Asheville Quilt Show 2023

I always enjoy the Asheville Quilt Show. There are so many excellent quilters in the Asheville guild, and I always find inspiration at the show. Here are a few of my favorites from 2023.

Sizzle by Kathryn Zimmerman won an award for Outstanding Machine Workmanship

Detail of Tiny Houses by Janet L. Ervin. There were many of these little houses, hand appliquéd and embroidered!

Stripes Rule by Diana Ramsay caught my eye

I thought Lightning, by Tricia Vinson, was a clever use of an ombre fabric. Please note my photo is crooked; the quilt isn’t!

Tierra Nirvana, by Stephanie Wilds, particularly appealed to me because I’m making map quilts this year and have a similar one in mind

Sedona Spectrum by Judy Grebe had an appealing mix of vibrant colors

I loved the geometric shapes in Orange Sherbert by Sana R. Moulder

Our Song, Your Reflection by Audrey Pantas was a gorgeous variation on a traditional design

It Was A Puzzle, by Jane Butckovitz, interested me because I’ve been struggling with how to use this beautiful Wild Blossoms fabric from Moda.

The fabrics chosen for Haze Kilim by Mary Ellen Simmons positively glowed

Tropic of Capricorn, an original design by Catherine S. Beemer, was spectacular in both design and workmanship

There are so many wonderful quilts at the show that I’m sure it’s difficult for the judges to select the winners. As usual, it’s hard for me to see why some won and others didn’t, but I enjoyed them all.

A Quilt, and Sending Quilts

First, here’s the latest donation quilt, made to use up 5″ squares in floral fabrics. I just added the strips as “leaders and enders” while working on other projects, and here it is.

Quilt Stats

Name: Floral Crumbs

Design: Variation of the “crumbs” pattern from The Quilt Police

Finished size: 60″ x 73″

Made by: me

Quilted by: Linda Nichols

Sending Quilts–solved!

I occasionally enter quilt shows where I’m not able to physically deliver and/or retrieve my quilt, and this has presented a problem.

Last year I took the packed quilts to UPS, FedEx, and USPS asking to purchase a pre-paid return label to include with them. The first two flatly refused. The lady at USPS finally explained that I could purchase stamps and include them with my own return label inside the package.

This year I researched online and figured out that I could purchase a prepaid return label by going through a third party, such as GoShippo.com. The GoShippo service is intended for businesses needing to offer pre-paid return for merchandise, but I was able to set up an account as a non-business individual.

So this year, I packed my quilts, measured and weighed the box, and entered the information at the GoShippo site. I was immediately given prices for UPS, FedEx, and USPS, including the various levels of service for each and transit time for each. Much easier than running around to all the various shippers and being turned down!

Here are the quilts I’ve entered in the Asheville show. I’ll be attending but won’t be able to pick them up, so they’ll use that return label 😀

Improv 2022, 42" x 57"

Improv 2022, 42″ x 57″

Circular Reasoning, 56″ x 68″

How do you manage shipping to shows when you need a paid return label?

 

Goodbye To My Favorite Quilt Festival

I’ve just gotten word that the Vermont Quilt Festival (VQF) is cancelled. It has been my favorite quilt show for years, so I am especially sad to see another victim of the COVID pandemic. Here are a few photos of the wonderful quilts I’ve seen there and some of the many things I liked about the show.

VQF

Maine Coast, by Lynne Rainen at VQF in 2018

There were many wonderful things about VQF, including the fact that it was in Burlington, Vermont, a town we enjoy visiting. We especially liked the Shelburne Museum and Shelburne Farms, both just south of Burlington. The museum has a collection of antique quilts and had a show of Maria Shell’s quilts in their gallery during our visit.

Quilt building at the Shelburne Museum in Vermont

As for VQF itself, there were the usual prizes like “best in show”, but they had an award  system ensuring that almost nobody came away empty-handed. There was a relatively objective scoring system and quilts were awarded first, second, or third place ribbons based on points earned. There were three judges and their points were averaged for the final score. Best of all, each judge provided written feedback in addition to the points. I never got better than a second place, but I was well satisfied with that given the quality of quilts. I was especially happy with knowing exactly where I had done well and where I might improve.

traditional quilt VQF

Port Kent Beauty, by Alyce Fradenburg (who is from Port Kent, NY), at VQF in 2018

Another delightful part of VQF was the champagne and chocolate reception the night before the show opened! I was able to get a ticket for my husband so he could attend,  and he enjoyed seeing the quilts in that way. It was fun to visit the vendors and see the quilts in a festive atmosphere. My only mistake was taking most of my pictures while drinking champagne one year. I’m not sure those pictures were as straight as in other years 😀

Round quilt from VQF

This quilt, made from a pattern, got a 3rd place ribbonl. The circle is on a black background, so the quilt is square, VQF 2016

Finally, there was a significant children’s’ quilt contest and I believe each child who participated received a sewing machine. I am unable to uncover details of this by going back through information about the show, but it was a special part of VQF.

VQF

This quilt involved extensive work and I think it is very “artistic”. It got a 3rd place in 2016.

The show was 45 years old and had been New England’s oldest and largest quilt show. I enjoyed it and appreciate the years in which I was able to participate. I saw many wonderful quilts there and learned a lot. My thanks to all the volunteers who worked for years to make this possible. I will miss VQF and I know many others will, too.

applique quilt

These fish by Velda Newman were SO realistic! VQF 2014

My hope is that others will take some of the best aspects of this show and continue them.

A Quilt Show–In Person At Last!!!

I’ve thought for years that quilt shows should be held simultaneously with woodworking shows, and many of you know exactly why!

Happily, I found that the Catawba Valley Quilters’ Guild in Hickory, NC, holds their show concurrently with Klingspor’s woodworking show! My husband and I attended this past Friday and were so happy to be able to do so.

Here are just a few of the quilts that were on display.

This beautiful quilt was at the door. It had no label, and the nearby greeter knew only that it was “last year’s first place winner”. I loved it!

Here are pics of a few of the blocks (are they still blocks if they’re round?)

Some of the quilt labels had no information on the design source for the quilts, though I recognized some of the patterns. Where information was given about the design source, I’m listing it.

Made by Ann Becker in a class with Margaret Solomon Gunn

“Escher’s Christmas”, made by Teena McRary, based on designs by M. C. Escher

“Garden Jewels” made by Pat Carson and Pam Bowman. The label indicated the pattern is from the book Kaffe Quilts Again

Connected Places” by Dianne Johnston and Julie Wilson

“Fun With Pinwheels” by Libby Sigmon and Rebecca Mullins

Arizona Friends” by Cindy Konarski. Pattern is “Happy Together” by Sew Kind of Wonderful.

“Happy Trails” by Maryann McCormick and Rebecca Mullins. The smallest squares finish 1/2 inch!

“My Mountains” by Gigi Miller

Of course there were many more beautiful quilts, but this gives you some idea. I hope we can all go back to “in person” quilt shows soon!

More from Quiltfest

One of the good things about Quiltfest (held in Jonesborough, TN every July) is the quilt show.  This year there was a contest in addition to the show of quilts made by the teachers.  Here are some of the quilts made by people who taught at Quiltfest this year:

Debbie Maddy

Zen by Debbie Maddy

bunny quilt

Usagi by Debbie Maddy

modern quilt indigo dye

Pathways by Debbie Maddy

Lucille Amose

Twinkle Star made by Lucille Amos (likely from a Judy Niemeyer pattern)

Linda Crouch-McCreadie

Diamonds in Bloom, made by Linda Crouch-McCreadie from a Judy Niemeyer pattern

Karen K. Stone quilt

O. G. by Karen K. Stone

Karen K. Stone

Neutrality by Karen K. Stone.

This was a beautiful quilt and included lots of texture and metallic embellishment.  Here is a detail view:

metallic embellishment in quilt

Detail of Neutrality by Karen K. Stone

Sue Nickels quilt

New York State of Mind by Pat Holly and Sue Nickels

And here are some of the quilts entered in the contest rather than made by the teachers:

Quiltfest

Red Bud Winter by Melinda Tweed

Quiltfest

Leaves by Kristi Ottinger, quilted by Linda Crouch-McCreadie

It’s Complicated, by Kristi Ottinger, quilted by Linda Crouch-McCreadie

NC Quilt Symposium–Teachers’ Show

Here are some of my favorite quilts displayed by teachers at the recent North Carolina Quilt Symposium.  I wish I could have taken classes with all of them!

NC Quilt Symposium

Bending Star by Gyleen Fitzgerald

NCQS

Blooming Happy by Gyleen Fitzgerald

Quilt

Pursuit of Happiness by Gyleen Fitzgerald

Gyleen Fitzgerald

Jack and the Beanstalk by Gyleen Fitzgerald

NC Quilt Symposium

Even With Brown by Gyleen Fitzgerald

N C Quilt Symposium

Facets by Marge Tucker

Marge Tucker quilt

Hay Bales by Marge Tucker

Weeks Ringle, Bill Kerr

On the Dot by Bill Kerr and Weeks Ringle

Susan Cleveland

Flowered and Feathered Frenzy by Susan Cleveland

colorful quilt

Bouncin’ Trio by Susan Cleveland

There were many other beautiful teacher quilts–these are just some of my favorites.

Next week I’ll show some of the award-winning quilts made by attendees at the NCQS.

Blue Ridge

My modern guild is having a challenge to produce quilts for display when the traditional guild has its next show in the fall.  The guidelines are: no more than 36″ on any side, and using some Riley Blake solids whose colors were extracted from a landscape photo chosen by the guild.  The quilts aren’t due for several months yet, but I had a brainstorm and produced mine already.  Here we go:

art quilt

The quilt is faced rather than bound

And here is a detail.  In case you haven’t caught on, this is the one that was stained by basting spray.  However, that came out just fine with dry cleaning.art quilt

Name: Blue Ridge

March 2018

Finished size: 30″ x 17″

Fabrics: Riley Blake solids

Quilted by: me

A Few Favorites

I’ve been thinking about what inspires my quilt designs, and the first thing that came to mind was the beautiful or fun or amazing quilts I see at shows, guild meetings, retreats, wherever.  Here are a few of my favorite quilts for inspiration.

I love the variety of bright colors and the tiny pieces in this one:

Retreat-17

Quilt made by Jerri from TINY pieces of Liberty of London fabric

And this is a favorite because of the bright colors and eccentric design:

Cinco de Mayo, made by Renny Jaeger; pattern by Karen K Stone

This unusual design appeals to me:

Rena was given a circle cutter at the last retreat, and she went wild!

Pamela Wiley’s excellent workmanship and eye-popping designs make her quilts among my favorites:

art quilt, Pamela Wiley quilt

Outside In by Pamela Wiley

I like the use of color in this next one, as well as the movement generated by the curved piecing and curved quilting:

AQS Paducah

In the Marsh #2, by Carol Bryer Fallert-Gentry

And this one reminds me of Maine, where we lived for a while:

art quilt

Coves and Islands by Carol Anne Grotian

What inspires your designs?

A Little Quilt Show

Quiltfest, in Jonesborough, Tennessee, is accompanied by a little quilt show of things done by the teachers and the shop owners.  Naturally, I took a few pictures 🙂  Here are some of my favorites:

Quiltfest

Clam Shell, a Judy Niemeyer pattern made by Louise Amos

Scrap quilt

 Detail shot.  This quit was at least queen size, and the little HST squares finish less than an inch!

Cinco de Mayo, made by Renny Jaeger; pattern by Karen K Stone

Quiltfest

Quilt by Shannon Shirley. The blocks are TINY and the baskets have tiny chain-stitched handles. See detail view below

Detail of quilt by Shannon Shirley

Lobster Stew, by Nancy Mahoney

Quiltfest is 3 days of classes and other programs held in Jonesborough, TN every July.  So, who’s coming to Quiltfest with me next year?

Review: Karen Combs Teaching Tumbling Blocks

Karen Combs‘ Tumbling Blocks class, which I took at AQS-Chattanooga in September, was one of the best quilt classes I’ve ever taken. Of course, “tumbling blocks” is a traditional design, but I always like a challenge.

Tumbling Blocks

Tumbling Blocks, made in class with Karen Combs

Karen is so well organized and clear that I had 4 blocks made by the end of class and had started on the background! Her method for the Y-seams was so well explained that there is no need to even consider the “cheater” tumbling blocks made with half square triangles.

One of the “secrets” to making this block easy is to buy ombre fabric that varies from dark to light in the same color, so you don’t have to hunt down 3 values of the same color individually!  Of particular note, Karen showed us how to use a standard quilting ruler to cut the blocks–NO SPECIAL RULER REQUIRED!  I think this is notable in a field where so many teachers are selling their own rulers, which are then needed for the way they teach a class.Karen Combs class review

Karen’s class sample is a table runner, which probably does show off the blocks a little better than placemats. But I have more table runners than I can use, so placemats it is.

The quilting is done to emphasize the 3-dimensional aspect of the blocks, so I imitated what Karen had done.  The background is quilted with random loops.Quilting Tumbling Blocks

I’m pleased with this project, and I certainly recommend you take Karen’s class if you have the chance!