Category Archives: Quilting

Make An Orphan Block Pillow

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Start by deciding what size and shape pillow you want; or start with the block you want to use and decide what size/shape pillow form to buy.

Once you have that pillow form home, measure from seam to seam to be sure it’s the size you think it is.  Add 1/2 inch to each dimension for seam allowances and you have the size to cut (or assemble) the front and back pieces.  For example:  Pillow form here is 16 x 16, so I’ll make the (unfinished) front and back pieces 16-1/2 x 16-1/2 inches.

I stated with an improvisationally pieced log cabin block and added logs to 2 sides to make it big enough.  While I was at it, I added pieces wider than I needed to allow for shrinkage during quilting and squaring up the final top.

I spray-basted and quilted the top with a thin batting and muslin backing.  However, a block will make a perfectly good pillow top without being quilted, like these:

To make the pillow cover easy to remove, I make an overlapping closure in the back.  It’s also fine to add a zipper to one of the edge seams IF you’ve got a zipper, and of course if you know how to put one in.  I do that sometimes, but there are lots of places on the web that show you how to put in a zipper, so I’m not doing it here.

To make the overlapping back:  Divide back width by 2 (16-1/2 divided by 2 = 8-1/4 in my case) and then add enough to each piece for overlap and hem.  “Enough” should be proportional to the size of the pillow, but in this case I added (8-1/4″ for back and one seam allowance + 1-1/4″ for hem + 2″ for overlap = 11-1/2″, which I rounded up to 12″).  So I cut two back pieces 12″ x 16-1/2″, then finished one of the long sides on each piece with a hem of 1/4″ first turn + 1″ second turn.

Next, I layed out the backing pieces with hemmed edges overlapping to make a square 16-1/2″ x 16-1/2″, and basted the overlapped edges together.  Put the front and back pieces right sides together, sew all around the edges with 1/4″ seam, turn right side out and insert the pillow.  Voila!

Orphan Block Tote Bag

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There are a TON of bag patterns out there, and a lot of them are very good.  However, they aren’t really a FAST way to use up orphan blocks!

 

In contrast, there are several sources of good, sturdy, plain fabric bags that can be decorated with orphan blocks in very little time to make an attractive and useful bag.  If you haven’t run across them, try craft stores.  You can also Google “blank canvas totes” to find lots of options.  I like buying them in dark colors so they won’t show dirt with use!

NOTE:  Even if you didn’t prewash the fabrics for your orphan block, you should prewash the canvas tote.  Otherwise it may ruin your work by shrinking or bleeding color when it’s washed later.

Choose your block and, if you want, quilt it with your choice of batting and a thin backing.  It’s also fine to leave it unquilted.

orphan block

I quilted and bound my block, but it isn’t necessary

Once your block is ready to attach, either bind it or frame it with fabric.  Alternatively, it works fine to just turn under 1/4″ on each edge.  REALLY, you could just zig-zag stitch it to the bag without any edge finish.

The only trick is that you need to make full use of the free arm feature of your machine, and squnch the bag a bit, to sew around the block.  These bags aren’t very big, so it’s entirely do-able.

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DONE!  This is a nice quick-and-easy project and a useful gift.  But don’t use up all your orphan blocks—there are more projects to come!

Final-bag

5 Great Uses for Orphan Blocks

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Orphan blocks (i.e., those not intended for a particular quilt “home”) JUST INCREASE ON THEIR OWN in the dark places where you store your quilt bits…I learned that I have SEVERAL HUNDRED when I started taking pix for this post.

They come from lots of places:

*The sample blocks you made to try out a new pattern before cutting the fabric for the quilt

*The extra blocks you made so you’d have design choices in a quilt top

*The “found” blocks that just JUMPED ON YOU at a garage sale or thrift shop

*The single blocks you made at quilt classes but didn’t like well enough to duplicate for a whole quilt

*And the ones that JUST SHOWED UP and you have NO IDEA what they’re doing there

You get the idea—there are many sources of orphan blocks and many of us have quite a collection.

Therefore, I’m starting a little series of posts about what to do with them.  Here’s my list; I’ll write a separate “how-to” post on each use.  I know I’ll learn things along the way; hopefully my readers will, too!  So here we GO…

#5:  Decorate a tote bag.  You don’t even have to make the tote bag yourself!  These make great gifts.

#4:  Make a throw pillow.  Quilt it or not.  Use to spruce up your couch or as a housewarming gift.

#3:  Decorate a “work shirt”.  Great gift for quilty friends.

#2:  Make a table runner.  Keep on hand for hostess gifts, etc.  And a good build-up to my favorite:

#1:  Make a scrap quilt with an orphan-block focal point—MANY options with this one!

As you can see from the pix at the top and below, I have lots of orphan blocks to use!  I hope you’ll try out some of these ideas as I post instructions for them.

Scrappy Strippy Placemats

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Here’s a QUICK, EASY way to use up scraps while making some gifts.  Could be gifts for you, of course 😉  I like to make them ahead of time to have as hostess gifts, housewarming surprises, etc.

A bin of scraps being made into a long strip

A bin of scraps being made into a long strip

Start by cutting scraps into strips of set widths.  (I cut and sort all my scraps, so I have bins of strips ready to go.) 1st-strip In this project, I used strips in widths of 1.5”, 2”, 2.5”, and 3”.  Sometimes I just use whatever color comes next, but for this project I selected yellow/gold, orange/red, and brown/tan scraps.  I joined the strips end-to-end to make long strips of a given width.  So, for example, a strip may be 1-1/2 inches wide and be made up of scraps of various lengths from 1-1/2 inches to about 8 inches.

add another strip, then fold them right sides together and sew the seam through all layers

add another strip, then fold them right sides together and sew the seam through all layers

After piecing my long strips, I started a placemat as follows.  I cut a piece of backing 14 x 20 inches, layered a piece of batting 13 x 19 inches on top (batting scraps, yes!), and placed a strip in the middle of the batting. [picture] I used the flip and sew method to add strips on each side, sewing through all layers as I went so that I was quilting while assembling the placemat top.

Strips can be oriented horizontally, vertically, or at any angle you choose!  You can mark your first line to be sure it’s straight if you want, but I just eyeballed it.consecutive-strips-web

I pressed after adding each strip, and every few strips I turned it over and ironed the back of the mat, too.

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When the mat was finished, I trimmed it to 12 x 18 inches.  Note that it helps to make the last strip added a wide one so the mat can be trimmed to size without leaving a really skinny strip on one edge.

Last strips added are wide to allow for trimming to size

Last strips added are wide to allow for trimming to size

I bound the edges with scraps of bias binding left over from various quilts as well as scraps from my bins.  I got four mats done easily in a day, so this would work as a last minute gift—we all need those!finished-mat-web

Quilt Portraits–please comment

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A straight-on picture of a quilt is great if you need to see the whole design, but I’m aiming for quilt photos with personality.  Here are a few first attempts.

#1 This is made with bright batiks and templates from Elisa's Backporch Design

#1 This is made with bright batiks and templates from Elisa’s Backporch Design

I live in a beautiful part of the country (I’ve said that about every place I’ve lived) so there should be lots of photo ops for my quilts.  I also live in the woods, which limits opportunities at my house.

Improvisational piecing using a bundle of Bold Over Batiks

#2: Improvisational piecing using a bundle of Bold Over Batiks

Luckily, some friendly neighbors let me borrow their setting for a few of these shots.  One thing I found out right away is that full sun washes out the colors in a photo.

#3: This is a traditional design taught by Augusta Cole; I added a border to make it a little longer

#3: This is a traditional design taught by Augusta Cole; I added a border to make it a little longer

I need your help!  Which of these quilt portraits sets the best mood for the quilt?  Which makes you say, “I MUST have that quilt!” so you would be tempted to make it, buy the pattern, buy the quilt, ask me to give you the quilt for your birthday (I KNOW who you are)?  And why?  Please comment!

Twinkle, a pattern by Swirly Girl Designs, was made because I had some fabulous leftover fabric

#4: Twinkle, a pattern by Swirly Girl Designs, was made because I had some fabulous leftover fabric

If you’ve never commented on a blog post, here’s how: Folks who get the post by e-mail need to click on the title of the post and that will take you to the blog online. Online, you’ll see a dialog bubble next to the title, like the bubble that appears over the head of a cartoon character. Click on that and you’ll be taken to a screen where you can type your comment. Thanks for your help!

#5: I love concentric squares! This is similar to the Hip To Be Square pattern.

#5: I love concentric squares! This is similar to the Hip To Be Square pattern.

Improving My Quilt Pix

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Another version of “Turning Twenty Again”, this time with my improvisational border

So, this is what a typical picture of one of my quilts has looked like in the past:  Yes, that’s my husband’s head, and the edge of the rug in the TV room…well, you get the idea.  And in fairness, most of these pictures were taken years before I ever thought of having a blog and publishing them.  Let’s just say they’re less than perfect!

Since I started the blog, I’ve tried to improve the old pictures with editing software.  Most of the quilts are long gone to friends, customers, or both, so I don’t have the originals to make new photographs.  After photo editing, the quilts were a bit easier to see, but the photos still weren’t exactly professional looking!  See below.

This is a slight variation on Birthday Presents, by Atkinson Designs; it made a great baby quilt

This is a slight variation on Birthday Presents, by Atkinson Designs; it made a great baby quilt

I looked at a LOT of quilt pics on Flickr; most weren’t any better than mine.  I looked at books and catalogs.  The best quilt portraits I found were in the Keepsake Quilting catalog.  They showed the quilts in nice settings, not just a straight-on picture of the quilt.  I like this approach because it shows the mood of the quilt, not just the design.

Concentric Squares Batik

I love batiks and love making variations on concentric squares, so I enjoyed making this quilt

I started trying to make better “quilt portraits”, showing more than just a straight-on shot of the quilt.  I’ve found that a picture taken with the recipient is very nice.  This next picture was sent to me by a friend who bought one of my quilts as a gift.  Although it is clearly a snapshot rather than a professional photo, I think it does a nice job of being a portrait of the quilt (and the recipient).  It has personality, which is lacking in the straight-on shots even if they show the whole quilt better.

I’m off to make some quilt portraits of my own, having learned a thing or two that I hope will improve the shots for my blog.  Check back next week and see what you think of my “quilt portraits”.