Projects 2013–Part I

For some time I’ve been meaning to add to my blog with a gallery of projects for each of the past several years.  I’ve been held up in part by the variable quality of my photography over the years, but I’ve decided to just start anyway.  Here are some projects from 2013.

I entered several national contests in 2013, the year I also started this blog.  Here is the quilt I made for the Quilt Alliance TWENTY challenge and chose as the header for my blog:

Rising star art quilt

Rising Star, made for the Quilt Alliance TWENTY contest in 2013

I made this quilt for the Michael Miller challenge in 2013:

Michael Miller Challenge 2013

Packet of Posey Seeds

And I made this little quilt for the Pantone Challenge:

Applique quilt

Radiating Orchid mini-quilt for the Radiant Orchid Challenge

I attended some wonderful classes with Laura Wasilowski in 2013, and made this little art quilt:

applique art quilt

Leaf, made in class with Laura Wasilowski

I did some “crafty” things in 2013, including chambray shirts decorated with orphan blocks and matching T shirts for a special baby and his special Dad:

Here are a set of placemats and two table runners from 2013:quilted placemats

leaf runner

table runner

Table runner made from a strip of leftovers

Also in 2013, I made an apron for a special friend and a caddy for carrying my iron to classes and retreats:

2013 was also a good year to make pillows for friends and to use up orphan blocks:

Well!  That’s it for special projects from 2013.  The actual quilts from 2013 are up next–more to come!

Connie Brown, A North Carolina Quilter

Connie Brown quilter

Connie Brown 

Connie Brown and I met at the Modern Quilt Guild of Asheville.  She has been juried into membership in the Southern Highland Craft Guild, a prestigious organization promoting fine Southern Appalachian crafts.  I thought you would enjoy meeting her.

Give us the quick tour of your quilting career.  How did you get started?

My husband, son, and I moved to Asheville in 1989.  I knew no one in the area, so I signed up for a quilting class at Asheville-Biltmore Technical College.  The instructor, Mary Field, was the best.  Along with quilting basics, she taught me many sewing skills and shared her knowledge and love of antique quilts and quilt history.  By the end of the class she had encouraged me to join the Asheville Quilt Guild and a weekly bee. The first few meetings I attended featured presentations by quilt historians.  I really enjoyed quilt history, so I started studying antique quilts.

When/how did you decide to “go pro” by studying quilt history and appraisal, judging shows, and joining the Southern Highland Craft Guild (SHCG)?

Connie Brown, hand quilting

Connie demonstrates quilting at a Southern Highland Craft Guild event

After a few years of making quilts and entering them in both local and national shows, I put a couple in a gallery exhibit.  To my surprise, one sold and visitors were interested in my other quilts.  I knew about the SHCG, with its shops, marketing, and educational opportunities.  After selling that quilt in the art gallery, I decided to apply for membership and was juried in during 2000.  I have my quilts in their shops and participate in several of their events, including Fiber Day and Heritage Day (where I share my beekeeping), as well as others.

When people started calling me about the value of antique quilts, or what value to place on a quilt they were entering in a show, I saw a need for a local certified quilt appraiser.  I put my years of studying quilt history and my knowledge of local quilt sales to use and focused on becoming a certified quilt appraiser.  In 2009, I was certified by the AQS (American Quilters Society) as an Appraiser of Quilted Textiles.

What is your favorite of the quilts you have made?

I love making circles and Drunkard’s Path units!  My 3 favorite quilts so far are:

Connie Brown quilter

Color Cascade

“Color Cascade aka Prints Charming”  includes more than 500 scraps.  The pattern for this quilt is in the September 2012 issue of American Quilter Magazine.  This is machine pieced and machine quilted.

Connie Brown quilt“V-Spot Target Attack” is also made entirely by machine.

Finally, “Tiffilippa” was inspired by a Tiffany lampshade.  I couldn’t throw away the trimmed off “waste”, so I used it as a border.

How much time do you spend quilting?  How do you have time to quilt, participate in guilds, keep bees, substitute teach, and still eat and sleep?

Every day I do something quilt related, whether it’s making quilts, studying, visiting an exhibit, or writing appraisals.  I always carry something to work on in my down time when I substitute teach.

How far do you travel with your quilt activities?  And what do you have coming up?

I’ll be at the Folk Art Center (on the Blue Ridge Parkway near Asheville) for National Quilting Day (March 19, 2016).  I’ll be hosting a quilt sharing day with an exhibition of 4 or 5 antique quilts, and people are invited to bring older quilts they have questions about.  I won’t be doing appraisals that day, but it’s a free event and a good opportunity for people who may have quilts they wonder about.  It can help them decide whether the quilt needs a formal appraisal.

This year I will be offering appraisals at the AQS shows in Paducah and Chattanooga as well as in Mt. Pleasant, South Carolina during the Cobblestone Quilt Show.  My fees for written appraisals are $75 per quilt, but during these events the charge is $50 per quilt. Each appraisal takes a minimum of 2 hours, including meeting with the client, travel, research and preparation, and typing the report.

To see more of Connie’s quilts, visit her webpage at southernhighlandguild.org/conniebrown

You may email Connie at mail2thebrowns@juno.com

Meet J. Michelle Watts

I make frequent trips to the Southwest, and you KNOW they include visits to quilt shops along the way. For years I’ve been seeing Southwestern-themed patterns by J. Michelle Watts, who seems to have that niche all to herself. So this last time I thought I’d ask her for an interview. Here she is:

southwestern quilt designs

J. Michelle Watts

Tell us about your quilts and your other projects, too.

When I started quilting in 1982, I hand pieced and hand quilted mostly traditional quilt blocks.

I designed my first original southwestern wall hanging, Adobe Sunrise, in 1987. In 1989, I started a small mail order pattern company with my own collection of southwestern quilt patterns. I have also designed a line of patterns that use the 9 degree wedge ruler and a couple of jelly roll friendly scrap quilt patterns, written 3 books,  and designed 3 collections of fabric for Moda.

Ojo de Dios quilt

One of Michelle’s designs for wedge ruler.

“Stenciling Quilt Blocks” is my favorite class to teach right now. The technique is simple, fast and fun and the finished projects can fool you into thinking they are pieced or appliqued.

Stenciled quilt, J. Michelle Watts

Pueblo Rhapsody

The black designs in “Pueblo Rhapsody” have been stenciled onto 40 odd shaped turquoise blocks and then the blocks are sewn together.  My newest pattern collection, “It’s Simple With Stencils”, is a collection of quilt patterns that use laser cut stencils and Paintstiks to stencil quilt blocks and quilts. The collection features a variety of small traditional quilt blocks and some with a southwestern style.

Inquiring minds always want to know: do you have a “day job”, or do you teach and develop patterns full time?

I print and package all my own patterns. This is my day job, night job and weekend job. I now travel about 120 days a year teaching and vending at quilt shows. I manage a website that features all my patterns. I host a small quilt retreat each year near Ruidoso, NM.  This year I want to try to make some short tutorials on several techniques I teach.  When people ask me “So what do you do for a living?”, I love being able to tell them ” I am a quilter.”  There is a quilted wall hanging in my studio that says “Love what you do and do what you love.” That pretty much says it all.

J. Michelle Watts quilt pattern

Casa Blanca, Michelle’s newest applique pattern. Thank goodness it will be available as a stencil, also!

What’s next?

My newest applique pattern, Casa Blanca, which is inspired by an old ironwork door. This design will also be available as a stencil pattern. The dark wine pieces are machine appliqued to a cream background.  I have many other patterns in the works as well.

If you want to see all Michelle’s patterns, visit her website.  Here are a few of my favorites:

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2 Quilts, 1 Set of Instructions

It’s here! The latest issue of Modern Quilts Unlimited, containing a quilt designed and made by me!Modern Quilts Unlimited magazine
The editors did a great job of providing clear diagrams for my instructions, and of photographing the quilt.  It is made from Michael Miller batiks, supplied by the company for this project.  I love MM fabrics, and was happy to use batiks for a little change from the “oh-so-solid” solids that are currently popularModern Quilts Unlimited.And here’s a second quilt made with the same feature blocks, arranged differently. (The solids are Michael Miller Cotton Couture left over from another project.)  You can get the templates from the magazine and make your own blocks, arranging them to suit yourself.

Quilt Pattern

Alternate colorway and block arrangement from the same pattern

modern quilt

Look at this fun quilting done by Joyce Miller!

So go make it your own way!

 

10 Favorites from Vermont Quilt Festival

I really enjoyed the Vermont Quilt Festival in Burlington the end of June.  I expected a traditional quilt show, and there were some traditional quilts, but there were many modern quilts as well.  Here are 10 of my favorites for various reasons.  That fantastic quilting on the first one was done by Carrie Zizza of Zizza Machine Quilting (http://www.itsazizza.com/).

quilting detail

Look at the quilting on Love Those Liberties by Laura Clements!

pieced quilt

Rainbow Bricks by Melissa Rolfe–this was her second quilt ever!

pieced circle quilt

Full Circle by Rebecca Rohrkaste

pieced quilt

Patch of Swiss Chard by Ann Feitelson

quilt detail

Detail of Patch of Swiss Chard

pieced quilt

This quilt by Ruth Eissfeldt was all shiny metallic fabrics

applique quilt

These fish by Velda Newman were SO realistic!

pieced quilt

Tied Together by Timna Tarr–a modernized bowtie quilt

pieced quilt

Circles of Hope by Sylvia Einstein

pieced quilt

Kaleidoscopic XX by Paula Nadelstern

pieced quilt

Fill the Void by Cinzia Allocca–my FAVORITE!

detail of quilt

Look at her beautiful quilting!  I love this quilt!

The year so far…

Oops!  It’s the end of June already, so half way through 2014!  Therefore, here are pictures of a few of the things I’ve done so far:

scrap quilt

Quilt Alliance Challenge 2014

Dotty-Stripes-Detail

Detail of a quilt I submitted to an IQF contest

Next is the June “finish”.  I’ve been sending a finish every month to Aunt Marti at 52quilts because I need the motivation of her challenge to get some of my UFOs (Unfinished Objects) cleaned up!  As you can see, this is pieced but not quilted; Aunt Marti let’s YOU decide what qualifies as “finished”!  And after 2 years staring at these HSTs (half square triangles), I think putting them together into a top for a donation quilt qualifies as “finished”!  So if you need motivation to finish some of your UFOs, click the link above and head over to her blog 🙂

pieced quilt top

Donation quilt top is the finish for June!

improvisationally pieced quilt

In Fairyland, entered in the Vermont Quilt Festival

improv pieced quilt

Improv 9 Patch for Ronald McDonald House

As always, 20% of the projects took 80% of the time!  So it’s good to have the little pouches and swap blocks to be done relatively quickly!  What have you been up to?

Gallery Show!

applique art quilt

Leaf, made in class with Laura Wasilowski

The Asheville Modern Quilt Guild is lucky enough to meet in a nice conference room in the building occupied by both the Quilt Alliance and the Handmade in America organization.  Because of those connections (and the quality of our work) we will be having a show of our members’ work at the gallery maintained by Handmade in America.  This is an organization representing craft artists from Western North Carolina (that would be us!) The work they represent is very high quality, so we are thrilled to be invited to display our work in their gallery, located at 125 S. Lexington Avenue in Asheville.  (The entrance is on Hilliard Avenue between Church and S. Lexington.)

I’m including pictures in this post of the works I’m submitting, but I hope any of you whoshow announcement are in the area will come see the show.  It will run April 29 – August 19, with an opening reception 2-4 p.m. on Sunday, May 4.  We have several fine quilters in our group, and they really do make “all kinds of quilts”, as the title of the exhibit suggests.  Please come!

Handmade-3

Improv I, my original design

pieced quilt original design

Bubble Up, my oritinal design

 

 

Pantone Challenge

You’re getting this blog early because of the deadline for the Pantone Challenge.  I’ll be back to my regular schedule on Sunday, March 30.

The Quilt Alliance’s TWENTY challenge was so much fun last year that when I heard about the Pantone Radiant Orchid Challenge I decided to enter

Applique quilt

Radiating Orchid mini-quilt for the Radiant Orchid Challenge, 15″ x 15″

This challenge is via link-up with one of the two sponsoring blogs, On the Windy Side and Play Crafts.  You can go to either blog to see the other entries and get details.

Luckily I had a pretty orchid color FQ (fat quarter) in a collection of modern solids (came from my smart son-in-law at Christmas!).  And I took a piping class with Susan K Cleveland a few years ago where I learned to make little bitty piping.  I’d already gotten the Alison Glass green fabric to go with the modern solids, so I was ready to roll!

Using piping to help turn under the edge is one of my favorite ways to applique circles, and I wanted a little extra definition for the edges.  I had to make templates (yikes!) to cut the green and, naturally, the print turned out to be directional so I had to be careful how I cut it (double yikes!).

As always, I learned several things making this project.  Using templates wasn’t so bad; I made them from freezer paper & ironed them onto the fabric for cutting.  And Susan’s method for joining the ends of the piping worked perfectly so you can’t tell where it begins and ends as it circles the shapes.  So, it was fun and now it’s done!  😉  Have a good week!