Woo! The Book I’ve Been Waiting For!

I’m a fan of Cindy Grisdela’s work and have gone through the exercises in her previous book, so I was thrilled when C&T sent me Cindy’s new book for review. Adventures in Improv Quilts covers the basics of design and color, but includes some more complex quilts than her previous book. Some of them remind me of Maria Shell, whose book I also love.

Photo courtesy of C&T

Cindy’s colors are bright and interesting. She often combines colors I wouldn’t have thought to use together, which causes me to look twice at the design. That’s a plus!

Photo courtesy of C&T

The book includes plenty of detail on technique. I was especially amused (and gratified) to learn that part of Cindy’s design process is to outline the size for the quilt with blue tape on her design wall. I’ve done that for years and find it a very effective way to think about filling the space as I design. Validation is always nice!

Photo courtesy of C&T

The book includes a chapter on color choices, which will be welcomed by numerous quilters who worry endlessly about the “right” colors. I choose my palettes intuitively, with better results some times than others, so maybe I should pay more attention? I love the color examples in the book, starting with basic palettes and progressing to the addition of other colors or values to give the project variety.

Photo courtesy of C&T

Cindy then goes on to cover the basic principles of design. These won’t be news to most quilters, but her examples shine. I think I will go back to the “bits” left from working through her previous book and see if I can enhance them by using some of her examples from this book.

Photo courtesy of C&T

My favorite advice in the book: “Don’t fear wasting fabric”! That’s a liberating thought!

My second favorite is one of her tips for free-motion quilting, but I think it could apply to most any part of the process: “If you feel like you’ve made a mistake, keep going. Either ignore it or do it again so it becomes a design element.” I love that! I love this book!

The book is available here, but this is not an affiliate link. C&T sends me books for review, and I tell you about my very favorites among them.

 

I Digress…To Leaf Pounding

One of the things I love about quilting is that there is an endless supply of things to learn.  That often means that I get sidetracked onto something different, but that’s OK.

Several years go I took a class in leaf pounding but I never did anything with the results (sound familiar to anyone out there?)  I recently found the prints, still looking pretty good, in my DO SOMETHING box and decided to get busy.

Here is the first, a sycamore leaf that was pounded onto Kona PFD (fabric prepared for dying).

After the fabric dried, I outlined the leaf with a brown Pigma pen.  When I took it out recently I used cotton batting and muslin backing, spray basted it, and quilted it freehand.  I used my Bernina Stitch Regulator (BSR) and found it worked quite well for this purpose.  (I haven’t been so happy with the BSR on larger projects–as a friend once told me, “It’s like training wheels”, meaning it’s just too slow on something big.) However, I was pleased with the way the BSR worked it on this little piece.

Here’s a detail, showing some of the unevenness created when part of the leaf “stuck” to the fabric more than the rest of it.  I figure nature isn’t perfect so I’m not worrying about it.

If you want to try leaf pounding, there’s a tutorial here.

And now the question:  How should I finish this?  I don’t think binding would look right.  I have seen leaf pounding pieces framed, so I guess I could mount and frame it.  Edge finish with brown satin rat-tail?  Face the piece?  Other ideas?  Thanks, as always, for your suggestions!

Nothing Is Wasted

We recently spent far too many hours in the Greenville-Spartanburg (South Carolina) airport, but that situation lead to the discovery of this artwork in one of the terminals.

metal "art quilt" sculpture by Evelyn Rosenberg

South Carolina Quilt, by Evelyn Rosenberg 

Evelyn RosenbergThis is a metal “quilt” by artist Evelyn Rosenberg.  She has done other metal works that look like fiber art, and you can see pictures of a number of them by clicking on her name or here to link to her website.  (The website has better pictures than mine.)

As you can see, this work consists of a number of blocks making up 3 panels.  I’ve made pictures of each individual panel, shown below.

Left panel

Center panel

Right panel

Here are a couple of the individual blocks, showing a little more of how the blocks are made and the quilt is sewn together with metal cables.  I really enjoyed seeing this, so if you find yourself in the Greenville-Spartanburg airport, check it out 😉