About zippyquilts

I quilt for pleasure but I also teach and write about quilting.

Two Finishes

I’m going to resurrect Terry Atkinson’s Lucky Stars quilt pattern as a Christmas or baby quilt class for October at Studio Stitch in Greensboro, so I’ve just made two new shop samples.  This is a great pattern because it is quick and easy to make and almost any mistake made during construction can be fixed without much difficulty.  Therefore, I thought people might enjoy making it as a gift quilt or Christmas quilt.

This is an older pattern, and I can’t tell you how many times I’ve made it for various recipients.  Here are my latest versions::

Quilt Name: Baby Stars

Size: 48” x 48”

Fabrics: assorted batiks left from other projects

Made by: me

Quilted by: me

Pattern: Lucky Stars by Atkinson Designs

Quilt Name: Christmas Stars

Size: 64″ x 81″

Fabrics:  Assorted Christmas yardage bought because I liked it

Made by: me

Quilted by: Julia Madison

Have you made a Christmas quilt yet this year?  It’s not too soon to start 😉

 

Scraps Happen, Part III

There is no shortage of patterns for scrap quilts, and often I start with a pattern I’ve found somewhere and modify it to suit me.  I have notebooks full of pictures from magazines and photos I’ve taken of vintage or show quilts, so I use those for inspiration.  Here is a quilt I made by modifying a pattern from a magazine I’d been saving for a long time:

You can find the original pattern for this quilt by going to AllPeopleQuilt.com and searching for the “trail mix” pattern

The above quilt was made from my husband’s old shirts–whether that counts as scraps or yardage is a matter of opinion 🙂

I have some favorite scrap patterns I’ve used repeatedly over the years.  This one, which I learned from Barbara Lenox many years ago, is intended to be made at the end of the year using scraps from all the projects you made that year.  I love that idea and have made several of these.  You can see my post explaining the basic block here.

Another favorite quilt pattern is Junk to Jems, by Linda J. Hahn.  Here is my version which has been modified a fair amount from the pattern.

One thing I love about this pattern is that it is possible to make the elements of each block then re-arrange them so that there are several different variations on the same block.  So yes, my version is not quite like hers.

Augusta Cole is another teacher whose scrap quilts I admire, and I have made several from her Snappy Scrappy Stars pattern.  This makes a great leaders-and-enders project for me and I often use the blocks in donation quilts.

This is a leaders-and-enders project from Augusta Cole’s Scrappy Snappy Stars pattern

Of course, often a quilt starts as a pattern and then veers off course (surprise!).  The quilt below started as a way to use both a linen background and a group of fabrics I had in small amounts.  The original pattern is one of Karla Alexander’s stack and shuffle designs, and you probably can see that if you know the pattern.  This is my variation.Alison Glass fabrics quilt

And finally, even when I buy fabric for a quilt, I often buy fat quarters, which pretty much guarantees a scrappy look.  And I don’t really like making the same block twice, so often I make a variety of blocks for a single quilt.  Here is one last example of a quilt made from a fat quarter bundle, though it appears scrappy.

The pattern is Bermuda Sunset, another one by Linda Hahn.

A friend who is a writer mentioned the other day that her stories sometimes take on a life of their own and lead where she didn’t expect to go.  She asked if my quilts do that, too.  Absolutely!  Start out headed for A, end up at Q!

It’s all good. 🙂

Scraps Happen, Part II

Many of my scrap quilts are inspired by other quilters.  I still find it useful to start with a collection of fabrics I think “go together”.  In that regard, I do NOT worry about color per se, though I recognize that color is a big “bugaboo” for many quilters.  I do find it useful to decide at the outset whether the quilt is to be bright or muted colors, but beyond that I don’t worry much.  And of course I break that rule sometimes, too.

One of my first inspired-by-others adventures was a series of quilts I made after reading Gwen Marston’s books.  I just love her aesthetic, and wish I had been able to take a class with her while she was alive.  Here is a quilt I made for the Quilt Alliance annual contest a few years ago, based on Gwen’s published quilts:

improvisational quilt

“Gwen Visits the Farm” is a quilt I made for the Quilt Alliance contest; the black fabric has words representing animal sounds such as “quack”

I also used a collection of Cherrywood scraps to make this quilt based on Gwen’s “liberated log cabin” idea:

improvisational quilt

Cherrywood Toss, 59″ x 61″, 2016.  My favorite part of this was making the background out of a mixture of dark colors.

Also, taking a cue from my friend who makes a small art quilt each week, I made these 3 quilts based on lessons in one of Gwen’s books:

I continue to learn from the quilters I consider “the best” by making quilts inspired by their ideas.  A recent one was inspired by Maria Shell’s tutorial on improvised flying geese:

The colors of the quilt blended with the colors of my chimney, where I stuck it up to be photographed

Of course, not all such experiments are particularly successful.  I love Freddy Moran’s aesthetic, but this table runner based on her ideas didn’t turn out very well, in my opinion.  I expect to make more things using her ideas, and they’ll improve 🙂

I designed and made this runner for a guild challenge

Since, at this point in my quilting career, most of my fabric collection is scraps, there will be many more scrap quilts to come!  Next week I’ll discuss how I use scraps in quilts made from patterns.

 

 

Scraps Happen, Part I

When I mentioned recently that I was making a basket to hold scraps as I work on a project, my blogging friend Elizabeth asked how I decide what to do with the scraps.  This first post will be about how I design scrap quilts; the second in the series will be about how I use inspiration from other quilters; the third will be about how I modify published patterns for scrap quilts.

My first improvised scrap quilt was made close to 20 years ago.  I absolutely just starting sewing scraps together and kept it up until I had a collection of blocks.  The scraps were all from an Amish-style quilt I had made, which kept the blocks cohesive.

improvisational blocks

I then added 2 shades of yellow for sashing.

improvisational quilt

Nothing Is Wasted, my first improvisational quilt, 2001-2002

Using scraps from a single project is one way to be sure the scraps all play well together, assuming the fabrics were well coordinated in the original project.  After making the quilt below for Modern Quilts Unlimited with some yummy Cotton Couture fabrics provided by Michael Miller…

quilt photo

My Zippy Star Quilt and Pillow as shown in Modern Quilts Unlimited, Summer 2014

I started sewing all my tiny scraps together and added a tiny paper-pieced star to make a donation quilt for the Quilt Alliance annual contest:

scrap quilt

Confetti Star, 20″ x 20″, 2014.  Some of these pieces finish less than 1/4″ square

I then started combining scraps of a single color to make blocks.  I called them “slabs”, since the idea of making single-color scrap blocks came from Cheryl Arkison (though hers are much more orderly than mine).  Here is one example of a quilt made from these single-color blocks:

On at least one occasion I decided a collection of yellow and orange scrap blocks were booooring, so I cut them up and inserted some bright blue before combining them in a quilt:Improvisational quilt, orange and blue quilt

Sometimes I am “forced” to design a new quilt because the scrap bins are overflowing.  When the strip bins got out of hand last spring, I designed this quilt.  The idea of putting a circle in the alternate blocks came from my friend Jerri.  The triangle blocks were because I have a 60 degree triangle ruler 🙂

Machine applique of these circles was done after the quilting, so there was no need for further stabilizer

On another occasion, some friends and I had way too many 2.5″ blocks, so we developed these blocks and set them on point.  That quilt hung around for a long time “needing something”.  Eventually I added a central motif, and here it is:

The petals were fused on with Heat’n’Bond, and then I buttonhole stitched around them

Another design process I like to use is to simply fill a piece of batting with scraps.  For the table runners shown below, I selected a group of fabrics for the top and a piece of backing fabric about 6″ longer and wider than the finished runner.  I spray basted the batting to the backing, then started filling the space on the batting with pieces of fabric from my collection. I didn’t sew them down until I had a whole section done, since this type of designing involves cutting off bits here and there to keep edges even.

modern table runner

Here is one of the samples for my improvised table runner class

improvisational quilt

I have taught this method as a class, but it proved to be too unstructured for some people, who really just wanted to make my runner.  I continue to use the method for myself but have not attempted to teach it to others again!

So, in response to the question of my process for designing scrap quilts, it’s really just “by the seat of my pants”.  I do start with a collection of fabrics I like together, but otherwise it’s sew first, plan later.  What I’m not showing, of course, is all the “fizzles” that got thrown out along the way!

Please stay tuned for Part II, scrap quilts inspired by other quilters.  And go visit Elizabeth, who inspired this post!

Teaching Quilt As You Go

I recently had the privilege of teaching Quilt-As-You-Go (QAYG) techniques to a nice bunch of quilters at Studio Stitch in Greensboro.  Here’s the summary:

Georgia Bonesteel’s QAYG method is the first one I learned, many years ago.  I brought along a queen-sized quilt I made using the method to show.  I demonstrated QAYG this way, and we all agreed to go on to something easier!

I made this Jewel Box quilt many years ago using Georgia Bonesteel’s QAYG method

Marti Michell’s method for quilting 1/3 of a large quilt at a time seems much easier and I demonstrated it.  You can find out more about it from her book Machine Quilting in Sections or from her demos on YouTube.

The class sample used another common QAYG method, constructing the blocks and quilting them at the same time.

The class was structured so that students could make the class sample if they wanted, or could bring any pattern they chose.  Three people brought other patterns and we worked out how to use those with the QAYG method.  Everyone made a lot of progress on a quilt during class!

Two quilters brought fairly complex patterns and got a good start on their blocks:

One quilter wanted to learn QAYG so she could do something with a group of blocks she inherited:

A couple of quilters brought scraps from dresses they had made for their children back when they were little:

And one quilter brought a jelly roll and coordinating fabric, enabling her to make rapid progress toward her own version of the class sample quilt:

If you want more information about the class sample shown above, the post about it is here.

Another UFO Bights the Dust!

I’m making a concerted effort to get rid of more UFOs (UnFinished Objects) this year. Of course, the real challenge is to avoid creating new ones!

This is the third time I’ve made the Lombard Street pattern by Sassafras Lane Designs.  This shows how much I love the design–usually I make any pattern only once.  Here are the previous quilts:

And here is the completed UFO, ready to be donated at the next retreat with my donation quilt group:

Quilt Stats

Pattern: Lombard Street by Sassafras Lane.  This is the smallest of 3 sizes.

Finished size:  39.5″ x 43.5″

Fabric is scraps for the triangles and solid from stash for the background and binding.

Pieced by me, though it took over a year.

Quilted by me.

If you want to make one, you can get your own copy of the Lombard Street pattern here.

Kraft-Tex Baskets

When I finish a quilt, I cut the scraps into usable sizes.  If there’s enough for strips, I cut them and store them in bins by width.  If there are chunks that make good squares for the next scrap quilt (I always have at least one in progress), I cut those and toss them in a pile for use the next time I have a scrap quilt day.scrap block, slabs, scrap quilt

About those piles…it’s easy for the studio to be a mess, so I thought I should have a basket to hold the scrap quilt pieces until I’m ready to make the blocks!  I found a free pattern by Noodlehead that makes baskets in two sizes; you can get it here.

I made the baskets out of some of the Kraft-Tex sent to me by C&T when I agreed to be a Kraft-Tex ambassador.  The patterns have only the corner seams, which are 1/4″, so they worked out very well for Kraft-Tex.  For the smaller one, I did not use any interfacing, but for the larger one I used fusible interfacing as instructed.  Yes, it fused to the Kraft-Tex just fine.  I ironed from the interfacing side, using a press cloth, and it adhered to the Kraft-Tex without difficulty.

I made another one of the larger baskets, adding a handle, and am thinking of hanging it in the laundry room to hold stray socks.  (Although, really, does a missing sock ever show up, or is this a futile plan?)  This picture better shows the lovely color of the Kraft-Tex, which is one of the newer pre-washed offerings.

One final benefit of these baskets–they were fully washable. I have washed Kraft-Tex  in the past, and it came out just fine.   Now to organize some scraps!

Serendipity Quilt

I love this quilt because it gets rid of both a UFO and some scraps!

I had this great backing fabric with all the color names you can imagine written on it, and I had just finished backing a quilt with it. Did NOT want to put the scraps in a scrap drawer if I could help it–those are overflowing!

Blocks finish 6″, so this is an 18″ square section to show fabrics

At the same time, I had these great little sew-and-flip stars from a block swap and needed to do something with them. Serendipity!

Here is a single block showing the quilting:Here is the finished quilt:

QUILT DETAILS

Name: Serendipity

Finished size: 42” x 42”

Alternate blocks are Windham Fabrics Modern Hand fabric

Sew and flip stars from a group swap

Designed, made, and quilted by me

Current Series: Blue Ridge

My first Blue Ridge quilt just returned from the Vermont Quilt Festival and will next go to the Asheville Quilt show.

art quilt

Meanwhile, Maria Shell published a tutorial on how she makes flying geese blocks for her quilts, so of course I had to try it.The result is Blue Ridge II.

The colors of the quilt blended with the colors of my chimney, where I stuck it up to be photographed

In case a viewer doesn’t get why there is a red triangle among the earth-sky-water tones, I backed the quilt with cardinal fabric 🙂 The fabric is from Cotton + Steel in 2018, before they left RJR.

The quilt is faced using the technique from Terry Aske’s tutorial, which worked very well.  Here are the quilt stats:

Blue Ridge II

  • 28.5 inches wide, 26.5 inches tall
  • The fabrics are batik scraps left from other projects
  • The backing is from RJR, a Cotton and Steel fabric from 2018
  • The piecing was inspired by Maria Shell’s tutorial on flying geese (link above)
  • The facing was done using Terry Aske’s tutorial (link above)
  • Quilt was pieced and quilted by me.  The batting is Quilter’s Dream Cotton, Request loft.

 

 

Little Green Man Quilt

This block has been floating around on Pinterest for some time, and I really like it so It’s been on my to-do list.

This is a copy from Pinterest, where the block has been widely shared without attribution

I don’t like to borrow things without attribution, so I went in search of just who designed this.  Luckily, my friend Elizabeth was in a bee that used this block, so I learned from her blog that the block was designed by Kylie Kelsheimer.  A friend of Elizabeth’s located the original post for her through the wayback machine.  You can find Elizabeth’s post about all this here (you’ll have to scroll down quite a bit) and the original pattern here.  I see from Elizabeth’s latest post that the pattern is now available through PayHip, but that was not the case when I first investigated it a year ago and started this project.

Which brings me to why I changed it all up.  The original block is small and paper pieced–not my style!  I wanted to make it big and make the stars wonky.  Therefore, the instructions here are NOT for Kylie’s block, though the idea is based on her original block as noted above.  In fact, the block as shown on Pinterest is really 4 blocks, each rotated so that they fit together as shown in the pin.

I drew the block with Electric Quilt so that it finishes 18″ square.  Here it is showing fabrics.

My wonky star block, drawn with Electric Quilt 8

And here is the base block in case you want to make it yourself:

Star base block, drawn with Electric Quilt 8

Here is my tutorial on making sew-and-flip stars, in case you’ve never done it before.

As you can see, I substituted my Little Green Man for 4 of the blocks–those would be the 4 in the lower right-hand corner looking at my layout above.  You will see that I rotated the blocks various ways, which is how Little Green Man ended up in the lower left corner after I substituted him in the lower right.

You can find my instructions for making the LIttle Green Man here.

And here is one of the finished wonky star blocks.

The finished quilt:

QUILT DETAILS

Little Green Man

Finished size: 54” x 72”

A variety of fabrics from different manufacturers

The pattern is outlined in the blog above, but is not available commercially

Quilted by Julia Madison, except for the Little Green Man block, which she left for me because I wanted to avoid any extra holes in the Kraft-Tex I used for applique.

Now, does anyone else recall the “Little Green Man” song from the 1950s?