Category Archives: Improvisational quilting

Daisy Aschehoug Workshop

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A friend and I were lucky enough to attend a “giant circles” workshop with Daisy Aschehoug when she was in the U.S. recently. Daisy is from the U.S. but married a man from Norway, and they eventually decided to move their family back to Norway. She is taking full advantage of living in Europe, teaching in various countries and having exhibitions all over the place. What an adventurous lady!

Anyway, after teaching at QuiltCon, Daisy agreed to come to North Carolina to teach a workshop and give a lecture, and I attended both. I showed a couple of her samples previously, but here are some more.

These circles finish 24″ in diameter–she isn’t kidding when she says giant circles!

Finally, here is my finished quilt:

 

Quilt stats:

Name: Giant Circles

Finished size: 68″ x 56″

Designed and made by: me, using templates designed and made by Daisy Aschehoug

Quilted by: Linda Nichols

This is one of my faves so far this year! And I recommend Daisy’s workshop if you have a chance to take it.

Quiltfest in Greenville

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My husband and I recently went to Greenville, SC, for a few days including Mancuso Quiltfest. I didn’t take any classes, but here are a few of my favorite quilts from the show.

I was especially impressed with this cross section of a downed tree trunk:

Fallen Hero by Barbara Dahlberg

I was interested in this small crazy quilt shown above because I’m always wondering what to do with my vintage textiles, and a crazy quilt seems an appropriate use of them..

Crazy Patchwork by Denise Flynn.

I thought the following wall quilt was an especially effective use of color because it is so straightforward.

Hard Rain by Betty Colburn

And I enjoyed the way the quilting (scribbled lines) enhanced the appearance of this quilt, which I think most people would have quilted with the same old matchstick quilting:

Scribbled Lines by Sherri Lipman-McCauley

There was a special exhibit of “Fabulous Faces” by Jean Impey and Freddy Moran. I loved them ALL, but here are a couple:

And, lest you think I only admired the art quilts, here are some of my favorites among the quilts of a size to be used for warmth.

I enjoyed this scrappy variation on a design I know as Perkiomen Valley. The maker attributes this variation on the design to Bonnie Hunter, and it certainly has enough pieces to be one of hers!

Split Nine Patch, pieced and quilted by Jean Anderson

I love this unusual arrangement of colors, which the maker states is her variation on the Modern Mystery 2023 quilt hosted by Modern Quilt Studio:

New Day by Karen Foster

This one had wonderful colors, and I enjoyed the use of the “broken dishes” block for a quilt about (unbreakable) melamine:

Melted Melamine by Ben Millett

This gorgeous Celtic design quilt was large and I had trouble getting a good picture of it, but hopefully you can appreciate some of the work that went into it:

Celtic Dream by Elizabeth Ann Thackery

This quilt is made from a pattern, and I thought it was an especially effective design:

Starfield by Diane Poor. Pattern is Niagara Stars by Mara Quilt Designs.

Of course there were many more beautiful quilts! I would go to this show again, especially because there were other things we enjoyed in Greenville.

Classes With David Owen Hastings

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I read something about David Owen Hastings, a graphic designer who also quilts, and wanted to take a class with him. Luckily within a few months I saw that Mancuso Show Management was having him teach over Zoom as part of their Quiltfest Virtual Schoolhouse, and I quickly signed up.

I should mention that I didn’t just randomly find the Mancuso organization; I was familiar with Quiltfest from when we lived in Eastern Pennsylvania. They’ve produced top-notch quilt shows, so I trusted them enough to try their (sort of pricey) Zoom classes.

The classes did not disappoint. Communication with the Manucso organization was seamless from registration right through the classes. (Like most folks I’ve had some Zoom experience in the past few years, which helped.) Classes started on time and, surprisingly, there were no technical difficulties! Woo!

The first class I took was Indi-Go Modern, which focused on designs in blue and white. I had planned to use my indigo-dyed fabric from a class with Debbie Maddy, but my motifs were too big for the designs David was using. I enjoyed the exercise of designing with two colors and plan to continue the exploration. Here’s my design so far, obviously unfinished:

David’s comment was, “Wow! Really minimal!” or something similar…

The nice surprise at the end of this class was that David talked about how to work out the quilting design for a piece. He even suggested possible quilting designs for some of the student works. I’ve never had a teacher take the design process that far and it was quite helpful.

The second class I took was sewn paper collage, and it was fun, too. In fact, it was far easier to have immediate success. I pasted each collage onto a blank greeting card and put them away for when someone needs a unique card.

My husband’s comment when he saw them was something like, “That would be nice if you’d trim the threads!”

And after the class I decided to weave some of my remaining paper into a collage, so here it is, too.

I recommend classes with David Owen Hastings, as his approach is different and therefore extra useful. He managed to be encouraging to everyone.

I also recommend the Mancuso Schoolhouse platform. Yes, the classes were a little expensive, but still far less than if I’d had to travel for them, and the platform worked well.

 

A Chair Is A Chair

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This is coming to you a day early because part of this post is an entry in Kim Lapacek’s Project QUILTING. The current challenge is Sew Not A Square.

But first a little background. On Monday of this past week, I was happy to attend a workshop with Daisy Aschehoug, who calls her business Warm Folk. I didn’t realize until I got to the workshop that I had reviewed a book she wrote with Heather Black a few years ago.

Photo courtesy of C&T

Anyway, Daisy was presenting her Giant Nested Curves workshop and it was within easy driving distance, so a friend and I went for the day!

When Daisy says “giant” curves, she isn’t kidding! Her templates for this project make a circle that finishes 24″ in diameter!  Here are some pictures I took of her class samples; keep in mind that these are 24″ circles.

And here’s the quarter circle I got made during class.

Which leads me to the project for the Project QUILTING challenge: The assignment this time was to make a finished quilt with NO SQUARES! Since I had just been making circles, I started with the smallest template, which makes a quarter circle finishing 2″.

Making a curve that small was a “challenge”, as we like to call it 😀

So I made a second curve, on the end of a rectangle, and combined the two blocks into a chair. I thought it looked like a mid-mod chair, or maybe a Bauhaus chair, so I decided it could be a chair for Gertrude Stein. Which is why the quilting says over and over, “A CHAIR IS A CHAIR IS A CHAIR”. And taking a cue from a friend who recently sent me a quilted postcard, I zigzagged the edges rather than binding–much more practical for a postcard sized quilt.

Quilt Stats

Name: A Chair for Gertrude

Finished size: 3.5″ x 6″

Designed, made, and quilted by: me

Fabrics: cotton, front and back

Batting: Felt

Thread: Superior So Fine

Quarter circle template from Daisy Aschehoug

 

 

 

 

About Those Improv Blocks…

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Back in 2019 I made up my own improvisational block challenge. When the blocks were done, though, I decided it was going to be difficult to put them all together in one quilt. I had chosen coordinated fabrics but used all the colors from the collection, among other problems.  Of course it was intended as a learning experience, and I learned that I should restrict my color options when I experiment with just a few blocks!

Here are all the blocks together:

And just for comparison, here is a more recent series of improvisational blocks in which I did limit the colors:

So I learned, which is good, but then those 2019 blocks have been sitting around for a while. OK, almost 4 years.

I’ve decided to use the 2019 blocks in a series of small pieces that I quilt by hand. This not only gives the blocks something to do but also gives me something to do with my hands during meetings.

Here’s the first piece so far.

The funny thing is that many people at meetings have asked, “What is it? A table runner?” And when I say, “Art” they just look puzzled.

And a lot of times art is puzzling, so I’m good with that 😀

I do need to find a local art quilt group to join, though. Any suggestions?

2023 In Quilts

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I’ve finished 32 quilts so far this year, and 8 additional non-quilt sewing projects. The good news is that I’m not going to show you all of that here. Rather, here are my 10 favorites in no particular order.

Dynamic Dresdens, made in class with Susan Cleveland

Bright Scraps, one of many scrap quilts made this year. And no, the scrap pile has NOT diminished!

It Takes A Village to Can Watermelon, started during the pandemic and finished this year. If only the pandemic were finished, too!

Wild Geese, from a pattern by Beyond the Reef

Arkansas Crossroads, a traditional pattern made from scraps 

Superfans, made from many scraps. Inspired by several quilts I saw on Pinterest, but no pattern

A Girl’s Best Friend–another scrap quilt!

I liked this pattern by Brigitte Heitland of Zen Chic so much that I made it twice

“Susan’s Head Explodes”, 12″ x 12″, a tribute to Susan Cleveland, made for the SAQA auction

My first bowl made with The Mountain Thread Company cord

What’s your favorite?

Another One Bites the Dust

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Like most quilters, I have more fabric than time, so I recently decided that I don’t need to finish everything! Much of what I do in my studio is experimental, and some of it “fails”. I put that in quotes because failure isn’t a bad thing, it’s just an indication that I’m trying new things. It’s natural that some experiments work out and some don’t.

I recently took a class in making map quilts (over here, at Creative Spark). My first attempt has gone out with the trash already, but the important thing is that I tried something and learned from it. The second attempt is going much better and I’ll eventually finish it and show you.

And here’s another experiment that’s working out pretty well. I pounded these leaves in a class years ago and finally dragged this out and quilted it both by machine and by hand. I’ll face it and show the finished product eventually…

My next experiment is the one that’s biting the dust today. I was inspired by this quilt (in part because it’s entitled “From Hell to Breakfast” and I haven’t heard that expression in years).

I started with orphan blocks and decided on a palette of turquoise, blue, and purple with lime accents. It started out pretty well, but after a couple of days it just looked entirely too random.

Choice: try to fix it or toss it. I left it overnight, then decided to toss it. Granted, it has some nice elements. However, I don’t think it will ever “gel” and I’m not one to throw more work into something that’s going sideways unless there’s a good reason. I made this to learn something, I enjoyed it, and I did try a few new things. Good enough. It has served its purpose and out it goes.

One of the things I learned was how to make this block, which was intended for use in this project but hadn’t made it in at the time the project was tossed. So you see, here is the start of another project! Ha!

And one little soap box moment, please: Some acquaintances say, “Just make it a donation quilt” when a design isn’t working out. I say, “If I don’t want it, why would I give it as a gift?”

What’s your opinion?

 

A Quilt Show–In Person At Last!!!

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I’ve thought for years that quilt shows should be held simultaneously with woodworking shows, and many of you know exactly why!

Happily, I found that the Catawba Valley Quilters’ Guild in Hickory, NC, holds their show concurrently with Klingspor’s woodworking show! My husband and I attended this past Friday and were so happy to be able to do so.

Here are just a few of the quilts that were on display.

This beautiful quilt was at the door. It had no label, and the nearby greeter knew only that it was “last year’s first place winner”. I loved it!

Here are pics of a few of the blocks (are they still blocks if they’re round?)

Some of the quilt labels had no information on the design source for the quilts, though I recognized some of the patterns. Where information was given about the design source, I’m listing it.

Made by Ann Becker in a class with Margaret Solomon Gunn

“Escher’s Christmas”, made by Teena McRary, based on designs by M. C. Escher

“Garden Jewels” made by Pat Carson and Pam Bowman. The label indicated the pattern is from the book Kaffe Quilts Again

“Connected Places” by Dianne Johnston and Julie Wilson

“Fun With Pinwheels” by Libby Sigmon and Rebecca Mullins

“Arizona Friends” by Cindy Konarski. Pattern is “Happy Together” by Sew Kind of Wonderful.

“Happy Trails” by Maryann McCormick and Rebecca Mullins. The smallest squares finish 1/2 inch!

“My Mountains” by Gigi Miller

Of course there were many more beautiful quilts, but this gives you some idea. I hope we can all go back to “in person” quilt shows soon!

A Village

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I made a lot of little improvised houses and related blocks during COVID and decided to combine them into a quilt for our builder, since we love our house!

Here are a few of my favorite blocks from the quilt.

First, this is a watermelon canning factory. I told the builder it really needs to be re-purposed to make garage doors, since those are in short supply and nobody eats canned watermelon.

Really it’s just my idea of whimsy.

Then there are several little houses that came pre-made from some fabric I’ve had on hand for a long time. I enjoyed placing them in various locations.

My husband especially likes the stars in the sky on this block, not to mention the car pulled up to the house 😀

I made a number of wonky houses of my own.

And even one modern house.

 

Quilt Stats

Name: It Takes a Village to Build a House (because it really did)

Finished size: 45″ x 53″

Designed and made by me

Quilted by Linda

I still have a number of quilts to be bound and blogged, but there is progress!

 

Improv Quilt-Along Continued

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I’ve already posted about the first week of the quilt-along, which was focused on strips. Here are my blocks again.

The second week’s suggestion was polygons but not triangles. I found it difficult to like most of my attempts for this, though I did finally use EQ to design a block that I paper pieced. I thought that many of the others lack focus, so there was a lot of cutting up and re-designing. Still not my faves, but here they are:

The third week focused on triangles. I still did much of my cutting without a ruler, but I stuck to simpler designs and I’m much happier with this collection of blocks.

The quilt-along is called “30 Days of Improv” so we’re only about half way through. Here’s a link to the first post for the QAL if you want to join in. I’m looking forward to next week’s prompts.