16″ quilt!  The smallest pieces finish about 1/4″ squares or triangles!

scrap quilt

Quilt Alliance Challenge 2014

So here it is!  I would love to count the pieces, but I don’t think I have the energy left to do it!  Besides, who wants to know a thing like that? 😉

Stash smash: 8 inch squares

I’m slowly working my way through my stash, and currently my focus is on “unfinished projects”.  There seem to be a lot of them 😉

8" squares

8″ Squares

I found this stack of 8″ squares that was made as the start of a quilt a while back.  I didn’t like the pattern once I got started on it, so here’s this stack with no purpose.  Not my favorite fabrics is part of the problem, I think.

Of course, SOMEBODY sure would like these fabrics, so I had options:

1.  Try to give them to friends.  But those friends probably would try to give me some of their stash in return!

2.  Put them in the donation pile.  Several problems with that idea; never mind!

3.  Make them into something.  Since I make a fair number of donation quilts for Ronald McDonald House, that seemed like the best bet.

So I paired lights with darks and cut each pair into 3 unequal strips.  I did the cuts at random intervals, but parallel to the sides to keep the blocks from getting too wonky.  Then I traded the center strips and sewed the strips back together to make a set of 2 blocks.

I stacked the sets again and cut them at irregular intervals, switched the middle strip again, and re-assembled them into irregular 9-patch blocks:

Now they are a donation quilt top for Ronald McDonald House, and this one will be suitable for an older child, since the fabrics aren’t juvenile novelty prints.  Success!  Another stack gone!  And another donation quilt done!

I’m taking part in “Aunt Marti’s” UFO challenge so to finish 12 UFOs in 2014.  It might help you get your UFOs done, too.  Click HERE for the link to the original post where she tells you how to do it.

nine patch quilt

Nine Patch Quilt

Hope you have a good week.  Maybe some of your leftovers would make good donation quilts, too!

 

 

 

 

Find Your Inner Designer – Part 1

Some of my readers have asked about how I design quilts, so I’ve decided to do a monthly series of posts to lead you to design your own original quilts. I know there are several courses and lectures out there on “principles” of modern quilt design, but this series is about a practical approach.  So here is Part 1: Start by tweaking a design you already like.

Start with a traditional-style pattern you want to make.  By traditional-style, I mean one with multiple similar blocks, probably arranged in a grid.  Here’s my example, which really is more of a modern design because the blocks are improvisationally cut, but it has the blocks in a grid

modern pieced quilt

I saw this quilt at the house where we have retreats

Now experiment, tweaking this pattern (or a similar one) 3 different ways:

1. Change the size of the blocks. A quilt made up of 20 blocks each 10″x 10″ will look quite different from a quilt of the same size made up of 80 blocks 5″ x 5″.

You can go up or down in size, but change the size of the blocks. If the math gives you trouble, either get help from a friend who LOVED algebra in high school, or use a computer program like Electric Quilt to re-draw the blocks in the size you want and give you instructions for cutting them. If you want to make the blocks very small, consider paper piecing: Just draw your paper base and you don’t need any math because the pieces you use to construct the block on the paper base aren’t cut exactly to size.

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2. Change the size of just one (or a few) block(s):

modern quilt design

Substitute one large block for 4 of the small ones!

Either replace one block with 4 little blocks 1/4 the size of the usual, or replace 4 regular blocks with one big one. Either tweak makes the overall quilt design more interesting.

Pieced quilt

Substitute 4 little blocks for one large one–or for several large ones!

3. Add (or subtract) a little: Instead of making the usual grid of blocks, add a strip or a row of blocks to each row to make some of the grid offset. I like to put the insert at a different place in each row.

modern quilt design

Insets make the blocks move out of line in some places, adding interest

Another option is to remove the sashing and/or border(s) from a quilt, or to insert an extra border.

You don’t have to sew any of your designs unless you want to; just draw them out on graph paper (or your computer program), and color them if you like. The drawing counts as a design! And don’t worry that modifying somebody else’s design isn’t “original”. You have to start somewhere, just like the designer of your pattern did!

Now, go try some of this! I like to make baby quilts to try out new designs or techniques—not too much commitment in time and materials, but I learn a lot. And watch for the next post in this series; I’m going to do a design post the first Sunday of each month for a while.

Pop-up Show

quilt show

Asheville Modern Quilt Guild Show

Here are some pictures from the Asheville Modern Quilt Guild’s Pop-up Quilt Show, held Sunday, March 16 at the Folk Art Center on the Blue Ridge Parkway.  We had good attendance and gained several new members!  As you can see, we had some members demonstrating quilt making, as well.  If you missed it, the Guild will have a show at the Handmade in America gallery in Asheville from mid-May through mid-August.  Meanwhile, here are some of our members and their quilts:

First, here’s Diana Kantor with her amazing table runner.  It has 3-D folded flowers and leaves in addition to that beautiful quilted design in the center!

quilted table runner

Diana Kantor

And here’s Erica Kilgo with her very fun Bricks and Bubbles quilt:

modern quilt

Erica Kilgo

Here’s Amy Anderson with three of her beautiful quilts:

modern quilts

Amy Anderson

Here is Connie Brown with some of her amazing art quilts:

art quilts

Connie Brown

Emily and Miriam Coffey weren’t able to be there, so I don’t have their pictures, but here is one of their beautiful quilts:

modern quilt

Emily and Miriam Coffey’s quilt

And of course we had our Opportunity Quilt on display so people could take an interest and maybe even buy tickets:

modern quilt

Asheville Modern Quilt Guild Opportunity Quilt

Hopefully you’ve found these quilts inspiring.  If you’re interested in joining our guild, here is a link to our Facebook page.

Next week I’m starting a series on designing your own quilts.

3 Lessons from an Older Quilt

I recently got to borrow a quilt I made for our daughter when she left for college 12 years ago, and I learned several things from looking it over.

patchwork quilt

The Cheerful Child Quilt

First, it was much softer than when I made it.  This is notable because when I gave it to her, she wondered, “When will it be soft like Granny’s?”  Many of the quilts she grew up with were made by my grandmother (her great-grandmother).  Those quilts, made from the 1930s through the 1950s, were soft by the time our daughter slept under them in the 1990s.  She was happy to get the quilt but was disappointed with the stiffness of new fabric.  Having learned that lesson, I subsequently backed quilts for her with minky, which is very soft from Day 1.

patchwork quilt

“Punch bugs” were popular cars when our daughter was in high school

Second, some fabrics have held up better than others, and the price of the fabric does NOT seem to be as important as other factors.  Pastels have not held their brightness well over time, and “sparkles” on some of the fabrics have worn off.  On the other hand, the car and child prints in the photo at left were inexpensive novelty prints but have held up well.

Third, and most gratifying, my work has kept the quilt intact.  There are no ripped seams, loose binding, or quilting that has come undone.  I pieced this quilt on my old faithful Bernina and quilted free-motion stars on the same machine.  (That’s when I learned that sending a quilt to a longarm quilter is worth every penny–my shoulders ached for days!)  I backed it with a sheet, which was my practice for years despite all the dire threats that sheets are inappropriate for quilt backing, and that worked out fine.

My quilting style has changed a lot since I made this quilt, and I certainly am much more technically adept now.  It was great to see that an earlier quilt has survived our daughter’s college and young adulthood intact, even if it isn’t as bright as it once was.

My friend is famous!

One of my quilting buddies dared to submit her quilt to the AQS Paducah show and IT WAS ACCEPTED!  I think that’s pretty special (even if she isn’t really famous yet).  Here’s the quilt:

applique storybook quilt

Jerri’s quilt, which she calls “Tell Me A Story”

And here is a picture of Jerri Szlizewski, who made the quilt:

head shot of Jerri

Jerri Szlizewski

.The pattern is “Once Upon a Time” by Cheryl Almgren Taylor, who graciously gave Jerri permission to enter the quilt in AQS shows.  Here’s a close-up of the work on the quilt:

Jerri's quilt close-up

Close-up of Jerri’s quilt

Jerri is very patient when it comes to her quilting and does beautiful applique as well as lovely pieced quilts that some of us would consider tedious 😉  I’m so happy for her to have a quilt in this prestigious show!  The quilt will be shown at AQS in Lancaster, PA as well, so if you live near either Lancaster or Paducah you’ll have a chance to see it in person.

A Few Internet Ideas

A good while back I listed what I thought were some helpful hints for quilters, but there were too many to fit into a post of the length I like.  So, here are a few more, these related to the internet:

Colors:  If you want some new ideas about colors and palates, subscribe to Design Seeds (Design-Seeds.com) to get free palates delivered to your mailbox every day.  It’s a great inspiration!  Here’s an example of the type of thing they send every day:

street hues

Keep track of internet ideas:  I use Pinterest (www.pinterest.com) to keep track of things I find on the internet, from quilts I want to see again to inspiration and color trends. If you like, you can go to my page (http://www.pinterest.com/mjp28723) and get an idea of how it works by browsing my boards.  Here’s a picture of the front page of one of my boards:

Quilt Ideas

Quilt Ideas / by Mary Puckett

56 Pins

Search colors:  Use Pinterest to keep up with color trends.  By putting “Pantone colors 2014” in the search box, you will get an array of palates predicted to be popular in the next season. The Pantone company provides color standards for the advertising industry but also is at the forefront of color predictions.  You can also Google “Pantone color of the year” and similar phrases to get interesting results.  Here’s a pin of the pantone color of the year 2014, just from putting the words in the Pinterest search box:

PANTONE Color of the Year 2014 - Radiant Orchid decor

PANTONE Color of the Year 2014 – Radiant Orchid decor

So, go have fun on the internet!

Fairyland to Vermont

I’ve just submitted my improvisational quilt “In Fairyland” to the Vermont Quilt Festival, and of course I’m hoping it gets in!

improvisationally pieced quilt

In Fairyland

I made the blocks at the top just for fun when I got an EQ add-on called “Town & Country Patchwork” by Cori Derksen & Myra Harder (who have generously agreed to my use of their designs in this quilt for the show).  The blocks are paper pieced and I made them in fantasy colors because those were the scraps I had on the day I decided to make them. Then the blocks sat around for quite a while 😉  Sound familiar?

Eventually I decided I needed to use up some of my MANY scraps.  At least the scraps are cut into strips of standard widths, so when I get a notion to use them, they’re ready to go.  So I just made rows of scraps, putting the sky-type ones at the top.  Below the houses, I arranged the thinner rows in the “distance”.  Finally, I found one of the flower fairies and put her in near the bottom.improv pieced quilt

My friend Joyce quilted the whole thing on her long arm, using a pattern of leaves at my request.quilting on improv quilt

I’m happy to say I’ll be going to the Vermont Quilt Festival this year–something I’ve wanted to do for a long time.  I’m hopeful that “In Fairyland” will be included so I can view my own quilt there!  Anybody else going?

Quilt Labels the Easy Way

I have made my quilt labels a variety of ways and generally have felt that the result looked amateurish.  However, I’ve now developed a method that I like, so here’s how.

Binding-7

First, I compose my labels in my word processing program and print them onto those fabric sheets prepared for a computer printer.  These sheets are fairly expensive, so I wait until I have enough to fill a page.  Gives me an excuse to procrastinate on labeling my quilts 😉

I like to frame each label with leftover binding from the quilt because I like the way it looks. That printer-ready fabric is very stiff, so the border makes the whole thing easier to sew to the quilt back.

There’s almost always enough left-over binding to frame the label. ironing quilt binding I start by ironing the binding open (yes, after having worked earlier to get it ironed into a nice fold).  I then sew it to all 4 sides of the trimmed label with a 1/4 inch seam.  I sew the binding to opposite sides of the label the press it out, away from the label.  I then sew to the two remaining sides and press them out.

Note that it’s easiest to sew to the two (opposite) longer sides first, then to the two shorter sides, which are now longer because the border has extended them.quilt label

After framing the label with the binding, I attach it as I would have done without the frame. That is, I turn under 1/4 inch on each side of the frame and sew the label to the back of the quilt by hand.  I think having the label framed with the same fabric used to bind the quilt gives it a nice finishing touch.Binding-7

Give it a try and let me know what you think!