A Class with Lyric Kinard

I’ve been a fan of Lyric Kinard for years. Her work is amazing, and she is constantly supporting other artists through her newsletter, classes, and example. So when she offered a low cost online workshop to help artists clarify goals for the coming year, I signed up! (She was doing this abbreviated workshop at low cost to raise money for those affected by Hurricane Helene in Western North Carolina.) Here are a few of my take-aways.

The first session of the workshop was on clarifying one’s goals as an artist, specifically for the coming year. After working through the exercises, I decided I need to play more. Somehow I’ve gotten into the habit of judging my day by how much I produce rather than how much I learned. I enjoy trying new things, so that doesn’t make sense.

Then the question is what to do with the quilts I make just for fun. I have some fun quilts that I like, but I’ve never submitted them anywhere. Here’s one, just because this post needs some photos!

Trees, 9.5″ x 9.5″, done just for fun

So I decided I need to submit to more shows. I set a goal of getting more rejections! Because that means I at least tried.

Lyric’s second session was about principles of design, and of course I realized I know this. But what do I do with it?

Then Lyric continued with an explanation of how to critique an art work in light of these principles. She used my quilt for critique in one session because I was the only person present who had submitted something (in response to her request). Here’s the piece I submitted.

Lyric explained that her version of critique describes how the principles of design are exemplified in a particular quilt (or other work of art). It specifically does not include giving an opinion about whether you like or dislike each element; it’s just a description.

So what did I learn from this critique? I noted the importance of each element of design in my quilt and learned that the solid line at the top stops the movement created by the green triangles.

Most revealing was Lyric’s request that anyone in the class say what they think of when they see the quilt, and people said things like “zoom!” That let me know that my quilt gets its message across.

Overall, Lyric’s workshop was helpful in getting me to commit to submitting my work more often. Her idea of critique and her example were very useful in helping me look at my work. Yes, I did take a basic design class years ago, but I haven’t been consciously using design principles to analyze my work.

Lyric has taught her version of art critique for years, but she now has a new book on the topic. I’m linking to her site, where you can find that and her other books. Looks like the critique book is electronic only at present, but I believe there’s to be a hard copy soon. Also, if you get a chance to take a class with Lyric, I recommend it!

And finally, I have already submitted something! The picture below is of a postcard I made for the Sisters Outdoor Quilt Show fundraiser, and submitted in response to their call for entries!

House Card, 4″ x 6″

 

A “Finish” From 2014

This started as an art quilt in 2014 because I had some fabrics that were translucent and had a sheen. I thought they would make great fish.

I pieced strip sets and then joined them with curved seams to make the background. I inserted some gold streaks to represent sunlight in the water.

Then I appliqued the fish onto the background, and decided it wasn’t good enough. Who knows why?

My original plan was to add lots of beads for bling, but when I found this during my studio de-clutter, I decided against that. It’s going to be a donation quilt and I expect some kid will like it just fine. No beads on kid quilts, so it’s good to go.

Gotta know when to keep going on a project and when to move on to the next one. I just took a class with Lyric Kinard to focus on what comes next. You’ll be among the first to know!

 

Repair–The Fifth Finish

Yes, “Repair” is the name of this pattern, by Eudaimonia Studio. I especially enjoyed that instructions are given for both “precise” and [deliberately] “imperfect” styles! In case you can’t guess, I certainly chose the imperfect directions, which encourage cutting off of points every chance you get–ha! Then I arranged the blocks semi-randomly rather than in one of the multiple suggested layouts, and here we are.

Here’s the back with the hope that you can see the wonderful panto quilting done by Linda Nichols. The design is called “Mid-Century Squared” and I think it’s perfect for the quilt.

Quilt Stats

Name: Repair

Finished size: 57″ x 71″

Design by: Eudaimonia Studio, available here

Pieced by: me

Quilted by: Linda Nichols

This was an enjoyable project and I recommend the pattern–it was easy and fun.

The 32-Piece Quilt

I first saw this quilt hanging in a shop I visited while travelling. It was made in the original dark colors as designed by Tim Holtz, but it was striking. I downloaded the pattern (available free, here) and procrastinated for a few months.

Finally I gathered my Tim Holtz fabrics and made my version in lighter colors.

The only difficult part was getting the fabrics cut in the correct orientation. The name of the pattern is “Curious By Nature”. Once I got the pieces cut, it went fast because there are only 32 pieces!. I love the quilt and loved making it. Did I mention I love this quilt?

And here’s a picture of where all 8 points come together at the center. I take little credit for this, because the pattern included shaped points that made this possible!

I love those Tim Holtz fabrics–they’re so wierd! And did I mention I love this quilt?

Quilt Stats

Name: Curious By Nature

Designer: Tim Holtz

Finished size: 61″ x 61″

Pieced by: me

Quilted by: Linda Nichols